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    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    Buran cannot—Buran will not—sit quietly at home and wait to be married to the man her father chooses. Determined to use her skills and earn a fortune, she instead disguises herself as a boy and travels by camel caravan to a distant city. There, she maintains her masculine disguise and establishes a successful business. The city's crown prince comes often to her shop, and soon Buran finds herself falling in love. But if she reveals to Mahmud that she is a woman, she will lose everything she has worked for.

    When the Princess learns what her father has done, she is horrified. But she is as clever as she is beautiful. Quickly, the Princess devises a plan to escape and, relying on her own spunk and good sense, ultimately marries the man she chooses for herself.

    Or rather the psychic images of the fairies, who quickly turned it into a game, where they leapt between the closing pages in an effort to outdo each other to produce the most outrageous poses.

    These myths featured gods and goddesses, mighty beings who look human but have amazing powers and live forever. Now you can meet these extraordinary characters and hear their legends, brought to life again by Aliki in this splendid, panoramic look at the amazing stories and characters of Greek legend. "[Will meet the] demand for basic information on the gods and goddesses at the primary level."—BL. "Aliki's fans will welcome her introduction to these famous Greeks."—SLJ. 1994 "Pick of the Lists" (ABA)

    "Children will delight in the cunning way that Fiona triumphs over the leprechaun king, as well as in the rhythmic language of this well-told tale." - Kirkus Reviews

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    Candace finds herself cast out of her home by jealous older sisters, but with the help of a witch woman and a magical moss gown, she captures the heart of the young plantation owner.

    Folk tales and legends are an intrinsic part of English national culture—so which are the fairy tales from England? Rosalind Kerven presents an answer here, as she has revived the best of these tales for a new generation with more than a dozen classics rewritten to engage readers. The 15 stories include tales of giants, dragons, fairies, beauty-and-the-beast, and Arthurian romance. Each tale is linked with a specific place or county in England—for example, "The Dragon Castle" from Northumberland, "The Girl Snatched By Fairies" from County Durham, "The Princess and the Fool" from Kent, and "The Dark Moon" from Lincolnshire. The second half of the book has notes on each story relating where the history came from, its development, and short summaries of many related or similar stories.

    Not just "Mother Goose."

    The scene is set in a fantastic land ruled by three greedy fat men who are engrossed in eating and making merry in their palace. Meanwhile, curious things are happening outside the high palace walls.You will learn all about this and much more when you read this wise, merry tale that is so like the truth. The Three Fat Men, a favorite with all Soviet children, has run to over 30 printings, it was made into a film, and performed at many theaters in Russia."Yuri Olesha (1899-1960), a Soviet prose writer and playwright, is immensely popular with readers for his novel Envy, his short stories, plays and the famous book for children The Three Fat Men, which is really one of his masterpieces.""Yuri Olesha's book The Three Fat Men is fantastic, fabulous, abounding in extraordinary transformation and fascinating happenings." -Literaturnaya Gazeta-"There was something Beethovenian in Yuri Olesha, even in his voice. His eyes discovered many marvelous, impressive things around him, and he wrote about them briefly, precisely and excellently. -Konstantin Paustovsky-

    She always gets the answer she wants, until Snow White turns seven, and the mirror must truthfully answer, "Snow White." At the news, the Queen turns yellow and green with envy and commands the huntsman to kill Snow White and bring her "lung and liver as a token." Thus begins another enchanting fairy tale from the Brothers Grimm! Kirkus Reviews called this collaboration between Randall and Nancy Eckholm Burkert "a sort of legend even before its time of publication." Jarrell also wrote The Bat-Poet and The Animal Family, a Newbery Honor Book. Jarrell retained the Grimm (and grim) ending to the tale, as the stepmother is forced to dance to her death. Burkert's illustrations are magical, light-filled creations that more than earn the book its Caldecott Honor Book status. This delightful book's extra-large format showcases the fabulously detailed illustrations, alternating two facing pages of art with two pages of straight text. This is an unforgettable interpretation of a well-loved story. (Ages 6 to 9)

    An adaptation of the classic tale in which a beautiful princess has a spell cast on her to make her sleep 100 years.

    Combining a sensitive use of line and subdued watercolors, he skillfully depicted forests of startling trees with claw-like roots, wholesome fairy maidens, monsters, and demons, and backgrounds filled with obscure figures. His inspired illustrations for the fairy tales of the Brothers Grimm (1900) brought him his first great success, with a long and distinguished career to follow.This collection of 55 full-color plates, reproduced from rare early editions, contains a rich selection of Rackham's best fairy tale images: a giant terrorizing the inhabitants of an isolated village in English Fairy Tales, a wicked witch greeting two lost children on her doorstep in Hansel and Gretel, a young maiden beset by snarling wolves in Irish Fairy Tales, and many more, including illustrations from Snowdrop and Other Tales, Little Brother and Little Sister, and The Allies' Fairy Book.