A Yale graduate who had grown up in both France and America -- he was then known as Sanche de Gramont and was then a French citizen -- he was drafted into the French Army and served in Algeria 1956 and '57. In this memoir, Morgan relives the harrowing conflict in which every Arab was considered a terrorist -- and increasingly, many were.As a newly minted second lieutenant, he spends months in the back country -- the bled -- where everyone, including himself, becomes involved in unimaginable barbarities. "You cannot fight a guerrilla war with humanitarian principles," a superior officer tells Morgan early on. He beats up and kills a prisoner who won't talk and may have been responsible for the death of a friend. He kills another man in a firefight. He sees men die in encounters too small to be recorded, ones that his fellow soldiers quickly forget. For Morgan, the memories will never go away.Later, in Algiers, Morgan's journalistic experience -- he had spent all of four months as a reporter on the Worcester, MA, Telegram -- gets him a job writing for an official newspaper. He lives through the day-to-day struggle to put down an Arab urban insurgency, the first in modern history, with its unrelenting menu of bombings, assassinations, torture, show trials, executions, and the deliberate humiliation of prisoners. He misses death when a beach casino explodes just as he is going in for lunch. He becomes disillusioned with the war and what it is doing to his country. He is himself arrested, but not for the real offense he committed, helping a deserter to escape.Though the events Ted Morgan describes so vividly happened nearly half a century ago in Algiers, they might as well have taken place in Baghdad today.

    This exceptional novel by the well-known Russian writer describes the decay and eventual collapse of French society between 1935 and the German occupation in 1940.

    It is more than just a topic of intellectual interest: it has become part of a moral and political heritage. But after two centuries, this central event in French history has usually been thought of in much the same terms as it was by its contemporaries. There have been many accounts of the French Revolution, and though their opinions differ, they have often been commemorative or anniversary interpretations of the original event. The dividing line of revolutionary historiography, in intellectual terms, is therefore not between the right and the left, but between commemorative and conceptual history, as exemplified respectively in the works of Michelet and Tocquevifle. In this book, Fran�ois Furet analyses how an event like the French Revolution can be conceptualised, and identifies the radically new changes the Revolution produced as well as the continuity it provided, albeit under the appearance of change. This question has become a riddle for the European left, answered neither by Marx nor by the theorists of our own century. In his analysis of the tragic relevance of the Revolution, Furet both refers to contemporary experience and discusses various elements in the work of Alexis de Tocclueville and that of Augustin Cochin, which has never been systematically applied by historians of the Revolution. Furet's book is based on the complementary ideas of these two writers in an attempt to cut through the apparent and misleading clarity of various contradictory views of the Revolution, and to help decipher some of the enigmatic problems of revolutionary ideology. It will be of value to historians of modern Europe and their students; to political, social and economic historians; to sociologists; and to students of political thought.

    In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts--automobiles, washing machines, women's magazines, film, popular fiction, even structuralism--as well as in the practices that shape, determine, and delimit their uses.In each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France.Modernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of end of history ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize everyday life, laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    . . Emmy® award–winning journalist, TV host, and New York Times bestselling author Rita Cosby has always asked the tough questions in her interviews with the world’s top newsmakers. Now, in a compelling and powerful memoir, she reveals how she uncovered an amazing personal story of heroism and courage, the untold secrets of a man she has known all her life: her father. Years after her mother’s tragic death, Rita finally nerved herself to sort through her mother’s stored belongings, never dreaming what a dramatic story was waiting for her. Opening a battered tan suitcase, she discovered it belonged to her father—the enigmatic man who had divorced her mother and left when Rita was still a teenager. Rita knew little of her father’s past: just that he had left Poland after World War II, and that his many scars, visible and not, bore mute witness to some past tragedy. He had always refused to answer questions. Now, however, she held in her hand stark mementos from the youth of the man she knew only as Richard Cosby, proud American: a worn Polish Resistance armband; rusted tags bearing a prisoner number and the words Stalag IVB; and an identity card for an ex-POW bearing the name Ryszard Kossobudzki. Gazing at these profoundly telling relics, the well-known journalist realized that her father’s story was one she could not allow him to keep secret any longer. When she finally did persuade him to break his silence, she heard of a harrowing past that filled her with immense pride . . . and chilled her to the bone. At the age of thirteen, barely even adolescent, her father had seen his hometown decimated by bombs. By the time he was fifteen, he was covertly distributing anti-Nazi propaganda a few blocks from the Warsaw Ghetto. Before the Warsaw Uprising, he lied about his age to join the Resistance and actively fight the enemy to the last bullet. After being nearly fatally wounded, he was taken into captivity and sent to a German POW camp near Dresden, finally escaping in a daring plan and ultimately rescued by American forces. All this before he had left his teens. This is Richard Cosby’s story, but it is also Rita’s. It is the story of a daughter coming to understand a father whose past was too painful to share with those he loved the most, too terrible to share with a child . . . but one that he eventually revealed to the journalist. In turn, Rita convinced her father to join her in a dramatic return to his battered homeland for the first time in sixty-five years. As Rita drew these stories from her father and uncovered secrets and emotions long kept hidden, father and daughter forged a new and precious bond, deeper than either could have ever imagined.

    The tide of the war had turned. Their combined arms technique, which had swept Soviet forces before it during 1941 and 1942, had lost its edge. Thereafter the war on the Eastern Front was dominated by tank-led offensives and, as Robert Forczyk shows, the Red Army s mechanized forces gained the upper hand, delivering a sequence of powerful blows that shattered one German defensive line after another. His incisive study offers fresh insight into how the two most powerful mechanized armies of the Second World War developed their tank tactics and weaponry during this period of growing Soviet dominance. He uses German, Russian and English sources to provide the first comprehensive overview and analysis of armored warfare from the German and Soviet perspectives. This major study of the greatest tank war in history is compelling reading."

    When he is lost in battle she loses everything, even their children. Her fight to win them back recalls the terror of the shield wall, the harsh lives of convict slaves, and the enormous difficulties a lone woman must face in a male dominated heroic age."This is a really excellent read, a page turner that gives a vivid, convincing picture of 7th century Mercian England." The Historical Novels Review

    His firsthand account of his wartime service gives a graphic insight into his lethal skill with a rifle and into the desperate fight put up by Soviet forces to defend Leningrad. He also records how, during the three-year siege, close members of this family died, including his wife and two sons, as well as many of his comrades in arms. He describes these often-terrible events with such honesty and clarity that his memoir is remarkable.Piluyshin, who lived in Leningrad with his family, was already 35 years old when the war broke out and he was drafted. He started in the Red Army as a scout, but once he had demonstrated his marksmanship and steady nerve, he became a sniper. He served throughout the Leningrad siege, from the late 1941 when the Wehrmachts advance was halted just short of the city to its liberation during the Soviet offensive of 1944. His descriptions of grueling front-line life, of his fellow soldiers and of his sniping missions are balanced by his vivid recollections of the protracted suffering of Leningrads imprisoned population and of the grief that was visited upon him and his family.His gripping narrative will be fascinating reading for any one who is keen to learn about the role and technique of the sniper during the Second World War. It is also a memorable eyewitness account of one mans experience on the Eastern Front.

    Zywulska born in 1914 as Sonia Landau. During the German occupation of Poland, she was displaced with her Jewish family to the Warsaw Ghetto in 1941. She escaped from the Ghetto and became active in the Polish resistance movement. Under her new name, Zywulska, she was captured by the Nazis in 1943 and sent to Auschwitz. There is always the danger that we will forget things that are best not forgotten. Certainly, some things should be permanently recorded so that posterity will remember what we would prefer to erase from our memories. This is the story of a woman who was imprisoned for a number of years in Auschwitz, the notorious death camp. What she saw there makes medieval genocides look like child’s play. This is her memoir, and she shows not only her own courage but also her fellow prisoners’ fierce will to live. Half-starved, suffering from lice, scabies and dysentery and mowed down by typhus and pneumonia, they worked in fields of icy slush and mud and registered new arrivals—hundreds of thousands of women from Holland, Greece, Italy and Hungary, who did not know where they were or why they had been seized. That she survived and finally managed to escape to tell the tale is one of many reasons why this book should be published and widely read. Most of her companions were murdered so that they could not bear witness. Written just after the author’s escape and published in 1946, I Survived Auschwitz was the first ever book to emerge about the camp and therefore occupies an important place in Holocaust literature. In certain parts of this book you will notice changes made by Poland’s communist censors after 1945. Due to these interventions, the book has become an unintentional double witness to the 20th century’s two most dreadful totalitarian regimes. I Survived Auschwitz was published in cooperation with the Auschwitz-Birkenau State Museum. With additional footnotes, 26 percent increase in text, and 45 photos taken during war, the new edition is greatly expanded compared to the original 1946 English version. The book was translated from the Polish, Przeżyłam Oświęcim, by Lech Czerski and Sheila Callahan based on an initial translation by Krystyna Cenkalska.

    But until now, we have known only half the story. With the end of the cold war, decades of secrets have been exposed, bringing with them a remarkable opportunity: the unmasking of the true heroes and villains behind one of the most exciting races in history.At the center of this exhilarating, fast-paced account are Wernher von Braun, the camera-friendly former Nazi scientist who led the American rocket design team, and Sergei Korolev, the chief Soviet designer and former political prisoner whose identity was a closely guarded state secret. These rivals were opposite in every way, save for one: each was obsessed by the idea of launching a man to the Moon. Korolev told his wife, "In every century men were looking into the sky and dreaming. And now I'm close to the greatest dream of mankind."In attempting to fulfill this dream, Korolev was initially hampered by a budget so small that his engineers were forced to repurpose cardboard boxes as drafting tables. Von Braun, meanwhile, was eventually granted almost limitless access to funds by an American government panicked at the thought that their cold war enemy might take the lead in the exploration of space. Korolev, whose family life was destroyed by his long sentence in the Gulag, was constantly aware that any false move would finish his career or even his life. His rival, on the other hand, enjoyed remarkable celebrity in America and was even the subject of a 1960 biopic.In this extraordinary book, Deborah Cadbury combines sheeradventure and nail-biting suspense with a moving portrayal of the space race's human dimension. Using source materials never before seen, she reveals that the essential story of the cold war is a mind-bending voyage beyond the bounds of the Earth, one marked by espionage, ambition, ingenuity, and passion.

    Now, with The Crusader, Kengor returns with the one book about Reagan that has not been written: The story of his lifelong crusade against communism, and of his dogged–and ultimately triumphant–effort to overthrow the Soviet Union.Drawing upon reams of newly declassified presidential papers, as well as untapped Soviet media archives and new interviews with key players, Kengor traces Reagan's efforts to target the Soviet Union from his days as governor of California to the fall of the Berlin Wall and the collapse of what he famously dubbed the "Evil Empire." The result is a major revision and enhancement of what historians are only beginning to realize: That Reagan not only wished for the collapse of communism, but had a deep and specific understanding of what it would take––and effected dozens of policy shifts that brought the USSR to its heels within a decade of his presidency.The Crusader makes use of key sources from behind the Iron Curtain, including one key memo that implicates a major American liberal politician–still in office today–in a scheme to enlist Soviet premier Yuri Andropov to help defeat Reagan's 1984 reelection bid. Such new finds make The Crusader not just a work of extraordinary history, but a work of explosive revelation that will be debated as hotly in 2006 as Reagan's policies were in the 1980s.

    Invaded by both Germany and the Soviet Union, it remained under occupation by foreign armies from the first day of the war to the last. The conflict was brutal, as Polish armies battled the enemy on four different fronts. It was on Polish soil that the architects of the Final Solution assembled their most elaborate network of extermination camps, culminating in the deliberate destruction of millions of lives, including three million Polish Jews. In The Eagle Unbowed, Halik Kochanski tells, for the first time, the story of Poland's war in its entirety, a story that captures both the diversity and the depth of the lives of those who endured its horrors.Most histories of the European war focus on the Allies' determination to liberate the continent from the fascist onslaught. Yet the "good war" looks quite different when viewed from Lodz or Krakow than from London or Washington, D.C. Poland emerged from the war trapped behind the Iron Curtain, and it would be nearly a half-century until Poland gained the freedom that its partners had secured with the defeat of Hitler. Rescuing the stories of those who died and those who vanished, those who fought and those who escaped, Kochanski deftly reconstructs the world of wartime Poland in all its complexity-from collaboration to resistance, from expulsion to exile, from Warsaw to Treblinka. The Eagle Unbowed provides in a single volume the first truly comprehensive account of one of the most harrowing periods in modern history.

    Containing haunting first-hand accounts of the horrors of life on the front line, this gripping narrative reveals in startling detail the story of a bitter struggle for survival against terrible odds.The battle of Stalingrad was the turning point of World War II. The German capture of the city, their encirclement by Soviet forces shortly afterwards, and the hard-fought but futile attempts to relieve them, saw bitter attritional fighting and extremes of human misery inflicted on both sides.The surrender of General Friedrich von Paulus's army left Germany's eastern armies severely weakened, but the Red Army had suffered enormous losses as it overreached itself in trying to exploit its great victory. The war was not over. Germany would continue the fight, and the battles that took place in the winter of 1942/43 would show the tactical and operational skill of Erich von Manstein and the Wehrmacht as they attempted to avert total disaster.In this title, now available in paperback, a renowned expert on warfare on the Eastern Front reveals the often-overlooked German counteroffensive post-Stalingrad, and how it prevented the whole Axis front line from collapsing.Drawing on first-hand accounts, On a Knife's Edge is a story of brilliant generalship, lost opportunities and survival in the harshest theater of war.

    Going well beyond all previous accounts, David Glantz and Jonathan House now offer the definitive work on arguably the greatest battle of World War II. Drawing on both German and Soviet sources, Glantz and House separate myth from fact to show what really happened at Kursk and how it affected the outcome of the war. Their access to newly released Soviet archival material adds unprecedented detail to what is known about this legendary conflict, enabling them to reconstruct events from both perspectives and describe combat down to the tactical level. The Battle of Kursk takes readers behind Soviet lines for the first time to discover what the Red Army knew about the plans for Hitler's offensive (Operation Citadel), relive tank warfare and hand-to-hand combat, and learn how the tide of battle turned. Its vivid portrayals of fighting in all critical sectors place the famous tank battle in its proper context. Prokhorovka here is not a well-organized set piece but a confused series of engagements and hasty attacks, with each side committing its forces piecemeal. Glantz and House's fresh interpretations demolish many of the myths that suggest Hitler might have triumphed if Operation Citadel had been conducted differently. Their account is the first to provide accurate figures of combat strengths and losses, and it includes 32 maps that clarify troop and tank movements. Shrouded in obscurity and speculation for more than half a century, the Battle of Kursk finally gets its due in this dramatic retelling of the confrontation that marked the turning point of the war on the Eastern Front and brought Hitler's blitzkrieg to a crashing halt.