to capture a rogue alien!Collecting: Deadpool the Duck 1-5

    Enter Nothing Nice to Say. Mitch Clem's Nothing Nice to Say leaves no mohawked, leather-jacket-clad stone unturned in its mission to expose the awesomeness and the absurdity of punk culture. Sometimes esoteric and always hilarious, Nothing Nice is so punk you'd think the book was bound with safety pins.

    Pigeon, who wants to turn the capital into a huge nature reserve for the birds he communicates with. Will Paris ever be safe from Hawk Moth and his akuma? SPOTS ON, CLAWS OUT!

    Get caught up on all things Old Man Logan with these Marvel Primer Pages and then check out the start of the grizzled X-Man in Marvel Legacy in Old Man Logan #31.

    He's a synthetic man! She's a mutant sorceress! Once they were outcasts, but now they have each other, and a love which can withstand every danger they face! Steve Englehart and Richard Howell present…Vision and the Scarlet Witch!

    Exhausted Salarymen are pushed beyond the brink. Blood, sweat and screams of 'FUCK YOU!' pour out of the characters within The Pits of Hell, and yet a sense of humour always shines through. Bold, absurd and all too real, Ebisu Yoshikazu's work feels distinctly underground, almost punk. The Pits of Hell collects eight classic stories by Ebisu Yoshikazu, originally published between 1969 and 1981. The collection features a foreword by Minami Shinbo and an essay by Ryan Holmberg placing Ebisu Yoshikazu and his work into context.

    It's a time of wars fought in city streets and in back alleys - not on open battle fields. There's no such thing as a civilian any more. To face these challenges, the United States military has forged a new group of the best of the best. To pull this team together, they've enlisted the help of their finest general: codenamed Hawk. And he's handpicked the finest fighting force the world has ever known: Duke, Scarlett, Stalker, Heavy Duty, and Snake Eyes! Together they are unbeatable! Together they are G.I. JOE! Now you can witness their origin and see how the world's best defense was forged!

    Schulz with brand-new adventures from an all-star lineup of writers and artists, and classic strips by Schulz himself. Featuring Charlie Brown and the whole Peanuts gang, this timeless collection of humor and imagination is sure to help you finally kick that football or take to the skies and defeat the Red Baron once and for all. Collects PEANUTS #9-12.

    No one is more excited than Evie, the Villain Kids' (VKs) resident fashionista and designer extraordinaire! The other VKs roll up their sleeves to help their friend, but with another Auradon student competing for the top prize alongside her, will Evie be able to reach the top spot? And just how far are the other competitors prepared to go to win first place?This is book 1 of 2.

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    The serial-killing symbiote's sadistic spree starts here! As if Venom wasn't lethal enough, imagine what would happen if his symbiotic "other" had been joined to a murderous psychopath? That's where Cletus Kasady comes in, as Venom's symbiotic spawn transforms him into Carnage, Spider-Man's sickest foe! Killing on a whim, Carnage is a painful, twisted thorn in the sides of Peter Parker, Ben Reilly, Venom...even the Silver Surfer! COLLECTING: AMAZING SPIDER-MAN (1963) 361-363, 410, 430-431; VENOM: CARNAGE UNLEASHED 1-4; CARNAGE: MIND BOMB; CARNAGE: IT'S A WONDERFUL LIFE; SENSATIONAL SPIDER-MAN (1996) 3; SPIDER-MAN (1990) 67; SPECTACULAR SPIDER-MAN (1976) 233; PETER PARKER: SPIDER-MAN (1999) 13; WEBSPINNERS: TALES OF SPIDER-MAN 13-14

    For Mike Dawson it's always been Queen and Freddie Mercury. Not unlike “Bohemian Rhapsody,†Freddie & Me takes readers on a rock-opera-like journey—from Mike’s childhood in the UK, through high school in New Jersey, and into the nineties, when grunge ruled the day and Queen was terminally uncool. As Mike works to navigate the trials and tribulations that accompany the road to adulthood (with Queen behind him every step of the way), he must grapple with the fears we all find ourselves facing: committing to one person for the rest of our lives, pursuing our dream job, coming to terms with our familial responsibilities, and even facing our own mortality. With humor, sensitivity, and some wonderfully imagined appearances by Freddie Mercury, Brian May, George Michael, and Andrew Ridgeley (among others), Freddie & Me is a touching reminder of how our favorite music is the soundtrack for so many of our most important memories and moments. And how one note can bring them all flooding back.

    Chris has the unique ability to sometimes pierce through The Veil between our realm and the unknown beyond. Unfortunately, it doesn't really pay the rent. Now Chris is broke and has to return home to Maine... and face the darkness that now lurks beneath the surface of her quiet hometown.

    Don't miss it!

    Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.