With a staunchly Christian mother, a father who is an unsuccessful carpenter, and a grandfather who hangs himself in a cowshed, the relationship between brother and sister flourishes. Jesper has an originality that stands out in the small community, and his sister follows as they wend their way around the town in moonlit and daytime endeavors. The bond between them creates a warmth that grows through the cold and the dark clouds that threaten to overtake their hopes and dreams. As the narrator looks back, she reflects on the harsh realities of her life and the directions in which they ted her.It is out of small and negligible things that a life may be composed, and the beauty of Per Petterson's narrative lies in the resonances of a Ere outwardly barren but so sharply etched, so charged with meaning.

    It's a city teeming with people, sights, sounds, and smells, and it's home to a group of foreign nationals who enjoy the good life among the local moneyed set, in a tight-knit social enclave distanced from the culture at large. Comfortable, clever, and even a bit dazzling, they revel in their fancy dinners and fun parties. But their sheltered lives take an abrupt turn after the Japanese occupation, and though their reactions are varied -- denial, resistance, submission -- the toll it takes on all is soon laid bare. Enter Claire Pendleton from London. Months after her husband is transferred to Hong Kong in 1951, she accepts a position as a piano teacher to the daughter of a wealthy couple, the Chens. Claire begins to see the appeal of the sweltering city and is soon taken in by the Chen's driver, the curiously underutilized Will Truesdale. A handsome charmer with a mysterious limp, Will appears to be the perfect companion for Claire, who's often left to her own devices. But a further examination leaves her with more questions than answers.An intricately woven tale of lives changed by historical events, Lee's debut brings this hothouse flower of a city alive with passion, and imagines characters both unforgettable and tragic.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    John Hersey's novel documents the Warsaw ghetto both as an emblem of Nazi persecution & as a personal confrontation with torture, starvation, humiliation & cruelty--a gripping, visceral story, impossible to put down.

    It is the answer he gave his wife (now ex-wife) years earlier when she told him she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

    Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.

    Set during the tumult of World War II, on the lush Malayan island of Penang, The Gift of Rain tells a riveting and poignant tale about a young man caught in the tangle of wartime loyalties and deceits.

    Aaron Greidinger, an aspiring Yiddish writer and the son of a distinguished Hasidic rabbi, struggles to be true to his art when faced with the chance at riches and a passport to America. But as he and the rest of the Writers' Club wait in horror for Nazi Germany to invade Poland, Aaron rediscovers Shosha, his childhood love-still living on Krochmalna Street, still mysteriously childlike herself-who has been waiting for him all these years.

    The middle-aged hero, Wokulski, successful in business, is being destroyed by his obsessive love for a frigid society doll, Izabela. Embattled aristocrats, the new men of finance, Dickensian tradesmen, and the urban poor all come vividly to life on the vast, superbly detailed canvas against which Wokulski’s personal tragedy is played out.Unlike his Western European counterparts, Prus had to work under official censorship. In this edition, most of the smaller cuts made by the Tsarist censor have been restored, and one longer fragment is included as an appendix.

    He becomes a puppeteer in the Warsaw ghetto, but when his talent is discovered, Mika is forced to entertain the occupying German troops instead of his countrymen.It is also the story of Max, a German soldier stationed in Warsaw, whose experiences in Poland and later in Siberia's Gulag show a different side to the Second World War. As one of Mika's puppets is passed to the soldier, a war-torn legacy is handed from one generation to another.

    A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

    Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

    His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.   As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.

    Yet only one visionary man-Heniek Corben- can see him and hear him. Heniek soon realizes that Cohen has become an ibbur-a spirit. But how and why has he taken this form? As Cohen recounts his disturbing and moving story, small but telling inconsistencies appear in his narrative. Heniek begins to believe that Cohen is not the secular Jew he claims to be, but may, in fact, be a student of practical Kabbalah-of magic. Why is he lying? And what is the importance of the anagrams he creates for the names of his friends and relatives? Heniek traces his suspicions and comes to an astonishing conclusion-one that has consequences for his own identity and life, and perhaps for the reader's as well.

    When they return home, Emma develops a deep interest in travel and sets her sights on an artistic life in San Francisco, while Joan turns to movies and thoughts of romance to escape the pressures of her real life.As the girls become women, each follows a path different from what her family expects. But through periods of great happiness and sorrow, the sisters learn that their complicated ties to each other--and to the other members of their close-knit family--are a source of strength as they pursue their separate dreams.