Dea Bala never expected the outpouring of responses that would follow. She was working as a lobbyist when the idea was born: she'd chat up respondents on the phone or at a coffee shop and let them tell her about their lives. Dea Bala soon had to quit her day job to make time for all of the Craigslist sessions. She took notes during each conversation and journaled about the emotional experience to expertly inhabit the voice of each subject. What emerges is a collection of narratives, all in first person, of anonymous people revealing their deepest, darkest secrets; or at least the most poignant moments of their lives. Infidelity, addiction, loss, corruption, the search for unconditional love—reading these carefully, empathetically crafted monologues reveals how suffering is something we all have in common. Each tragedy or triumph is unique, but the intensity of feeling is not.

    In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    It’s only blood, they agree. But soon a gruesome meme goes viral, turning an intimate, affectionate afternoon into something sordid, mortifying, and damaging. In the time it takes to swipe a screen, Frankie’s universe implodes. Who can she trust? Not Harriet, her suddenly cruel best friend, and certainly not Benjamin, the only one who knows about the incident. As the online shaming takes on a horrifying life of its own, Frankie begins to wonder: is her real life over?Author Lucy Cuthew vividly portrays what it is to be a teen today with this fearless and ultimately uplifting novel in verse. Brimming with emotion, the story captures the intensity of friendships, first love, and female desire, while unflinchingly exploring the culture of online and menstrual shaming. Sure to be a conversation starter, Blood Moon is the unforgettable portrait of one girl’s fight to reclaim her reputation and to stand up against a culture that says periods are dirty.

    The essays in How to Ruin Everything range from the absurd (how he became an international ivory smuggler) to the comical (his middle-school rap battle dominance) to the revelatory (his experiences with epilepsy), yet all are delivered with the type of linguistic dexterity and self-awareness that has won Watsky more than 765,000 YouTube subscribers. Alternately ribald and emotionally resonant, How to Ruin Everything announces a versatile writer with a promising career ahead.

    . ., Sleepless in Seattle, You've Got Mail, and Bewitched, and the author of best sellers Heartburn, Scribble Scribble, and Crazy Salad, discusses everything--from how much she hates her purse to how much time she spends attempting to stop the clock: the hair dye, the treadmill, the lotions and creams that promise to slow the aging process but never do. Oh, and she can't stand the way her neck looks. But her dermatologist tells her there's no quick fix for that.Ephron chronicles her life as an obsessed cook, passionate city dweller, and hapless parent. She recounts her anything-but-glamorous days as a White House intern during the JFK years ("I am probably the only young woman who ever worked in the Kennedy White House that the President did not make a pass at") and shares how she fell in and out of love with Bill Clinton--from a distance, of course. But mostly she speaks frankly and uproariously about life as a woman of a certain age.Utterly courageous, wickedly funny, and unexpectedly moving in its truth telling, I Feel Bad About My Neck is a book of wisdom, advice, and laugh-out-loud moments, a scrumptious, irresistible treat.

    He also talked a fair amount about mayonnaise. The interview was conducted by Mara Altman, the author of four bestselling Kindle Singles including “Baby Steps” and “Bearded Lady.” Altman has worked as a staff writer for The Village Voice, and has also written for New York Magazine and The New York Times. In 2009, HarperCollins published Altman's first book, “Thanks For Coming: A Young Woman's Quest for an Orgasm,” which was optioned as a comedy series by HBO. Cover design by Adil Dara Kim.

    I step into the shower and almost faint, an image of taking the day by the throat and bashing its head against the wall floating in my mind.Thirty-year-old Millie just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates wildly between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again.When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning - one that involves nicer clothes, fresh produce, maybe even financial independence - within reach. But with it also comes the paralyzing realization, lurking just beneath the surface, of just how hollow that vision has become. Darkly hilarious and devastating, The New Me is a dizzying descent into the mind of a young woman trapped in the funhouse of American consumer culture.