Charged with carving the angels upon Alice's tomb, Simon has been truly touched by God's gift - there was an otherworldiness to their stone features, an aliveness to the very feathers of their wings. He saw beauty that others could not, and brought it to life through his craft. But Simon also saw the beauty of Elyn, one of Alice's ladies in waiting. Clandestine meetings have given way to sinful lust, and now the two lovers have disappeared. The servants whisper that the lovers have eloped, and secretly pine for the passion to do the same. Lady Alice believes her sculptor has been stolen away by jealous rivals and rages at the injustice. But Frevisse alone suspects there may be some darker truth behind the midnight vanishing...A story from Margaret Frazer's Tales.PRAISE FOR THE SISTER FREVISSE MEDIEVAL MYSTERY SERIES"Frazer's quiet yet intense medieval mysteries are so vividly and gracefully written you just float back in time..." - The Poisoned Pen"There is action aplenty and intrigue in abundance." - Historical Novels Review"Frazer weaves historical details into the life of the fictitious nun... Whether good or evil, her characters are vibrant and compelling. While we might like to believe that the prejudices of that era have passed into history, we are reminded that we are not so very different after all." - Romantic Times Book ClubA Romantic Times Top Pick.Twice nominated for the Minnesota Book Award.Twice nominated for the Edgar Award.

    Although the Simon de Montfort rebellion is over, the smell of death still hangs like smoke over the land. Even in the small priory of Tyndal on the remote East Anglian coast, the monks and nuns of the Order of Fontevraud long for a return to tranquil routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress over someone of their own choosing. Nor are Eleanor's own prayers for a peaceful transition answered. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief. Now she must not only struggle to gain the respect of her terrified and resentful flock but also cope with violence, lust and greed in a place dedicated to love and peace.

    Yet for the bridegroom, the talented young artist, Sebastian Foxley, his marriage day begins with disaster when the valuable gold livery collar he should wear has gone missing. From the lowliest street urchin to the highest nobility, who could be the thief? Can Seb wed his sweetheart, Emily Appleyard, and save the day despite that young rascal, Jack Tabor, and his dog causing chaos? Join in the fun at a medieval marriage in this short story that links the first two Sebastian Foxley medieval murder mysteries: "The Colour of Poison" and the next full-length novel "The Colour of Cold Blood".

     THE CORONER’S TALE In the remote Devonshire town of Crediton, a young girl is found dead in an alleyway, raped and murdered. As the local Bailiff and a visiting knight investigate the crime, it comes to light that the bailiff holds an incriminating secret – one that has the potential to place this agent of the government on the wrong side of the law. FOR THE LOVE OF OLD BONES A group of monks journeying from Launceston Abbey across the wild wastelands of Dartmoor are waylaid by brigands. During the brawl, their abbot is put to death at the blade of a knife, but the murderer neglected to steal his money filled purse. When the local bailiff discovers that the group are conducting a holy relic overseas to France, he begins to suspect that there are murkier motivations at play. THE AMOROUS ARMOURER A blacksmith is found dead in his lodgings, the door locked from the inside. As the town’s meticulously minded bailiff goes about his investigation, a veritable rogue’s gallery of culprits drift in and out of focus - but the guilty party is the least suspect of all. A CLERICAL ERROR One of the king’s forresters lies dead in a gully on the moor, his head smashed in with a rock, and the only witness to the murder being the forrester’s loyal mastiff, who stands vigil over his master’s body. As the list of suspects increases with every local rivalry which comes to light, the outcome of the case will surprise all involved. DANCE OF DEATH 1348, the year of the Great Death. Refugees flood into the city of Exeter from the plague-ravaged countryside surrounding the city. A man and a young boy from the village of Rookford arrive separately, yet both share knowledge of a horrifying secret and come to the realisation that even in these times of turmoil, the past is inescapable. Praise for Michael Jecks: "An instant classic British spy novel - mature, thoughtful, and intelligent ... but also raw enough for our modern times. Highly recommended." Lee Child, author of the Reacher series "More magic by the master of the medieval” - Quintin Jardine "Michael Jecks is a national treasure" - Scotland on Sunday “A textbook example of how to blend action and detection in a historical” - Publishers Weekly Michael Jecks is the author of the bestselling Knights Templar series, comprising thirty-two novels starring Baldwin de Furnshill. Fields of Glory is the first novel in a new trilogy, set around the Hundred Years' War. A regular speaker at library and literary events, he is a past Chairman of the Crime Writers' Association and a Fellow of the Royal Literary Fund at Exeter University. He was shortlisted for the Harrogate/Theakston’s Old Peculier prize for the best crime novel of the year 2007, the year Allan Guthrie won. He lives with his wife, children and dogs in northern Dartmoor. To find out more visit his website http://www.michaeljecks.com, follow him on twitter @michaeljecks, or find him on facebook: http://www.facebook.com/Michael.Jecks... Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com.

    Will her death end the ceaseless plotting against Mary’s red-haired cousin, Elizabeth?1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London’s “The Queen’s Head” where Lord Westfield’s Men perform. The scene there grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.Nicholas Bracewell, the company’s bookholder (a role far wider than mere producer) faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star — and chief shareholder — Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.Soon further robberies, accidents, and misfortunes strike Lord Westfield’s Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade — an appearance at court — and the canny bookholder senses the end to the drama is at hand…First published to great acclaim in 1988, The Queen’s Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwright Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy was nominated for a 1996 Edgar Award for Best Novel.

    Eleanor of Aquitaine sits upon England's throne. Her beloved son Richard Lionheart is missing, presumed dead - and the court whispers that her younger son, John, is plotting to seize the crown. Meanwhile, on the snowy highroad from Winchester, a destitute young man falls heir to a blood stained letter, pressed into his hand by a dying man. The missive becomes Justin de Quincy's passport into the queen's confidence - and into the heart of danger, as he pursues a cunning murderer and jousts with secret traitors in Eleanor's court of intrigue and mystery . . .

    Saddled with a clerk who names Faucon his ‘penance', the shire’s first Crowner must thread the tangled relationships between the sheriff, the village of Priors Holston and the priory that once ruled it. As a simple task takes a turn to the political, what seems obvious isn’t and what appears safe turns out to be more dangerous than he could imagine.

    Felons have been released from English prisons at the command of the new king, Richard Plantagenet, and suspicion centers on them. But when Josse d'Acquin, the king's knight, arrives from France to investigate, he discovers treacherous currents of lust, greed, and anger flowing closer to the Abbey, and in the haunted Weald of Kent, whose woods hide strange secrets....With the help of the worldly, beautiful Abbess Helewise, Josse ferrets out an array of suspects. Their one precious piece of evidence is a gold, rubied cross. But the shocking truth of Gunnora's death is an elusive-and far more dangerous-prize.AUTHORBIO: ALYS CLARE lives in Tonbridge, England, in the area where Fortune Like The Moon is set. This is the first in a series of medieval mysteries set in the Weald of Kent.

    When young bookseller Nicholas Elyot discovers the body of student William Farringdon floating in the river Cherwell, it looks like a drowning. Soon, however, Nicholas finds evidence of murder. Who could have wanted to kill this promising student? As Nicholas and his scholar friend Jordain try to unravel what lies behind William’s death, they learn that he was innocently caught up in a criminal plot. When their investigations begin to involve town, university, and abbey, Nicholas takes a risky gamble – and puts his family in terrible danger.

    The Lord of the Isles, overlord of the islands, assigns the task of finding the killer to Muirteach, the Prior’s bastard son.Since breaking with his father and leaving the monastery, Muirteach has spent his time acting as scribe for his uncle, an island chieftain. Muirteach’s father, a powerful churchman, leaves behind a mistress and several other bastards as well as his embittered eldest son, who is thankful he will never hear the words, “My bastard son, the cripple” again.As Muirteach seeks to find his father’s murderer he is helped by the physician Fearchar Beaton, and his daughter Mariota. Muirteach himself is suspected of the murder, as are the Prior’s mistress, her family, and the sub-prior. The killer strikes again, His Lordship wants the mystery solved before the Pope and the King in Edinburgh learn of it, and Muirteach himself must come to terms with his own troubled relationship with his father. Muirteach’s investigation submerges him deep into a whirlpool of deceit, long buried sins, and treachery, from which no one emerges unscathed.

    Despatched to a monastery at the age of seven, sent back at seventeen when his father and two older brothers are killed by the Plague, Oswald has no experience of running an estate. He finds the years of pestilence and neglect have changed the old place dramatically, not to mention the attitude of the surviving peasants.Yet some things never change. Oswald's mother remains the powerful matriarch of the family, and his sister Clemence simmers in the background, dangerous and unmarried.Before he can do anything, Oswald is confronted by the shocking death of a young woman, Alison Starvecrow. The ambitious village priest claims that Alison was killed by a band of demonic dog-headed men. Oswald is certain this is nonsense, but proving it by finding the real murderer is quite a different matter. Every step he takes seems to lead Oswald deeper into a dark maze of political intrigue, family secrets and violent strife.And then the body of another girl is found.Sarah Sykes brilliantly evokes the landscape and people of medieval Kent in this thrillingly suspenseful debut."

     Magda the Riverwoman has called Owen Archer to her island hut in the middle of the River Ouse with a special favor—to guard a jar of human bones. No one in York is greedier than the relic dealers, the insatiable charlatans who sell flesh and bone as miracle cures, but Magda will not sell the remains at any price. Instead, she asks Owen to protect the jar and keep one eye out for the dark figure that has been watching the island, waiting patiently for the right moment to strike… THE BONE JAR is sure to delight long-time fans of Candace Robb’s Owen Archer series and provide first-time readers with a gripping introduction to her beautifully rendered world of treachery and intrigue, set in medieval England.

    In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .

    Placed under protection by Inspector Lestrade, Nell is ripped from her old life and her own secret police work. Instead she must live as a widow, Mrs Hudson, in a safe house: 221B Baker Street. Two years on, with the case still unsolved, Nell vows to defy Lestrade and use her skills to discover what happened. She takes a lodger to cover her tracks; a young man called Sherlock Holmes. Before long, he is working on her case - and Nell is assisting him.But as Nell delves into her past she raises ghosts whom one person would rather keep buried. Will she face danger, and risk her new life in the process? 'It's always been fun before - but now the police are the enemy...’A House of Mirrors is the first book in the Mrs Hudson & Sherlock Holmes series, which documents life at 221B Baker Street from Nell Hudson’s point of view.

    A Burnable Book is an irresistible thriller, reminiscent of classics like An Instance of the Fingerpost, The Name of the Rose and The Crimson Petal and the White. London, 1385. Surrounded by ruthless courtiers—including his powerful uncle, John of Gaunt, and Gaunt’s flamboyant mistress, Katherine Swynford—England’s young, still untested king, Richard II, is in mortal peril, and the danger is only beginning. Songs are heard across London—catchy verses said to originate from an ancient book that prophesies the end of England’s kings—and among the book’s predictions is Richard’s assassination. Only a few powerful men know that the cryptic lines derive from a “burnable book,” a seditious work that threatens the stability of the realm. To find the manuscript, wily bureaucrat Geoffrey Chaucer turns to fellow poet John Gower, a professional trader in information with connections high and low. Gower discovers that the book and incriminating evidence about its author have fallen into the unwitting hands of innocents, who will be drawn into a labyrinthine conspiracy that reaches from the king’s court to London’s slums and stews--and potentially implicates his own son. As the intrigue deepens, it becomes clear that Gower, a man with secrets of his own, may be the last hope to save a king from a terrible fate.Medieval scholar Bruce Holsinger draws on his vast knowledge of the period to add colorful, authentic detail—on everything from poetry and bookbinding to court intrigues and brothels—to this highly entertaining and brilliantly constructed epic literary mystery that brings medieval England gloriously to life.