Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    And now she was walking towards him, about to become his wife, and there was nothing in the world that could sever that thread.'Ali and Tom are the perfect couple. They both have successful careers and are still madly in love after ten years. But when they are told their unborn baby has died, their picture-perfect life is shattered.Faced with an empty room, the prospect of catching up with friends and returning to work, Ali feels her control over the reality she wanted slipping further and further away.But when Ali's irresponsible mother re-enters her life, Ali discovers secrets from a past she'd forgotten ever existed. Will Ali and tom ever be able to find their way back to each other? And will Ali find a way to move forward without letting go of her memories?

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    But when history reveals a shocking truth about the man himself, the entire family is forced to confront questions of honesty and allegiance they thought had been resolved. AFTER THE REVOLUTION is a bold and moving portrait of an American family, thrown into an intergenerational tailspin, forced to reconcile a thorny and delicate legacy.

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

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    However, that's kind of hard to do when you have a narcissistic arch-nemesis who's hell-bent on ruining your life.From the moment he laid eyes on her, he seemed to take an immediate dislike. After all, it only took a measly few hours of knowing her for him to kick a soccer ball right at her unsuspecting 11-year-old face.Though they did not know it then, this iconic moment would mark the beginning of what felt like a lifelong feud. Six years later and their mutual hatred for one another is still very much alive and kicking. She despised him, and he despised her and that's the way it always would be. But what happens when sparks fly, and stomachs flutter? Will someone break the eternal feud?One's thing for sure- Mia will definitely not be the one to break.

    I think this was a really, really great start.Five lost people come together at a community centre class to try and find some meaning in their lives. Counting to ten can be harder than you think. Over six tangled weeks their lives become knotted together in this tender and funny play.

    In What It Used to Be Like, she recounts a tale of love at first sight in which two teenagers got to know each other by sharing a two-year long-distance correspondence that soon after found them married and with two small children. Over the next twenty-five years, as Carver's fame grew, the family led a nomadic life, moving from school to school and teaching post to teaching post. In 1972, they settled in Cupertino, California, where Raymond Carver gave his wife one of his sharpened pencils and asked her to write an account of their history. The result is a memoir of a marriage, replete with an intimacy of detail that fully reveals the talents and failings of this larger-than-life man, his complicated relationships, and his profound loves and losses. What It Used to Be Like brings to light for the first time Raymond Carver's lost years and the "stories behind the stories" of this brilliant writer.

    She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist—on assignment to profile Gus—quite deliberately seeks to undermine that understanding. The fallout is dreadful—but beautifully and convincingly portrayed in all its painful consequences.

    A celebrity artist shining bright at the crest of the Restoration Ned, or Mr. K as he's called, is applauded onstage and off for his interpretations of Shakespeare's tragic ladies: Ophelia, Cleopatra, especially his Desdemona and his famous "death scene". He s the toast of the town and the very secret "mistress" of the powerful Duke of Buckingham. But when an unknown named Margaret Hughes plays Desdemona one night at an illegal theater, instead of stopping the show, the ever-game King Charles II changes the law to allow women to act. By the stroke of a pen, Kynaston's world is turned upside-down. He loses his cachet, his livelihood, his lover and his sense of self. And as such women as the king's own courtesan Nell Gwynn, and Kynaston s former dresser Maria, become stars, his own light disappears until fate and his desire for revenge give him a chance to take the stage again.

    David Hare's play, which details the struggle of four clergymen to make sense of their mission in South London, opened to universal acclaim.

    This new volume collects the author’s plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."—The Journal News), Sueño (a reworking for Pedro Calderón’s Life is a Dream) and Sonnets for an Old Century, the author’s most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."—Robert Brustein, New RepublicAlso available by José RiveraMarisol and Other Plays PB $15.95 1-55936-136-0 • USA