His name was Jerg Algan. He had done almost nothing except roam the Earth like anyone, without the slightest gloryAnd then one day he had to leave the refuge of men. He landed in the star galaxy - in the most distant fold of space, in this strange place where perhaps the solutions of time-honored problems lay. There were vast black citadels there, like gigantic pawns erected on the squares of an endless chessboard.So Jerg Algan undertook the last phase of his struggle: the gambit of the stars.

    When New Testament authors appeal to Old Testament texts to support their arguments, what is the relationship between their meanings and what was originally intended by their Old Testament forebears?Leading biblical scholars Walter Kaiser, Darrel Bock, and Peter Enns present their answers to questions about the use of the Old Testament in the New Testament, addressing elements such as:Divine and human authorial intent.Context of passages.Historical and cultural considerations.The theological grounds for different interpretive methods.Each author applies his framework to specific texts so that readers can see how their methods work out in practice. Each contributor also receives a thorough critique from the other two authors.Three Views on the New Testament Use of Old Testament gives readers the tools they need to develop their own views on the meaning, contexts, and goals behind the New Testament citations of the Old.The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

    Addressing this painful reality, Lee Camp writes that Christianity in America has been made into a bad public joke because of “our failure to rightly understand what Christianity is.” From this provocative claim, Camp’s manifesto makes the convincing case that a renewed Christian politic is more essential than ever, one that is “neither left nor right nor religious,” but a prophetic way of life modeled after Jesus of Nazareth. Camp’s robust vision exposes modern parodies of faith—the American concept of “Christian values,” for one—and challenges Christians to rethink who they are and how they participate in the modern world. Authentic gospel truth is a scandal to the American myth, he argues, and we are called to be scandalous witnesses.

    

    Cream, published by Phaidon in 1998, was a sensational cultural event. Fresh Cream consolidates the biennial status of Cream as a frame of reference and an essential source of new art for art professionals and newcomers alike. Pursuing the theme of its predecessor, with 10 new world-class contemporary curators each choosing ten emerging artists, the book presents in its entirety the works of 100 artists and an up-to-the-minute global overview of the contemporary art world, not only for now but also for the future. These artists have risen to intense international acclaim since the 1990s or, in the opinion of the curators who have selected them, are about to emerge internationally in the near future. Fresh Cream contains the enormous breadth of ideas and forms that exist in contemporary art. The artists' spreads are arranged in an A-Z order, featuring numerous examples of each artist's work alongside a concise text from the selecting curator and vital biographical information about the artist. A conversation between the 10 curators and the commissioning editor gives a penetrative insight into their selections and of the key issues in contemporary art. The cultural context in which the artists work - from philosophy to fiction - is presented through recent texts from 10 contemporary writers, one selected by each curator. Itself embodying the creative originality and innovation of its content, Fresh Cream is packaged in an incredible, inflated, clear plastic pillow.

    This latest edition includes new notes and exercises, and has a freshly designed, learning-friendly format that makes it more relevant and accessible to students of poetry in Southern Africa.

    Arthur looks at what are now the three best-known tech companies and through the voices of former and current staff examines their different strategies to try to win the battle to control the exploding network connecting the world. Microsoft was a giant -- soon to become the highest-valued company in the world, while Apple was a minnow and Google just a startup. By February 10 2012, Apple was worth more ($462bn) than both Microsoft ($258bn) and Google ($198bn) combined.The chance had come from tumultuous battles between the three. To win their battles: Apple used design, the vertical model of controlling the hardware and software and a relentless focus on the customer to the exclusion of others.Microsoft depended on the high quality of its employees' programming skills and its monopolies in software to try to move into new markets - such as search and music.Google focused on being quick, efficient and using the power of data analysis - not human "taste" - to make decisions and get ahead of would-be rivals.With exclusive information from interviews with current and former employees of the three companies Arthur also addresses:- What the inventors of the hard drive used in the iPod thought it would really be used for- How Apple transformed the smartphone market- Which of Android or Apple forced Microsoft to abandon Windows Mobile- What happened to Microsoft's tablet plans

    ARTnews hailed this lively volume as "a fascinating book" by "a superb critic and art historian". For this Second Edition, the author adds a new final chapter and extensively reworks the last quarter of the hook to incorporate current thinking on the art of the last 20 years.

    Exploring vital themes such as custodial deaths, reservations and environmental jurisprudence, this book contextualises the judgements, explains key concepts and maps their impacts. Written by one of India's most respected lawyers, "Ten Judgements That Changed India" is an authoritative yet accessible read for anyone keen to understand India's legal system and the foundations of our democracy.

    The stimulating visuals laced throughout the book uniquely capture the essence of the literary imagination and provide salve for the writer's soul. Wood delves below the surface of a writer's life and illustrates her apt points with both pictures and words. She says, "Treat yourself! Buy an expensive pen, a box of colorful paperclips, a fine, handmade notebook or a leather bookmark." In other words, allow yourself a moment to luxuriate in your gift of words. She also reminds us of the need to be disciplined and to avoid being sidetracked by those little distractions -- for example, you might hold off on checking your email in the morning until you've written at least three pages. In relation to character development in fiction, the author points out that a good plot complication will either thwart or alter the character's desire. She reminds you to instill your characters with life. And, she offers an extremely useful tool -- using differently colored markers to highlight action, reflection, and dialogue in your prose. This ingenious technique will assist you in knowing when you are telling rather than showing and will allow you to create vivid action that will involve the reader in your characters and plot. All in all, Wood has authored an innovative, inspirational pocket muse that is produced in a handy carry-along size and is so unique it doesn't even require numbered pages. It is all about inspiration, digging deep, and keeping the faith as you spin out prose that will long be remembered. (Evie Rhodes)

    Frank explores the events of illness from within: the transformation from person to patient, the pain, the wonder,and the ceremony of recovery. To illuminate what illness can teach us about life, Frank draws upon his own encounters with serious illness -- a heart attack at age thirty-nine and, a year later, a diagnosis of cancer. In poignant and clear prose, he offers brilliant insights into what happens when our bodies and emotions are pushed to extremes. Ultimately, he examines what it means to be human.

    This title contains essays that include expositions on nature and its impossibility without the existence of God and suggested ways for the elderly and sick to treat their ailments while staying true to their religion.

    Behaviour that to our grandparents' generation might have seemed stupid, harmful or simply wicked now seems rational, natural, woven into the very logic of things. And, asserts Jonathan Aldred in this revelatory new book, it's economics that's to blame.Licence to be Bad tells the story of how a group of economics theorists changed our world, and how a handful of key ideas, from free-riding to Nudge, seeped into our decision-making and, indeed, almost all aspects of our lives. Aldred reveals the extraordinary hold of economics on our morals and values. Economics has corrupted us. But if this hidden transformation is so recent, it can be reversed. Licence to be Bad shows us where to begin.Over the past fifty years, the way we value what is 'good' and 'right' has changed dramatically. Behaviour that to our grandparents' generation might have seemed stupid, harmful or simply wicked now seems rational, natural, woven into the very logic of things. And, asserts Jonathan Aldred in this revelatory new book, it's economics that's to blame.Licence to be Bad tells the story of how a group of economics theorists changed our world, and how a handful of key ideas, from free-riding to Nudge, seeped into our decision-making and, indeed, almost all aspects of our lives. Aldred reveals the extraordinary hold of economics on our morals and values. Economics has corrupted us. But if this hidden transformation is so recent, it can be reversed. Licence to be Bad shows us where to begin.

    Circumstances kept her from getting her college degree out of high school, and now, at twenty-eight, she is finally getting her life on track. She and her mother, Janet, share a house, and they get along well. Nothing has prepared Mariah for the news heading her way via a letter from the law offices of Hardy, Hardy, and Hardy. From the letter, Mariah learns that she was born to a teenage girl named Kathleen Warren, the granddaughter of a wealthy woman named Cora. Cora’s legacy is one of pain and loss. Her daughter died tragically, and her granddaughter withered away behind the walls of the old Victorian house on the shore. Their pain was so great that it has lingered, and when Mariah is told she has inherited the house from her hitherto unknown great-grandmother, she must contend with the spirits dwelling there when she takes possession of the charming white house by the sea. Since she was a child, Mariah was a loner whose imaginary friends were her constant companions. Now, as an adult, when she is confronted by visions while packing up her dead relatives belongings, she isn’t afraid. She is, however, intrigued, and with the help of a mysterious man named Jerry and an investigator named Sam, Mariah seeks to discover what the “ghosts” are trying to tell her.

    Perry Webster, a university lecturer at York University, is distraught at his young love’s death. But when the police start to suspect he was the culprit, his world is turned upside down. Working in the local bar, his girlfriend was well-known and liked by many. Who could have killed her? Webster begins questioning the pub locals, to no avail. Yet his actions are carefully followed by the police, and several times he is brought in for questioning. Just when the trail is going cold, Webster stumbles on a clue. This takes him down a dangerous path, confronting important people in political circles and dangerous criminals in the underworld. It will take all of Webster’s wit and learning to see through the lies that surround his girlfriend’s death. But, like Webster, the reader is in for a surprise when the true identity of the killer is revealed. Having kicked a hornet’s nest the perpetrator maybe much closer to home than he first thought. Can he prove his case and clear his name? BLONDE is the first in a series of murder mysteries with Perry Webster as private investigator.