He returns home to tragic news that has also impacted another stranger, a shaken pilot on his way to another continent who seeks comfort from a journalist he meets that night. Her life shifts subtly as well, before she heads to the airport on an assignment that will shift more lives in turn.In this wondrous, profoundly moving novel, Szalay's diverse protagonists circumnavigate the planet in twelve flights, from London to Madrid, from Dakar to Sao Paulo, to Toronto, to Delhi, to Doha, en route to see lovers or estranged siblings, aging parents, baby grandchildren, or nobody at all. Along the way, they experience the full range of human emotions from loneliness to love and, knowingly or otherwise, change each other in one brief, electrifying interaction after the next.Written with magic and economy and beautifully exploring the delicate, crisscrossed nature of relationships today, Turbulence is a dazzling portrait of the interconnectedness of the modern world.

    Happy are the happy. —Jorge Luis BorgesSchnitzler’s La Ronde gives these twenty short chapters their shape while Borges’s poem gives them their content. As we move from story to story, thrilled to reconnect with an old acquaintance from an earlier scene, we can’t help but admit that we are very much at home in this human comedy that understands all too well the passing thoughts, desires, actions, fears, and mistakes that we have and make day after day, but that we would be incapable of rendering with such acuity and compassion.

    It is the 1860s; Japan is closed to foreigners and this has to be a clandestine operation. During his undercover negotiations with the local baron, Joncour's attention is arrested by the man's concubine, a girl who does not have Oriental eyes. Although the young Frenchman and the girl are unable to exchange so much as a word, love blossoms between them, conveyed by a number of recondite messages in the course of four visits the Frenchman pays to Japan. How their secret affair develops and how it unfolds is told in a narration as beautiful, smooth and seamless as a piece of the finest silk.

    In the sixteenth century, the Protestant Reformation launched an attack on privilege and the Catholic Church, but it rapidly became an established, bourgeois authority itself. Rural laborers and the urban poor, who were still being promised equality in heaven, began to question why they shouldn’t have equality here and now on earth.There ensued a furious struggle between the powerful—the comfortable Protestants—and the others, the wretched. They were led by a number of theologians, one of whom has left his mark on history through his determination and sheer energy. His name was Thomas Müntzer, and he set Germany on fire. The War of the Poor recounts his story—that of an insurrection through the Word.In his characteristically bold, cinematic style, Éric Vuillard draws insights from this revolt from nearly five hundred years ago, which remains shockingly relevant to the dire inequalities we face today.

    After the Jews in their town are rounded up, Roza and her five-year-old daughter, Shira, spend day and night hidden in a farmer's barn. Forbidden from making a sound, only the yellow bird from her mother's stories can sing the melodies Shira composes in her head.Roza does all she can to take care of Shira and shield her from the horrors of the outside world. They play silent games and invent their own sign language. But then the day comes when their haven is no longer safe, and Roza must face an impossible choice: whether to keep her daughter close by her side, or give her the chance to survive by letting her go . . . The Yellow Bird Sings is a powerfully gripping and deeply moving novel about the unbreakable bond between parent and child and the triumph of humanity and hope in even the darkest circumstances.

    She also finds herself unexpectedly—and uncontrollably—falling in love with Hemingway, a man already on his way to becoming a legend. In the shadow of the impending Second World War, and set against the tumultuous backdrops of Madrid, Finland, China, Key West, and especially Cuba, where Martha and Ernest make their home, their relationship and professional careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must make a choice: surrender to the confining demands of being a famous man's wife or risk losing Ernest by forging a path as her own woman and writer. It is a dilemma that will force her to break his heart, and her own.

    In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from jaws of hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.But when a new automatic press makes his job redundant there's only one thing he can do - go down with his ship.This is an eccentric romp celebrating the indestructability- against censorship, political opression etc - of the written word.

    Horrified by the pedestrian names her husband chooses for their unborn child (Tanguy if it's a boy, Joelle if it's a girl), Lucette does the only honorable thing to save her baby from such an unexceptional destiny - she kills her spouse. While in prison, Lucette gives birth to a daughter to whom she bequeaths the portentous name of an obscure saint, Plectrude, before hanging herself." From her beginnings, Plectrude seems fated for a life like no other. Raised by an indulgent and adoring aunt, she is a dreamy child who is discovered to have enormous gifts as a dancer. Accepted at Paris's most prestigious ballet school, Plectrude devotes herself to artistic perfection, giving dance her heart and soul - and ultimately her body. As her world shatters as easily as her bones, she learns to survive in the only way she knows how - by committing an act of deadly self-preservation her mother would have understood best.

    Katie Cleary has always known exactly what she wants: to be the best skier in the world. As a teenager, she leaves her home to live and train full time with her two best friends, all-American brothers Luke and Blair, whose wealthy father has hired the best coaches money can buy. Together, they are the USA’s best shot at bringing home Olympic gold—as well as a love triangle waiting to happen.But as the upward trajectory of Katie’s elite skiing career nears its zenith, a terrifying truth about her sister becomes impossible to ignore—one that will lay ruin not only to Katie’s career but to her family and her relationship with Luke and Blair.With her life shattered and nothing left to lose, Katie flees the snowy mountainsides of home for Buenos Aires. There, she reinvents herself as Liz Sullivan, and meets a colorful group of ex-pats and the alluring, charismatic Gianluca Fortunado, a tango teacher with secrets of his own. This beautiful city, with its dark history and wild promise, seems like the perfect refuge, but can she really outrun her demons?Told in alternating chapters, Katie grows up, falls in love, and races down the highest peaks on the planet—while Liz is reborn, falls into lust, and sinks into the underground tango scene at the bottom of the world. From the moneyed ski chalets of the American West to the dimly lit milongas of Argentina, We Came Here to Forget explores what it means to dream, to desire, to achieve—and what’s left behind after it all disappears.

    Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

    Expected to redeem himself in this magical land of opportunity, young Karl is swept up instead in a whirlwind of dizzying reversals, strange escapades, and picaresque adventures.Although Kafka never visited America, images of its vast landscape, dangers, and opportunities inspired this saga of the "golden land." Here is a startlingly modern, fantastic and visionary tale of America "as a place no one has yet seen, in a historical period that can't be identified," writes E. L. Doctorow in his new foreword. "Kafka made his novel from his own mind's mythic elements," Doctorow explains, "and the research data that caught his eye were bent like rays in a field of gravity."

    While sifting through condolence letters after her mother's death, Camille finds a long, handwritten missive that she assumes came by mistake. But every Tuesday brings another installment from a stranger named Louis, a man separated from his first love, Annie, in the years before World War II. In his tale, Annie falls victim to the merciless plot of a wealthy, barren couple just as German troops arrive in Paris. But also awaiting Camille's discovery is the other side of the story - one that calls into question Annie's innocence and reveals the devastating consequences of revenge. As Camille reads on, she realizes that her own life may be the next chapter in this tragic story.

    In the classroom, she is poised, smart, and kind, well-liked by her students and colleagues. But in her personal life, Lauren is troubled and isolated, still grappling with the sudden death of her parents ten years earlier. She seems to exist at a remove from everyone around her until a new student joins her class: charming, magnetic Siri, who appears to be everything Lauren wishes she could be. They fall headlong into an all-consuming friendship that feels to Lauren like she is reclaiming her lost adolescence.When Siri invites her along on a trip home to Sweden for the summer, Lauren impulsively accepts, intrigued by how Siri describes it: “Everything will be green, fresh, new, just thawing out.” But once there, Lauren finds herself drawn to Siri’s enigmatic, brooding brother Magnus. Siri is resentful, and Lauren starts to see a new side of her friend: selfish, reckless, self-destructive, even cruel. On the last night of her trip, Lauren accompanies Siri and her friends on a seaside camping trip to celebrate Midsommar’s Eve, a night when no one sleeps, boundaries blur, and under the light of the unsetting sun, things take a dark turn.Ultimately Lauren must acknowledge the truth of what happened with Siri and come to terms with her own tragic past in this gorgeously written, deeply felt debut about the relationships that come to us when things feel darkest–and the transformative power of female friendship.

    In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

    The eight stories in this collection, his first to be published in English, represent some of his best writing and most imaginative storylines: from the love story between Balthazar, wealthy and successful author, and Odette, cashier at a supermarket, to the tale of a barefooted princess; from the moving story of a group of female prisoners in a Soviet gulag to the entertaining portrait of a perennially disgruntled perfectionist. Here are eight contemporary fables, populated by a cast of extravagant and affecting characters, about people in search of happiness. Behind each story lies a simple, if elusive, truth: happiness is often right in front of our eyes, though we may frequently be blind to it.