An anonymous young woman murdered in a run-down hotel, all identifying characteristics dissolved by acid. A father publicly beheaded in the blistering heat of a Saudi Arabian public square. A notorious Syrian biotech expert found eyeless in a Damascus junkyard. Smoldering human remains on a remote mountainside in Afghanistan. A flawless plot to commit an appalling crime against humanity. One path links them all, and only one man can make the journey. Pilgrim.'

    Still under psychological evaluation, Fawkes returns to the force eager for a big case. When his former partner and friend, Detective Emily Baxter, calls him to a crime scene, he's sure this is it: the body is made of the dismembered parts of six victims, sewn together like a puppet--a corpse that becomes known as "The Ragdoll."Fawkes is tasked with identifying the six victims, but that gets dicey when his reporter ex-wife anonymously receives photographs from the crime scene, along with a list of six names, and the dates on which the Ragdoll Killer plans to murder them.The final name on the list is Fawkes.Baxter and her trainee partner, Alex Edmunds, hone in on figuring out what links the victims together before the killer strikes again. But for Fawkes, seeing his name on the list sparks a dark memory, and he fears that the catalyst for these killings has more to do with him--and his past--than anyone realizes.With a breakneck pace, a twisty plot, and a wicked sense of humor, Ragdoll announces the arrival of the hottest new brand in crime fiction.

    She’s flying to Crete to reunite with friends she met there five years ago and relive an idyllic vacation. Basking in the warmth of the sun, the azure sea, and the aura of antiquity, she can once again pretend—for a little while—that she belongs. Her ex-boyfriend Marcus will be among them, but even he doesn’t know the secrets she keeps hidden behind a veil of lies. None of them really know her, and that’s only part of the problem.Then again, how well does she know them?When Jan awakens in utter darkness, chained to a wall, a manacle around her wrist, her echoing screams only give her a sense of how small her cell is. As she desperately tries to reconstruct what happened and determine who is holding her prisoner, dread covers despair like a hand clamped over her mouth. Because, like the Minotaur in the labyrinth in Greek myth, her captor will be coming back for her, and all the lies will catch up to her…

    . . Is the rising number of abused women who've gone missing a statistical anomaly? Or is a serial killer targeting this vulnerable group of women? When the Milwaukee Police Department refuses to investigate because no bodies have been discovered, Lisa Rayburn, the clinical psychologist who discovers the anomaly, is drawn into an investigation to discover the cause after one of her own clients goes missing. She finds herself forming an unlikely alliance with a former policewoman turned security consultant, TJ Peacock, and the husbands of two of the missing women who may themselves be murderers. When TJ is attacked, and a woman looking remarkably like Lisa is found murdered, they know . . . someone is willing to kill to protect his secret. Can they reveal the killer before he gets to them?

    The alleged mutineer is Captain Nicolau Aames, whose command of the massive Earth-Mars vessel Aldrin has come under fire. The vast System Initiative says he disobeyed orders, but his crew swears he’s in the right.En route to Mars, Park gathers testimony from the Aldrin’s diverse crew, painting a complex picture of Aames’s character: his heroism, his failures, even his personal passions. As the investigation unfolds, Park finds herself in the thrall of powerful interests, each pushing and pulling her in a fiery cosmic dance.Corruption, conflicting loyalties, and clashing accounts make it nearly impossible to see the truth in fifty million miles of darkness, and Park faces danger from every direction. All eyes are on her: one way or another, her findings will have astronomical implications for the Aldrin and the future of space travel.

    All he has to do is accompany female pop star Max Magic to Los Angeles and deliver her to the FBI. But when their routine flight ends in a hail of gunfire at LAX, Walker has no choice but to take the frightened diva on the run.After a second attack leaves him battered and bloody, Walker realizes he cannot trust the FBI. To keep his client alive, he must use a patchwork of trusted aviation contacts to get her home to Austin, where the key suspects await.But as they race to stay one step ahead of their deadly pursuers, the biggest danger of all may be what they’re heading toward—the dark secrets that Max herself has been keeping…

    But the world has a way of beating a path to her door, however remote. In the middle of one of the bitterest Decembers in recent memory ex-boss - and ex-lover - Jack Morgan shows up with an FBI agent in tow. A Park ranger with powerful relatives is missing, and now the investigator Jack sent in to look for him is missing, too.Reluctantly, Kate, along with Mutt, her half-wolf, half-husky sidekick, leaves her wilderness refuge to follow a frozen trail through the Park, twenty thousand square miles of mountain and tundra sparsely populated with hunters, fishermen, trappers, mushers, pilots and homesteaders. Her formidable grandmother and Native chief, Ekaterina Shugak, is - for reasons of her own - against Kate's investigation; her cousin, Martin, may be Kate's prime suspect; and the local trooper, Jim Chopin, is more interested in Kate than in her investigation. In the end, the sanctuary she sought after five and a half years in the urban jungles may prove more lethal than anything she left behind in the city streets of Anchorage.

    Desperate to learn the truth about where she’s been and what has happened to her but terrified of what she may find, Caitlin embarks on a search for answers. Her journey takes her from the safe suburban world she knows to a seedy town she’s never heard of, where a terrible truth from her past lies hidden—a truth she can’t quite remember yet can’t completely forget.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Perfect homes. Perfect families. It’s enough to drive some women mad…In a tale inspired by real events, pregnant journalist Joan Harken is cautiously excited to follow her fiancé back to his Minnesota hometown. After spending a childhood on the move and chasing the screams and swirls of news-rich city life, she’s eager to settle down. Lilydale’s motto, “Come Home Forever,” couldn’t be more inviting.And yet, something is off in the picture-perfect village.The friendliness borders on intrusive. Joan can’t shake the feeling that every move she makes is being tracked. An archaic organization still seems to hold the town in thrall. So does the sinister secret of a little boy who vanished decades ago. And unless Joan is imagining things, a frighteningly familiar figure from her past is on watch in the shadows.Her fiancé tells her she’s being paranoid. He might be right. Then again, she might have moved to the deadliest small town on earth.

    The bet pays off, resulting in a story that will be popular with book clubs and fun to discuss.” —Associated Press New York City, New Year’s weekend, 2001. Jillian Guthrie, a troubled young journalist, stumbles onto a tantalizing mystery: the same man, unaged, stands alongside Ulysses S. Grant, Theodore Roosevelt, and Gandhi in three different photographs spanning eighty-five years of history.In another part of town, Will—an enigmatic thirty-three-year-old of immense charm, wit, and intelligence—looks forward to the new year with hope and trepidation. Haunted by his secret past and shadowed by a dangerous stranger, he finds himself the object of an intense manhunt spearheaded by an ambitious Vatican emissary and an elderly former UN envoy named Hanna.During the next forty-eight hours, a catastrophic event unites Will, Jillian, and Hanna—and puts them in the crosshairs of a centuries-old international conspiracy. Together, the three must unravel an ancient curse that stretches back two millennia and beyond, and face a primal evil that threatens their lives and thousands more.Award-winning science-fiction mastermind Kenneth Johnson blends epic adventure, romance, and evocative drama into an intense supernatural thriller rooted in one of the great untold legends of human history.

    But when the billionaire philanthropist is discovered murdered in his London home, tied naked to a bed, the scandal is only a shadow of the darkness lurking off-camera.Laura Fletcher returns from an Italian vacation to find her husband dead and her home under siege by paparazzi. Is she shocked? Yes. But is she distraught? Not exactly. Especially when Chief Inspector Tom Douglas reveals his suspicions that Hugo’s killer is female. Laura always knew she wasn’t the only woman in Hugo’s life. And she knows she wasn’t the only one with a motive to kill.The deeper Douglas digs, the more sordid details about Hugo Fletcher he uncovers. And yet nothing compares to the secret Laura guards, a secret that could bring the guilty to justice—or destroy an innocent life forever.

    For Lewis-born Macleod, the case represents a journey both home and into his past.A SECRETSomething lurks within the close-knit island community. Something sinister.A TRAPAs Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted.

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.