To his beautiful secretary-mistress, he was a god-like hero to be served with her mind, soul and body. To his aristocratic young wife, he was an elemental force of nature to be tamed. To his millionaire father-in-law, he was a giant whose single error could be used to destroy him.What kind of man was Bjorn Faulkner? Only you, the reader, can decide.On one level, Night of January 16th is a totally gripping drama about the rise and destruction of a brilliant and ruthless man. On a deeper level, it is a superb dramatic objectification of Ayn Rand's vision of human strength and weakness. Since its original Broadway success, it has achieved vast worldwide popularity and acclaim.

    Together with Tyler Durden – part-time projectionist, banquet waiter, soap-maker and anarchic genius – he creates Fight Club, where he and men like him can get away from their work-dominated, consumer-driven, image-obsessed lives.Soon there are fight clubs in basement bars across the country; men with cuts, bruises, stitches and missing teeth wherever you look. Tyler Durden has become an urban legend – but when he invents Project Mayhem, things begin to escalate. There’s only one thing to do: shut down Fight Club. But have they created a monster they can't control?This full-cast BBC radio dramatisation of Chuck Palahniuk's visceral, unflinching novel stars Patrick Kennedy as the Narrator, Sam Hazeldine as Tyler and Elaine Cassidy as Marla.Cast:The Narrator...Patrick KennedyTyler Durden...Sam HazeldineMarla Singer... Elaine CassidyBig Bob...Martin ShermanDoctor/Boss...Nigel WhitmeyRecruit One...Danny MahoneyMechanic...John SchwabTed...Sam DaleGlenda...Jane SlavinChloe...Ayesha AntoineDramatised by Tracey Malone and Ed WhitmoreProduced by Heather LarmourDuration: 1 hour approx.

    figures his luck's about to change when Detroit used-car salesman Frank Ryan catches him trying to boost a ride from Ryan's lot. Frank's got some surefire schemes for getting rich quick--all of them involving guns--and all Stickley has to do is follow "Ryan's Rules" to share the wealth.But sometimes rules need to be bent, maybe even broken to succeed in the world of crime, especially when the "brains" of the operation knows less than nothing.

    Dowd starts to introduce his imaginary friend Harvey, a six and a half foot rabbit, to guests at a dinner party, his sister, Veta, has seen as much of his eccentric behavior as she can tolerate. She decides to have him committed to a sanitarium to spare her daughter, Myrtle Mae, and their family, from future embarrassment. Problems arise, however, when Veta herself is mistakenly assumed to be on the fringe of lunacy when she explains to doctors that years of living with Elwood's hallucination have caused her to see Harvey also! The doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion. When he shows up at the sanitarium looking for his lost friend Harvey it seems that the mild-mannered Elwood's delusion has had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn't so bad after all.

    Each wears his cynicism like a bulletproof jockstrap–each has his horror story, his bad dream, his night shriek. He is afraid of his friends–he is afraid of himself.

    Who can it be? One by one the suspicious characters reveal their sordid pasts until at the last, nerve-shredding moment the identity and the motive are finally revealed.The Mousetrap is the longest-running play in the history of London's West End

    OR DIEThe van was in back of them again. Closer this time. There could be no mistake--they were being followed.RUN... OR DIEBut why? The question kept nagging at Alex and Colin as they left Philadelphia behind and sped toward their new home in San Francisco. Courtney would be waiting for the, ready to begin a wonderful new life with her husband, her brother...RUN... OR DIENow, someone else is driving cross-country to see Courtney, too. Someone whose brain is rotting inside. Someone who knows their route, their stops, even their destination.RUN... OR DIEHe's got an ax."Shattered catches you by the throat and won't let you go" --Chicago SunTimes

     Jake McHenry spent five years in Germany after Hitler's War and came back laden with ill-gotten Nazi riches. Back home in Brooklyn, he became a private detective because he needed a pretend job to hide the source of his riches. Mostly, however, he went to most Brooklyn Dodgers games at Ebbets Field and drank beer. In between games, Jake did occasionally work at being a detective. His specialty was looking for candid photo-ops of husbands trying to get a little on the side. Then Joe McCarthy entered the picture. A childhood buddy introduced Jake to Tailgunner Joe. They wanted Jake to steal a secret list of celebrity communists from the Ice Queen, a rich high-society commie named Arabella Van Dyk. The Ice Queen also happened to be the most beautiful woman that Jake had ever seen. The break-in of the Ice Queen’s brownstone in Manhattan was easy, but it unleashed Russians, North Koreans, J. Edgar Hoover, mobsters and one stunningly beautiful spy in a wild chase for the list. In the background is the greatest pennant race in the history of Major League Baseball. In 1951, the New York Giants chased the Brooklyn Dodgers for the National League Pennant. That’s the year that Bobby Thompson hit the "shot heard 'round the world." The pennant—and Jake’s life—came down to the last inning and the last pitch at the Polo Grounds in New York City on Wednesday, October 3, 1951. Red Chaser is a fresh spin on the crime/intrigue novel. It's fun, it's 1950s noir, it's Brooklyn, it keeps you guessing and when you finish the last page you say, "Wow, that was fun."

    Franco Wicks, a young black man and Arthur's only employee, wants to modernize the shop, while Arthur is more content to spend the day smoking weed and reminiscing about his Polish immigrant father. This provocative comedy, set in the heart of one of Chicago's most diverse communities, explores the challenges of embracing the past and the redemptive power of friendship.

    Two stories from this collection have been adapted into the films Viscosity and A F*ckload of Scotch Tape.

    In these films, based on the colors of the French flag and the principles of liberty, equality and fraternity--the three ideals of the French Revolution--Kieslowski has crafted three parables of contemporary existence. In "Blue," Julie loses her child and husband in a car crash. In order to shield herself from the intensity of her grief, she strips away all remnants of her former life. This attempt is doomed to failure as music inexorably brings her back to a purpose in life. In "White," Karol, a Polish hairdresser, is divorced and abandoned by his beautiful French wife and finds himself destitute on the Paris streets. He meets a fellow Pole, who ingeniously smuggles him back to Warsaw in a suitcase. Working on the black market, he soon rises to the top of Poland's emerging capitalist class. Still obsessively haunted by the image of his wife, Karol sets out to make her pay the price for her betrayal. The third and final part of the trilogy, "Red," explores a strange, tentative relationship that gradualy grows between a beautiful young model and an embittered, retired judge. It is through the wisdom of her innocence that he finds the courage to engage with life again. Kieslowski brings the trilogy to a close with an event that weaves the disparate threads into a seamless work of art.

    Set amid a seedy urban wasteland of crooks, killers and con-artists, the various members of the gang are steadily undone by personal obsessions, double-crossing and cruel fate.First published in 1949, W.R. Burnett's hardboiled classic was made into the definitive heist movie by John Huston in 1950, starring Sterling Hayden, Sam Jaffe and Marilyn Monroe. Its screenplay, co-written by Huston was nominated for an Oscar.A master and pioneer of the gangster genre, W.R. Burnett is the author of over thirty novels - including Little Caesar and High Sierra - and sixty screenplays. He was twice nominated for Academy Awards.

    In his films, Solaris, Mirror, Stalker and The Sacrifice, Tarkovsky defined a new way of looking at the world. His non-realistic, highly-charged images are a continuing source of inspiration - not only for a new generation of film-makers, but also for poets, musicians and painters. This volume collects his great works for the first time in one volume, as well as three of his unproduced screenplays. This material provides a unique glimpse into the way Tarkovsky's vision evolved from the printed text to its final form on celluloid. The book also contains an extended essay by film critic and historian Ian Christie, who places Tarkovsky's work in the context of Soviet film-making practice.

    These two highly desirable men, once inseparable (and insatiable, where women were concerned), were driven apart by a bizarre and unexplained death in which one of them may have played the part of murderer. As the tart-tongued, eye-catching O’Connor ventures deeper into this unsolved mystery, she finds herself compromisingly coiled around both men, knowing more about them than they realize and less than she might like, but increasingly fearful that she now knows far too much.

    One of the dead cops was his girlfriend.The investigation grinds to a halt when he discovers that the young murderers have fled to Somalia to fight in the rebel army. He's at his wits' end when the father of one of the boys, an ex-gang leader named Mustafa, comes looking for answers, wanting to clear his son's name and refusing to take no for an answer.Bleeker and Mustafa form an uneasy alliance, teaming up to help bring the boys back home to stand trial. But little do they know what Somalia has in store for them.Murder, warfare, piracy, love, betrayal and revenge. ALL THE YOUNG WARRIORS is an epic thriller that will have you white-knuckling your eReader all through the night.