So when an outsider with grand plans threatens to demolish an iconic local landmark and build a huge resort the battle lines are drawn.Young journalist Jessica hopes to make it big with her coverage of the court case, but first she has to appease her editor and put a human interest spin on the situation. At first glance the five people she chooses to background have little in common – but it soon becomes apparent that staying at The Beach House has changed all of them in some way.In telling the stories of Kate, Simone, Tom, Clare and Jack, Jessica too learns some important life lessons.

    More please.' - Michael Robotham'My friend Bryan Brown, quite apart from his other manifold talents, turns out to be an excellent writer. An authentic voice; highly imaginative yet completely believable, with a flair for fully realised characters and a gripping narrative … a great story teller. This is utterly baffling. I'm furious.' - Sam NeillIt was a gentle knock. Agnes had been waiting for it. Hoping he would be on time. Such a lovely fella, she thought...'Come on through. Got a surprise for you,' she said.He had one for her too.Phil and Sweet Jimmy are cousins. Phil grows orchids . . . spider orchids . . . learnt about them in the nick. Jimmy likes orchids, too, but there are other things he likes even more . . .Trish Bennett didn't like her life. Hadn't liked it for a long time. Been on the streets. Bit of this for a bit of that. The 'that' wasn't always nice. Then Ahmed found her.Sam is a tea-leaf, a thief. Likes nickin. . . anything . . . always has . . . until the day he knocked off more than the Volvo.Fell for the sexy and beautiful Sue May from Hong Kong, Frank Testy did. Silly old prick. What price for ego? A huge bloody price it turns out.Taut and crackling with character, these gritty, raw and sometimes very funny stories from Australian great Bryan Brown are Aussie Noir at its best. Crime doesn't discriminate . . . it can happen to anyone . . . it could happen to you . . . in any ordinary suburb . . . at any time.

    Now, he’s returned to Kippen for the first time in twenty years because his cousin Tony has been found dead under the local bridge.The news that Tony has left him the entire family farm triggers James’s journalistic curiosity – and his anxiety – both of which cropped up during his turbulent journey to adulthood. But it is the unexpected homophobic attack he survives that draws James into a hunt for the reasons one lonely Kippen farm boy in every generation kills himself.Standing in the way is James’s father, the town’s recently retired top cop, who is not prepared to investigate crimes no-one reckons have taken place. James must use every newshound’s trick he ever learned in order to uncover the brutal truth.A coming-of-age story and crime thriller with a large and gentle heart.

    Corruption... Movie-making. Judy Nunn weaves an intricate web of characters and locations in this spellbinding saga of the Ross family and its inescapable legacy of greed and power.

    Nhu 'Ned' Kelly is a young detective making her way in what was, until recently, the best police force money could buy. Now ICAC has the infamous Roger Rogerson in the spotlight, and the old ways are out. Ned's sex and background still make her an outsider in the force, but Sydney is changing, expanding, modernising, and so is the Job.When two bodies are found in the foundations of an old building in Sydney's west, Ned is drawn into the city's past: old rivalries, old secrets and old wrongs. As she works to discover who the bones belong to – and who dumped them there – she begins to uncover secrets that threaten to expose not only the rotten core of the police force, but also the dark mysteries of her own family.P.M. Newton worked in the New South Wales Police Force for thirteen years. Her debut is both a gripping crime novel and a brilliant portrait of Sydney's recent past.

    And safer. But soon her crime-writer ex-boyfriend turns up in town to promote his new novel, in which a woman is found dead — murdered — in a country lake. Hours later, Brigitte watches the police pull a body from the water near her Gippsland home.Her husband, a country cop now, is at the scene, though it’s not his investigation; he’s only helping the Melbourne Homicide Squad. But there’s something he’s not telling Brigitte.With her personal life spiralling out of control once more, and fearing her family is in danger, who can Brigitte turn to? And what if she makes the wrong choice?'Dead in the Water' is about trying to escape the cycle of trauma. It delves into the darkness beneath the surface of fear, betrayal, and revenge, to find a glimmer of hope.

    No one knows where Ben is, but everyone wants to find him – especially The Department. And they should know, the all-seeing government body has fitted the entire population with a universal tracking chip to keep them ‘safe’.But suddenly Ben can’t be tracked. And Mim is questioned, made to surrender her passport and threatened with the unthinkable – her two children being taken into care at the notorious BestLife.Cornered, Mim risks everything to go on the run to find her husband – and a part of herself, long gone, that is brave enough to tackle the journey ahead.From the stark backroads of the Australian outback to a terrifying sea voyage, Mim is forced to shuck off who she was – mother, daughter, wife, sister – and become the woman she needs to be to save her family and herself.

    Others you don’t dare let out … Twin Peaks meets The Dry in a deliciously dark and twisted tale that unravels a small town Ambitious young journalist Marlowe ‘Lo’ Robertson would do anything to escape the suffocating confines of her small home town. While begrudgingly covering the annual show for the local paper, Lo is horrified to discover the mutilated corpse of Lily Williams, the reigning showgirl and Lo’s best friend. Seven strange symbols have been ruthlessly carved into Lily’s back. But when Lo reports her grisly find to the town’s police chief, he makes her promise not to tell anyone about the symbols. Lo obliges, though it’s not like she has much of a choice – after all, he is also her father. When Lily’s murder makes headlines around the country and the town is invaded by the media, Lo seizes the opportunity to track down the killer and make a name for herself by breaking the biggest story of her life. What Lo uncovers is that her sleepy home town has been harbouring a deadly secret, one so shocking that it will captivate the entire nation. Lo’s story will change the course of her life forever, but in a way she could never have dreamed of.

    New South Wales has Eddie Obeid.Meet Australia's most corrupt politician whose brazen misdeeds were on a scale said to be "unexceeded since the days of the Rum Corps".From the shadows Obeid ran the state as his fiefdom, making and unmaking premiers. Along the way he pocketed tens of millions of dollars following corrupt deals. This explosive book chronicles the grubby deals the powerbroker had been making for decades before he was exposed. His tentacles stretched through all levels of government, encircling almost every precious resource - coal leases, Circular Quay cafes, marinas, even the state's water. All of them were secret money-spinners for Obeid and his family.Above ground, below ground, in the air, on the water, there was no domain beyond Obeid's grasp. Now, many of the key politicians of his era have given a candid account of Obeid's pernicious backroom influence.Following their groundbreaking investigations, the award-winning journalists Kate McClymont and Linton Besser have unearthed the vast but secret empire Obeid built over the decades, producing an authoritative account of how he got away with so much for so long.

    In The House on the Hill, Susan Duncan reaches an age where there's no point in sweating long-term ramifications. There aren't any. This new understanding delivers an unexpected bonus - the emotional freedom and moral clarity to admit to hidden and often fiendish facts of ageing and, ultimately, the find ways to embrace them. This, in turn, unleashes an overwhelming desire to confront her intractable 95-year-old mother with the dreadful secrets of the past before it is too late, no matter the consequences. It is the not-knowing, she says, that does untold damage. Interwoven with stories from the land - building a sustainable eco-house on the mid-coast of New South Wales with her engineer husband, Bob, and grappling with white-eyed roans, dogs, bawling cattle markets, droughts and flooding rains, not to mention blunt-speaking locals - this is a book about a mother and daughter coming to terms, however uneasy, with the awful forces that shaped their relationship.As the inconstancies of age slow her down, Susan Duncan writes with honesty about discovery and forgiveness, and what it takes to rework shrinking boundaries into a new and rich life.

    Grieving the loss of his wife, and blaming himself for her death, he sees no reason to carry on. But when his 'Uncle' Frank Douglas offers him the chance to lead a cave diving expedition in the jungles of Papua, Nash can see some light at the end of the tunnel.But the expedition might not be what it seems. With a decades old Japanese submarine buried deep in a cavern, and a team hell-bent on unleashing the treasures it hides, Nash finds himself on a ship heading for danger. With a lethal band of criminals on board, who will stop at nothing to get the gold, Nash is fighting for his life. Whilst battling his own demons, can he forgive himself for the wrongs of his past - and survive the perils of the deep?

     Murdoch’s doing just fine, thanks for not asking. He’s dealing drugs for a crime syndicate in Sydney and saving for a house by the sea. But what does he think life is, a fairy tale? As the syndicate puts pressure on him to fill the shoes of his murdered boss, Murdoch is cornered by an equally formidable foe: the Australian Tax Office demanding an explanation for his sizeable cash income. Murdoch spins a beautiful lie, telling tax inspector, Hannah Simms, he’s a private detective. When Simms asks him to investigate the mystery of her niece's disappearance, Murdoch grabs what he thinks is a golden opportunity to outrun the syndicate. But his arrival in the missing girl's small coastal home town causes an unexpected stir and the reluctant PI soon realises his troubles are only just beginning. HEADLAND is crime fiction at its best, a small town murder mystery to keep you guessing until the very end. ** THIS IS NOT THE AUSTRALIA YOU’VE SEEN ADVERTISED ** HEADLAND is the first book in the Bill Murdoch Mystery series. Set in Sydney, and small town Australia, this series will appeal to fans of Mick Herron, Peter Temple, Barry Maitland, Ragnar Jonasson, Erik Hamre, Jane Harper, Garry Disher, Mari Hannah, Dave Warner, Jock Serong, Pete Brassett, and Iain Rankin's Rebus novels. Tense and taut. Smart and sharply-observed. This is a cracking new addition to the Aussie crime genre. Bad-boy-turned-local-hero, Bill Murdoch, is back to solve more murder mysteries in the sequels CLASS ACT, and BASE NATURE. Out now!

    Someone has taken her little girl ... Emma Cardwell, host of top-rating morning TV show Cuppa, is beloved by audiences and only occasionally stalked by crazy fans. She seems to have it all - fame, money, a gorgeous family - but when her tiny daughter disappears from daycare, Emma is faced with every mother's worst nightmare. Is this a kidnapping, a product of her high profile, or is somebody out for revenge? As the hour's tick by and the pressure mounts, everything comes under scrutiny, including her own marriage, and Emma is forced to confront a terrifying question: can we trust the ones we love?

    Along the way you'll meet the 'Unsolved Squad' - the humble heroes and dedicated experts involved in collecting and connecting clues. Unsolved Australia is a chilling, thrilling and inspiring book full of drama, emotion... and hope.

    He didn't really know whether he'd seen anything at all, though. Maybe an abduction? Maybe just a stressed-out father.Detective Bart Moy, newly returned to the country town where his ailing, cantankerous father still lives, finds nothing. As far as he can tell no one in Guilderton is missing a small boy. Still, he looks deeper into the butcher's story — after all, he had a son of his own once.But when the boy does turn up, silent, apparently traumatised, things are no clearer. Who is he? Where did he come from and what happened to him?For Moy, gaining the boy's trust becomes central not just to the case but to rebuilding his own life. From the wreckage of his grief, his dead marriage and his fractured relationship with his father may yet come a chance for something new.A mystery, a meditation on fatherhood, a harrowing examination of love and loss: a new departure in literary crime from Stephen Orr.