war and famine, an Africa that endures despite everything because, as we say back home, life goes on." --Marguerite AbouetIvory Coast, 1978. Family and friends gather at Aya's house every evening to watch the country's first television ad campaign promoting the fortifying effects of Solibra, "the strong man's beer." It's a golden time, and the nation, too--an oasis of affluence and stability in West Africa--seems fueled by something wondrous.Who's to know that the Ivorian miracle is nearing its end? In the sun-warmed streets of working-class Yopougon, aka Yop City, holidays are around the corner, the open-air bars and discos are starting to fill up, and trouble of a different kind is about to raise eyebrows. At night, an empty table in the market square under the stars is all the privacy young lovers can hope for, and what happens there is soon everybody's business.Aya tells the story of its nineteen-year-old heroine, the studious and clear-sighted Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a breezy and wryly funny account of the desire for joy and freedom, and of the simple pleasures and private troubles of everyday life in Yop City. An unpretentious and gently humorous story of an Africa we rarely see-spirited, hopeful, and resilient--Aya won the 2006 award for Best First Album at the Angoulême International Comics Festival. Clément Oubrerie's warm colors and energetic, playful lines connect expressively with Marguerite Abouet's vibrant writing.

    She is told she must give up her daughter to avoid a life of poverty and shame. But she chooses to keep her.Pregnant, abandoned by her lover, and banished from her Quaker home and teaching position, Lilli de Jong enters a charity for wronged women to deliver her child. She is stunned at how much her infant needs her and at how quickly their bond overpowers her heart. Mothers in her position have no sensible alternative to giving up their children, but Lilli can't bear such an outcome. Determined to chart a path toward an independent life, Lilli braves moral condemnation and financial ruin in a quest to keep herself and her baby alive. Confiding their story to her diary as it unfolds, Lilli takes readers from an impoverished charity to a wealthy family's home to the perilous streets of a burgeoning American city. Lilli de Jong is at once a historical saga, an intimate romance, and a lasting testament to the work of mothers. "So little is permissible for a woman," writes Lilli, yet on her back every human climbs to adulthood."

    The book contains two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, 14-year-old Citoyen "City" Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared.Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson--but Long Division is set in 1985. This 1985 City, along with his friend and love-object, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these with them all the way back to 1964, to help another time-traveler they meet protect his family from the Klan.City’s two stories ultimately converge in the mysterious work shed behind his grandmother’s, where he discovers the key to Baize’s disappearance.

    Compassionate and conscientious, she excels as a post-op nurse, but her new supervisor doesn’t care how much she needs time off. Although she’s a selfless wife and mother, news of her husband’s promotion only fills her with anxiety. The country-club lifestyle he craves triggers memories of the dysfunctional family she came from, and of her own mother’s single-minded ambition to climb the social ladder.Laura has reached a breaking point. For her, there’s only one way to pull it all together, to balance the demands of her family and job, and to keep pleasing everyone she loves. But her little blue pills are pushing her closer to the edge…

    She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her.

    . . and facing the return of the mother who abandoned his preacher family when he was nine.There's always been a hole in Gio's life. Not because he's into both guys and girls. Not because his father has some drinking issues. Not because his friends are always bringing him their drama. No, the hole in Gio's life takes the shape of his birth mom, who left Gio, his brother, and his father when Gio was nine years old. For eight years, he never heard a word from her . . . and now, just as he's started to get his life together, she's back.It's hard for Gio to know what to do. Can he forgive her like she wants to be forgiven? Or should he tell her she lost her chance to be in his life? Complicating things further, Gio's started to hang out with David, a new guy on the basketball team. Are they friends? More than friends? At first, Gio's not sure . . . especially because he's not sure what he wants from anyone right now.There are no easy answers to love -- whether it's family love or friend love or romantic love. In Things We Couldn't Say, Jay Coles, acclaimed author of Tyler Johnson Was Here, shows us a guy trying to navigate love in all its ambiguity -- hoping at the other end he'll be able to figure out who is and who he should be.

    She's excited to be attending a prestigious summer program, even if she feels out of place among her privileged, mostly white classmates. So she's definitely not expecting to feel a connection to Owen, who's an actual prince of an island off the coast of England. But Owen is funny, charming...and undeniably cute. Zora can't ignore the chemistry between them. When Owen invites Zora to be his date at his big brother's big royal wedding, Zora is suddenly thrust into the spotlight, along with her family and friends. Everyone is talking about her, in real life and online, and while Owen is used to the scrutiny, Zora's not sure it's something she can live with. Can she maintain her sense of self while moving between two very different worlds? And can her feelings for Owen survive and thrive in the midst of the crazy? Find out in this charming romantic comedy that's like The Princess Diaries for a new generation.

    She’s forsaken any trace of a social life, working 24/7 to ensure her next promotion. When grief over her grandfather’s death leads to several catastrophic decisions, Caila gets one final chance to prove herself: shut down an unprofitable factory in a small Southern town. But as soon as she arrives in Bradleton, she meets one outsized problem: the town’s gorgeous mayor.Wyatt Bradley isn’t thrilled about his nickname, Mayor McHottie. He’s even less happy to learn that his town might be losing its biggest employer. If he has to, he’ll use some sneaky tactics to get Caila on his side. Yet even as he’s hoping she’ll fall for Bradleton, he’s falling too—right into a combustible affair that shakes them both with its intensity.Two stubborn people, torn between loyalty, ambition, and attraction. But when you’re willing to give it your all, there’s no limit to how far love can take you…

    No one talks about the fact that the brilliant, talented kids in this town have a terrible history of throwing themselves in front of commuter trains, and that there's rampant opioid abuse that often leads to heroin usage.Meet Simone, the bohemian transfer student from London, who is thrust into the strange new reality of the American high school; Mallory, the hyper-competitive queen bee; and Stephen, the first generation genius who struggles with crippling self-doubt. Each one is shocked when lovable football player Braden takes his own life and the tragedy becomes a suicide cluster. With so many students facing their own demons, can they find a way to save each other—as well as themselves?Inspired by the true events that happened in the author’s home town.

    Six years later, during the sweltering summer of 1968 in rural Oklahoma, Theo meets Frank, a Native American outcast, and learns that he has the ability to heal through his disfigured hands.As he explores the extraordinary, Theo desperately attempts to remain an ordinary boy. But when word of his gift spreads, Theo is shunned by the church for doing “the devil’s work.” He is immediately swept away by his Auntie Li, and into a world which ultimately threatens his life as he saves others’.Told from Theo’s perspective some fifty years later, it is through his work as a therapist with a broken woman that he musters the courage to relive the summer that haunts him.The Substance of All Things is the gripping, heart-wrenching, and often humorous tale of mentors and mothers and fathers, love and redemption, prophets and charlatans, miracles and faith._________________From The Substance of All Things...Suddenly, I felt a twitch in the palm of my left hand. Just the slightest tingle, a prickling really, so that I couldn’t quite discern if the feeling was painful or stimulating—like when water is so hot on the skin that it might be cold, the distinction cannot be made. Then my right hand twitched, sparkling to a tickle that felt like a fortune-teller following the lines of my destiny with a fingernail. The current splayed to my fingers, tiny jolts of something—something charged, even voltaic. But there was something more—a feeling inside of me that couldn’t be located in my physical body, as if a door which had always existed but had always been locked suddenly opened, slowly, to a secret place, and whatever was within engulfed me like a color I’d never seen; a feeling almost too large for my body, and my knees buckled at its enormity, but I would not fall. I knew that something beyond myself was happening like a dream and I dared not peek for fear that it would end.

    She feels simultaneously lost and trapped by a future already mapped out for her. Then her beloved grandmother dies, and Raya jumps at the chance to spend her last free summer at the ashram in India where her grandmother met and fell in love with her grandfather. Raya hopes to find her center and her true path. But she didn't expect to fall in love... with a country of beautiful contradictions, her fiercely loyal cousin, a local girl with a passion for reading, and a boy who teaches her that in Sanskrit, there are 96 different ways to say the word "love." A modern retelling of the classic Indian legend of Shakuntala and Dushyanta.

    Just a few minor problems: she has no job, no prospects, and she’s moving back into her childhood bedroom. Lou is grimly determined to stick to a rigorous schedule to get a job and get out of her parents’ house. Shelly “Mama Shell” Hansen, on the other hand, is ecstatic, and just as determined to keep her at home. Who else will help her hide her latest binge-shopping purchases from her husband, go to SoulCycle with her, and hold her hand during Botox shots?Smothered is a hilarious roman à clef told via journal entries, text messages, emails, bills, receipts, tweets, doctor’s prescriptions, job applications and rejections, parking tickets, and pug pictures, chronicling the year that Lou moves back home after college. Told from Lou’s point-of-view, Smothered tells the story of two young(ish) women, just trying to get it right, and learning that just because we all grow up doesn’t mean we necessarily have to grow old. (After all, what is Juvaderm for?)

    But now its senior year and they haven’t spoken in three months. Not since the fight, where they each said things they couldn’t take back. They’re aching to break the silence, but those thirty-six steps between their bedroom windows feel more like thirty-six miles.Then one fateful night, Emory’s boyfriend, Luke, almost dies. And Hannah is the one who finds him and saves his life.As Luke tries to make sense of his near-death experience, he secretly turns to Hannah, who becomes his biggest confidante. In Luke, Hannah finds someone she can finally talk to about all the questions she’s grappling with. Emory just wants everything to go back to normal–the way it was before the accident. She has no idea why her relationship is spiraling out of control. But when the horrifying reason behind Hannah and Emory’s argument ultimately comes to light, all three of them will be forced work together to protect the one with the biggest secret of all.In the follow-up to her New York Times bestseller, Every Last Word, Tamara Ireland Stone crafts a deeply moving, unforgettable story about love, betrayal, and the power of friendship. * 2019 NCIBA Golden Poppy Award Winner * Bank Street College Best Children’s Books of the Year *"A beautiful testament to friendship and the intricate patterns we weave throughout each other's lives."―Robin Benway, National Book Award winning author of Far From the Tree "Beautiful, heartfelt, deep, and real. This book broke my heart and I loved every minute of it."―Robyn Schneider, author of The Beginning of Everything "Little Do We Know is a beautiful, affecting novel. Stone writes compellingly about the power of friendship, of love."―New York Times best-selling author Luanne Rice "Touching on weighty issues, including sexual harassment, religious crises, friendship, and taboo love, Stone writes a thought-provoking novel that challenges conventional ideas." ― Publishers Weekly, starred review "A realistic fiction novel for those who enjoy a dramatic romance; a must-have for most YA shelves." -- School Library Journal

    The girls are all named Guinevere - Vere, Gwen, Ginny, and Win - and it is the surprise of finding another Guinevere in their midst that first brings them together.They come to The Sisters of the Supreme Adoration convent by different paths, delivered by their families, each with her own complicated, heartbreaking story that she safeguards. Gwen is all Hollywood glamour and swagger; Ginny is a budding artiste with a sentiment to match; Win's tough bravado isn't even skin deep; and Vere is the only one who seems to be a believer, trying to hold onto her faith that her mother will one day return for her. However, the girls are more than the sum of their parts and together they form the all powerful and confident The Guineveres, bound by the extraordinary coincidence of their names and girded against the indignities of their plain, sequestered lives. The nuns who raise them teach the Guineveres that faith is about waiting: waiting for the mail, for weekly wash day, for a miracle, or for the day they turn eighteen and are allowed to leave the convent. But the Guineveres grow tired of waiting. And so when four comatose soldiers from the War looming outside arrive at the convent, the girls realize that these men may hold their ticket out.In prose shot through with beauty, Sarah Domet weaves together the Guineveres' past, present, and future, as well as the stories of the female saints they were raised on, to capture the wonder and tumult of girlhood and the magical thinking of young women as they cross over to adulthood.

    Brunstetter.What happens when making an elderly Amish couple very happy means going along with a lie that gets bigger by the day? Michelle Taylor is not who her new family in Lancaster County believes her to be. The Lapps were looking for their long-lost granddaughter when they met Michelle and she assumed the identity of Sara Murray. Once homeless and hopeless, Michelle has come to love her new Amish friends and even considers the idea of romance among them. Finding an old blue jar in the barn that is filled with slips of paper containing thoughts, quotes, and prayers by an unknown author becomes a boost to Michelle’s budding faith— but also convicting. How can she tell the truth without hurting the ones she has truly come to love?