"What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times

    When the great hunter Harold Ryan--missing and presumed dead--returns from Africa after eight years, his wife is aghast and his son is enchanted. Vonnegut's attack on phony heroes and male swagger uses some of the funniest dialogue ever created for the stage.

    AN ARAB TERRORIST ATTACK. DEMOCRACY UNDER SIEGE. Mario Puzo envisioned it all in his eerily prescient 1991 novel, The Fourth K.President Francis Xavier Kennedy is elected to office, in large part, thanks to the legacy of his forebears– good looks, privilege, wealth–and is the very embodiment of youthful optimism. Too soon, however, he is beaten down by the political process and, disabused of his ideals, he becomes a leader totally unlike what he has been before. When his daughter becomes a pawn in a brutal terrorist plot, Kennedy, who has obsessively kept alive the memory of his uncles’ assassinations, activates all his power to retaliate in a series of violent measures. As the explosive events unfold, the world and those closest to him look on with both awe and horror.

    In this book, Ernest Larsen examines the film's sophistcated narrative structure and the new spin it puts on an old genre.

    It is a dramatic study of sexual conflict and jealousy between an older and a younger man; as well as a subtle psychological portrait of an inadequate and sexually-obsessed middle-aged man.Sleuth was filmed by Joseph Mankiewicz, with Laurence Olivier and Michael Caine in the leading roles, and this edition is fully illustrated with stills from the film, for which Anthony Shaffer wrote the screenplay.Anthony Shaffer has written several television and stage plays, including the West End success Murderer (also available from arion Boyars Publishers). He has also written many screenplays, including Play with a Gypsy, Hitchcock's Frenzy, The Wicker Man, and the Agatha Christie films Death on the Nile and Evil Under the Sun.

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.

    The tables turn when Marjorie is able to subdue Raul and keep him tied up in her fireplace. When Terry and Patricia, Marjorie's roommates, come home, they are shocked and begin discussing how to handle the situation: call the police or take matters into their own hands?

    Inge has taken us back to the early 1920s and into the home of the Flood family in a small Oklahoma town. Here we find Rubin, a traveling salesman for a harness firm, Cora his sensitive and lovely wife, Sonny their little boy and Reenie their teen-age daughter The plot of Mr. Inge's comedy drama is less one story than a series of short stories the fight between a husband and wife; the fear of an overly shy young girl on going to a dance; the problems of an introverted little boy who feels that the whole world, including his family is against him; the outwardly peaceful and inwardly corroding marriage of Cora's rowdy sister; the tragedy of a military school cadet whose mother has never provided him with a home and who suffers from the stigma of being a Jew in an alien community. What Mr. Inge is saying, with a power and tenderness of speech, is that there is dark at the top of everyone's stairs, but that it can be dissipated by understanding, by tolerance, by compassion and by the brand of companionship that demands not conformity but love For Mr. Inge has made in his play a statement of faith for all people who, if they accepted it, would live in a far better world."

    The collection features many of Block's best-loved characters, including Matt Scudder (eight stories), Ehrengraf (nine stories), Chip Harrison (two stories) and Bernie Rhodenbarr (three stories).

     This digital box set contains the tenth, eleventh and twelfth thrillers: Blackout: John Milton’s life is about to change. The former government assassin follows a lead to Manila that he hopes will change his life. But he never expected to wake up in an unfamiliar hotel room beside a murder victim. And, unfortunately for him, Milton doesn’t remember a thing about the night before. The Alamo: John Milton has finally found a place to escape the bloodshed: off-season Coney Island. No tourists. No special ops. Just peace and quiet. But when a local boy witnesses a grisly murder, Milton can’t resist investigating Redeemer: John Milton is visiting an old friend in Rio who runs a close protection business guarding the city's elite. Milton offers to stand in when one of his bodyguards doesn’t turn up for work. The job? Take the wife and daughter of an anti-corruption judge to a school recital and bring them back again. Simple? Not so much... What Critics Say About Mark Dawson --“Mark Dawson’s John Milton books are sharper than a stiletto. If you’ve run out of Lee Child books, Mark Dawson is your man. Absolutely brilliant.” - Matt Nixson, Books Editor, Mail on Sunday --"A literary sensation." - The Daily Telegraph --"Dawson writes the kind of thrillers I love. Non-stop, grab-you-by-the-throat tales of doing the right thing no matter the odds. Simply excellent." - USA Today bestselling author Brett Battles --"It’s impossible not to think of Lee Child’s super-selling Jack Reacher." - The Times --"Mark Dawson has all the skills. A great thriller writer on the top of his game." - Sunday Times bestselling author Steve Cavanagh --"Dawson maintains the reader’s interest throughout and the pages turning. It is easy to see why he has found such a big readership. He deserves it." - Crime Fiction Lover

    This volume contains the complete screenplay as well as a behind-the-scenes look at how the Oscar-winning movie was made, by one of its writers, Howard Koch. Charles Champlin, Roger Ebert, Umberto Eco, and others contribute incisive analyses of the movie's timeless appeal, and twenty-five beautifully reproduced stills capture the dramatically charged scenes of this true American classic.

    For two local young men, Pete Karras and Joey Recevo, the easiest way to find work after the war is by providing a little muscle for a local boss who runs a protection racket with the Mafia. The trouble with Pete Karras is that he is just too soft on his fellow immigrants, and the last thing the boss wants is for his mob to get soft. The boys have to teach Karras a painful lesson that he won't forget. Three years later Pete and Joey meet up once more and a final confrontation puts the meaning of friendship and honour to the ultimate test. "The Big Blowdown" is the first novel in Pelecanos' acclaimed "Washington Quartet".

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.

    Set in the underbelly of Edinburgh, Trainspotting is a story inhabited by a galaxy of immensely colorful characters -- liars, thieves, junkies -- people whose habits, emotions, and stories will leave an indelible imprint on the reader's mind.

    Rebecca Gilman challenges our preconceptions about race relations, writing of a liberal dean of students named Sarah Daniels who investigates the pinning of anonymous, clearly racist letters on the door of one of the college's few African American students. The stunning discovery that there is a virulent racist on campus forces Sarah, along with other faculty members and students, to explore her feelings about racism, leading to surprising discoveries and painful insights that will rivet and provoke the reader as perhaps no play since David Mamet's Oleanna has done.Spinning into Butter had its world premiere at the Goodman Theatre in Chicago in May 1999 and will open at the Vivian Beaumont Theater at Lincoln Center in New York in April 2000.