With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    So when the clever diplomat Nicky Fleming dies suddenly and suspiciously, it’s convenient to brand him the traitor. But was his death an accident, murder, or suicide? As the government investigates Nicky's death, his wife relocates with their three children to a remote Scottish island hoping to save what remains of their family. But the isolated shores of her childhood retreat only intensify their distance between them, and it is the brilliant and peculiar youngest child, Jamie, who alone holds on to the one thing he’s sure of: his father has promised to return and he was a man who never broke a promise.When Jamie sets off to explore the island with his teenage sisters, they discover a tamed grizzly bear has been marooned on shore, hiding somewhere among the seaside caves. Jamie believes the bear may have a strange connection to his father, and as he seeks the truth, Nicky's story begins revealing itself in unexpected ways.

    Traveling through Italy and France, Camenzind is increasingly disillusioned by the suffering he discovers around him; after failed romances and a tragic friendship, his idealism fades into crushing hopelessness. He finds peace again only when he cares for Boppi, an invalid who renews Camenzind's love for humanity and inspires him once again to find joy in the smallest details of every life.

    A Sort of Introduction and Pseudo Reality Prevails

    A refugee of the Great War, Poirot has settled in England near Styles Court, the country estate of his wealthy benefactor, the elderly Emily Inglethorp. When Emily is poisoned and the authorities are baffled, Poirot puts his prodigious sleuthing skills to work. Suspects are plentiful, including the victim’s much younger husband, her resentful stepsons, her longtime hired companion, a young family friend working as a nurse, and a London specialist on poisons who just happens to be visiting the nearby village. All of them have secrets they are desperate to keep, but none can outwit Poirot as he navigates the ingenious red herrings and plot twists that contribute to Agatha Christie's well-deserved reputation as the queen of mystery.Librarian's note: the first 5 Christie mysteries featuring Poirot are: 1) The Mysterious Affair at Styles, 1920; 2) The Murder on the Links, 1923; 3) The Murder of Roger Ackroyd, 1926; 4) The Big Four, 1927; and 5) The Mystery of the Blue Train, 1928. There are many short stories and a collection featuring Poirot in this period as well. Each novel and short story has its own entry on Goodreads.

    We were the music makers. We would not hear nor play nor love without each other. This is a prelude to our experience, an overture to who we were and how we arrived on the shores of friendship." Beginning in 1939 pre-war Prague, WHILE THE MUSIC PLAYED focuses on the story of young Max Mueller, a curious bright romantic—a budding musician, piano tuner, and nascent journalist. Max is on the cusp of adolescence and facing a rapidly changing world as the Nazi influence invades Prague's tolerant spirit with alarming speed, compromising those Max loves even as he struggles to understand. While his father, noted German conductor Viktor Mueller, is drafted into the German army and finds himself increasingly involved with Nazi propaganda; Viktor's best friend, noted Czech composer Hans Krása, protests the occupation in every way he can. As everyone Max knows and loves chooses sides and accepts the consequences, he becomes increasingly isolated, and forced to find his own way. With each step, Max's journey grows more fraught until music is the one constant tying him to both the lost childhood he cherishes and the man he still hopes to become. But will it be enough to sustain him against the relentless Nazi threat? With a seamless blend of historical and fictional characters, told from multiple points of view, and sweeping across the capitals of Prague, London, and Berlin as World War II ravages Europe, this meticulously researched book is unique with its diverse and interweaving narratives, threaded with news accounts, and including some of the most triumphant and devastating moments of the war—from the opera houses of Berlin to the music halls of London and the making of the famous children's opera Brundibár. "WHILE THE MUSIC PLAYED is a lyrical, absorbing, and heart-breaking story of love and courage from the widely revered and best-selling author Nathaniel Lande

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review

    He is hardly surprised and not in the least daunted. "The previous English pontiff was Hadrian the Fourth," he declares. "The present English pontiff is Hadrian the Seventh. It pleases Us; and so, by Our own impulse, We command."Hadrian is conceived in the image of his creator, Fr. Rolfe, whose aristocratic pretensions (he called himself Baron Corvo), religious obsession, and anarchic and self-aggrandizing sensibility have made him known as one of the great English eccentrics. Fr. Rolfe endured a lifetime of indignities and disappointments. However, in the hilarious and touching pages of this, his finest novel, he triumphs.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    But their days of childhood innocence and adventure are destined to be followed by the apocalypse that will overwhelm their world as they come to adulthood.For Rosie, the path ahead is full of challenges: torn between her love for two young men, her sense of duty and her will to live her life to the full, she has to navigate her way through extraordinary times. Can she, and her sisters, build new lives out of the opportunities and devastations that follow the Great War?Louis de Bernières’ magnificent and moving novel follows the lives of an unforgettable cast of characters as the Edwardian age disintegrates into the Great War, and they strike out to seek what happiness can be salvaged from the ruins of the old world.

    . . but this hill will be standing still to confound you." So curses Morty Donovan when Copper John Brodrick builds his mine at Hungry Hill.The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .

    The title character of Monsignor Quixote is a village priest, elevated to the rank of monsignor through a clerical error, who travels to Madrid accompanied by his best friend, Sancho, the Communist ex-mayor of the village, in Greene's lighthearted variation on Cervantes.

    An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed—and stricken—with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, Riders in the Chariot is one of the Nobel Prize winner's boldest books.

    Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, soldier-seducer Sergeant Troy and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. The first of his works set in the fictional county of Wessex, Hardy's novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships.

    A ruined city occupied by the British who bombed it, experiencing the coldest winter in living memory. Food is scarce; refugees and the homeless crowd into shanty towns and sheds. There is a killer on the loose, and all attempts to find him or her have failed. Plagued with worry about his missing son, Frank Stave is a career policeman with a tragedy in his past that is driving his determination to find the killer. With the help of his colleague Maschke from the vice squad, and Lt MacDonald from the British military, Stave has to find out why and who in the wake of a wave of atrocity, the grim Nazi past and the bleak attempts by his German countrymen to recreate a country from the apocalypse someone is still dedicated to murder. The first of a trilogy The Murderer in Ruins is at once evocative, impeccably plotted and beautifully textured, vividly describing a poignant moment in British/German history, with a plot so divinely seamless and riveting, you ll be unable to put it down. A spine-tingling portrayal of pure evil, with multiple twists, turns and subplots, you ll have no idea, until the final extraordinary denouement, what or who will rise from the ashes.