In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.

    Some are darkly humorous—from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide—while others are devastatingly poignant—a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture.Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires is an original and necessary voice in contemporary fiction.

    A content moderator for "the world's biggest search engine," who spends her days culling videos of beheadings and suicides, turns from stalking her rapist online to following him in real life. At a camp for recovering internet trolls, a sensitive misfit goes missing. A wounded mother raises the second incarnation of her child.In You Will Never Be Forgotten, Mary South explores how technology can both collapse our relationships from within and provide opportunities for genuine connection. Formally inventive, darkly absurdist, savagely critical of the increasingly fraught cultural climates we inhabit, these ten stories also find hope in fleeting interactions and moments of tenderness. They reveal our grotesque selfishness and our intense need for love and acceptance, and the psychic pain that either shuts us off or allows us to discover our deepest reaches of empathy. This incendiary debut marks the arrival of a perceptive, idiosyncratic, instantly recognizable voice in fiction--one that could only belong to Mary South.

    Subsequent stories have won the Asimov's SF Magazine reader poll, a second Nebula Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. He won the John W. Campbell Award for Best New Writer in 1992. Story for story, he is the most honored young writer in modern SF.Now, collected here for the first time are all seven of this extraordinary writer's stories so far-plus an eighth story written especially for this volume.What if men built a tower from Earth to Heaven-and broke through to Heaven's other side? What if we discovered that the fundamentals of mathematics were arbitrary and inconsistent? What if there were a science of naming things that calls life into being from inanimate matter? What if exposure to an alien language forever changed our perception of time? What if all the beliefs of fundamentalist Christianity were literally true, and the sight of sinners being swallowed into fiery pits were a routine event on city streets? These are the kinds of outrageous questions posed by the stories of Ted Chiang. Stories of your life . . . and others.

    Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.

    His characters, almost all of who are first-generation Indian Americans, subvert our expectations that they will sit quietly by. We meet two brothers caught in an elaborate web of envy and loathing; a young gay man who becomes involved with an older man whose secret he could never guess; three women who almost gleefully throw off the pleasant agreeability society asks of them; and, in the final pair of linked stories, a young couple struggling against the devastating force of community gossip. If You See Me, Don't Say Hi examines the collisions of old world and new world, small town and big city, traditional beliefs (like arranged marriage) and modern rituals (like Facebook stalking). The men and women in these stories are full of passion, regret, envy, anger, and yearning. They fall in love with the wrong people and betray one another and deal with the accumulation of years of subtle racism. They are utterly compelling. Ranging across the country, Patel’s stories -- empathetic, provocative, twisting, and wryly funny -- introduce a bold new literary voice, one that feels more timely than ever.

    Jean Stafford communicates the small details of loneliness and connection, the search for freedom and the desire to belong, that not only illuminate whole lives but also convey with an elegant economy of words the sense of the place and time in which her protagonists find themselves. This volume also includes the acclaimed story "An Influx of Poets," which has never before appeared in book form.

    Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems.An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    In their obsessions, Gass’s Midwestern dreamers are like the "grotesques" of Sherwood Anderson, but in their hyper-linguistic streams of consciousness, they are the match for Joyce’s Dubliners. First published in 1968, this book begins with a beguiling thirty-three page essay and has five fictions: the celebrated novella "The Pedersen Kid," "Mrs. Mean," "Icicles," "Order of Insects," and the title story.

    These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

    In “Why Antichrist?” a boy tries to contact the spirit of his dead father and finds himself talking to the Devil instead. In the remarkable title story, a ne’er do well pediatrician returns home to take care of his dying father, all the while under the scrutiny of an easily-disappointed heavenly agent. With Gob’s Grief and The Children’s Hospital, Chris Adrian announced himself as a writer of rare talent and originality. The stories in A Better Angel, some of which have appeared in The New Yorker, Tin House, and McSweeney’s, demonstrate more of his endless inventiveness and wit, and they confirm his growing reputation as a most exciting and unusual literary voice—of heartbreaking, magical, and darkly comic tales.

    Fine line-drawings by Laszlo Kubinyi enhance the mysterious and sometimes chilling mood.The lady's maid's bell (1904)The eyes (1910)Afterward (1910)Kerfol (1916)The triumph of night (1914)Miss Mary Pask (1925)Bewitched (1925)Mr Jones (1928)Pomegranate seed (1931)The looking glass (1935)All souls' (1937)