The Emperor Domitian's passion for novelty and variety in the arena has given rise to a very different kind of warrior - the Gladiatrix.

    But every few years Barbarians sweep in raping, killing and burning. This time the people of Orak are going to fight, but their military commanders flee as the enemy army approaches, leaving only Eskkar a lowly lieutenant in charge. But Eskkar has one advantage: he understands the barbarians better than anyone: he was once one himself but fled a vendetta.Eskkar is given Trella, a slave girl as a reward for his loyalty. They form a partnership forged on mutual desire and courage; he with his ability to command men and his military expertise, she with her insight into the minds of the townsfolk. Together they rally the people. What follows is an orgy of battle, bloodshed and sex that is simply unputdownable.

    At thirteen years he led his army victoriously against the might of the Emperor of Rome. He was a god-like young man: strong, beautiful, charming and beloved of his soldiers. Once established as Emperor though, his family sought to influence him, but he rejected them, and they, like the Senate, became his deadly enemies. Through the story of this unusual and outrageous man we see the background of third century AD Roman Empire--the power of family and dynastic ties, and the struggle between autocratic ruler and his advisers.

    The hero of the story, the man called "a pillar of iron" is Marcus Tullius Cicero, the lawyer-statesman who tried vainly to save the republic he loved from the forces of tyranny. Unfolding here are the private dramas behind the great Roman hero's triumphs and defeats - and the intimate, deeply moving story of his desperate love affair with the beautiful Livia.

    Volume 1 was published in 1776, going thru six printings; 2-3 in 1781; 4-6 in 1788-89. It was a major literary achievement of the 18th century, adopted as a model for the methodologies of historians.The books cover the Roman Empire after Marcus Aurelius, from 180 to 1590. They take as their material the behavior & decisions that led to the eventual fall of the Empire in East & West, offering explanations.Gibbon is called the 1st modern historian of ancient Rome. By virtue of its mostly objective approach & accurate use of reference material, his work was adopted as a model for the methodologies of 19-20th century historians. His pessimism & detached irony was common to the historical genre of his era. Although he published other books, Gibbon devoted much of his life (1772-89) to this one work. His Memoirs of My Life & Writings is devoted largely to his reflections on how the book virtually became his life. He compared the publication of each succeeding volume to a newborn.Gibbon offers an explanation for why the Roman Empire fell, a task difficult because of few comprehensive written sources, tho he wasn't the only historian to tackle the subject. Most of his ideas are taken from what few relevant records were available: those of Roman moralists of the 4-5th centuries. According to Gibbon, the Empire succumbed to barbarian invasions because of lost of civic virtue. They'd become weak, outsourcing defence to barbarian mercenaries, who became so numerous & ingrained that they took over. Romans had become effeminate, incapable of tough military lifestyles. In addition, Christianity created belief that a better life existed after death, fostering indifference to the present, sapping patriotism. Its comparative pacifism tended to hamper martial spirit. Lastly, like other Enlightenment thinkers, he held in contempt the Middle Ages as a priest-ridden, superstitious, dark age. It wasn't until his age of reason that history could progress.

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    But the woman whose image was later immortalized in glittering mosaic was, in fact, a scrappy, clever, conniving, flesh-and-blood woman full of sensuality and spirit whose real story is as surprising as any ever told…When her father dies suddenly, Theodora and her sisters face starvation on the streets. Determined to survive, Theodora makes a living any way she can—first on her back with every man who will have her, then on the stage of the city’s infamous amphitheater in a scandalous dramatization of her own invention. When her daring performance grants her a back-door entry into the halls of power, she seizes the chance to win a wealthy protector—only to face heartbreak and betrayal. Ever resilient, Theodora rises above such trials and by a twist of fate, meets her most passionate admirer yet: the Emperor’s nephew. She will thrive as his confidant and courtesan, but many challenges lie ahead. For one day, this man will hand her a crown. And all the empire will wonder—is she bold enough, shrewd enough, and strong enough to keep it?

    It was on his travels that he found his own very real gift for healing—a gift that urged him on to become a doctor. So all consuming was his dream, that he made the perilous, unheard-of journey to Persia, to its Arab universities where he would undertake a transformation that would shape his destiny forever.

    Leaving her militaristic homeland, Caecilia is determined to remain true to Roman virtues while living among the sinful Etruscans. But, despite her best intentions, she is seduced by a culture that offers women education, independence, sexual freedom, and an empowering religion.Enchanted by Veii but terrified of losing ties to Rome, Caecilia performs rites to delay becoming a mother, thereby postponing true entanglement. Yet as she develops an unexpected love for Mastarna, she’s torn between her birthplace and the city in which she now lives. As war looms, Caecilia discovers Fate is not so easy to control, and she must choose where her allegiance lies.The Wedding Shroud is the first book in the series A Tale of Ancient Rome. Subsequent books in the series include The Golden Dice and Call to Juno.

    A lost soldier without a memory and now a brutal battle to win. For fans of Bernard Cornwell, Simon Scarrow, Ben Kane and Conn Iggulden, a spectacular debut where honour and duty, legions and tribes clash in bloody, heart-breaking glory . . . AD 9. Fifteen thousand battle-hardened Roman legionaries strike deep into dense forest. Awaiting them are deadly, hostile Germanic tribes. In a clearing they find twelve massacred and strung-up legionaries.Is this a threat, or a warning?There is just one bloodied, broken survivor. He has no idea who he is. Only that he is a soldier.And now he must fight. As the legions are mercilessly cut down, the nameless soldier joins a small band of survivors trapped in the forest. If they fight together they have a slim chance of staying alive. But whose side is the soldier on? And is it the right one? 'Gives Rome's legionaries a contemporary voice - brutal, audacious and fast paced' Anthony Riches, author of Empire series'Historical fiction written by a real war veteran who knows all there is to know about blood and bonding in battle. An earthy and powerful read' Sport'Blood and guts, but also a clever exploration of the moral ambiguity of war and loyalty to a flag' Mail on Sunday

    As a rebellious child seated beside the tyrannical Roman Emperor Tiberius, she first spies the powerful gladiator who will ultimately be her one true passion. Yet it is the ambitious magistrate Pontius Pilate who intrigues the impressionable young woman she becomes, and Claudia finds her way into his arms by means of a mysterious ancient magic. Pilate is her grand destiny, leading her to Judaea and plunging her into a seething cauldron of open rebellion. But following her friend Miriam of Magdala's confession of her ecstatic love for a charismatic religious radical, Claudia begins to experience terrifying visions—horrific premonitions of war, injustice, untold devastation and damnation . . . and the crucifixion of a divine martyr whom she must do everything in her power to save.

    Here is a story of a great civilization made human, played out through the lives of four families who are divided by ethnicity but united in shaping the destiny of their land.

    Emperor Valens juggles the paltry border defences to stave off invasion from the Goths north of the Danube. Meanwhile, in Constantinople, a pact between faith and politics spawns a lethal plot that will bring the dark and massive hordes from the east crashing down on these struggling borders. The fates conspire to see Numerius Vitellius Pavo, enslaved as a boy after the death of his legionary father, thrust into the limitanei, the border legions, just before they are sent to recapture the long-lost eastern Kingdom of Bosporus. He is cast into the jaws of this plot, so twisted that the survival of the entire Roman world hangs in the balance…

    But fate is about to intervene. When the king of the Picts, the savage people beyond Hadrian’s Wall, dies in mysterious circumstances, Castus is selected to command the bodyguard of a Roman envoy sent to negotiate with the barbarians.But the diplomatic mission ends in bloody tragedy. Castus and his men are soon fighting for their lives and the legionary discovers that nothing about his doomed mission was ever what it seemed.

    Sallust adopts the usually accepted view of Catiline, and describes him as the deliberate foe of law, order and morality, and does not give a comprehensive explanation of his views and intentions. Catiline had supported the party of Sulla, to which Sallust was opposed. Sallust's "Jugurthine War" is a valuable and interesting monograph. We may assume that Sallust collected materials and put together notes for it during his governorship of Numidia. Here, too, he dwells upon the feebleness of the senate and aristocracy.