Taking a job as a landscape architect at the last place Brad was seen—the sprawling estate where he worked as a caretaker—she prowls the strange old house determined to unlock its secrets. But each mystery Diana uncovers is more unsettling than the last, as odd visions, scents, and sounds pervade an atmosphere of dread and barely suppressed violence. And in her zealous search for answers, she may have inadvertently opened a door to something frightening and deadly that can never be closed again.

    Only, this simple arrangement soon begins to go sideways, and....

     The Gallagher family has called Deeprath Castle home for seven hundred years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she’d thought. Two decades before, Aidan’s parents died violently at Deeprath. The case, which was never closed, has recently been taken up by a new detective determined to find the truth. The couple’s unusual deaths harken back a century, when twenty-three-year-old Lady Jenny Gallagher also died at Deeprath under mysterious circumstances, leaving behind an infant son and her husband, a renowned writer who never published again. These incidents only fueled fantastical theories about the Darkling Bride, a local legend of a sultry and dangerous woman from long ago whose wrath continues to haunt the castle. The past catches up to the present, and odd clues in the house soon have Carragh wondering if there are unseen forces stalking the Gallagher family. As secrets emerge from the shadows and Carragh gets closer to answers—and to Aidan—could she be the Darkling Bride’s next victim?

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phantom—a Shadow Man who is haunting the Darcy family’s grand estate.Darcy and Elizabeth believe the truth is much more menacing and that someone is trying to murder them. But Pemberley is filled with family guests as well as the unexpected travelers—any one of whom could be the culprit—so unraveling the mystery of the murderer’s identity forces the newlyweds to trust each other’s strengths and work together.Written in the style of the era and including Austen’s romantic playfulness and sardonic humor, this suspense-packed sequel to Pride and Prejudice recasts Darcy and Elizabeth as a husband-and-wife detective team who must solve the mystery at Pemberley and catch the murderer—before it’s too late.**Not a part of the "Murder Mystery" series, this is a stand-alone book**

    With the exception of his chosen career, too sordid for his blue-blooded family to condone, his life has been safe and predictable. But then he meets Detective Sergeant Kate Wakefield — beautiful, willful, and nearly half his age. When Hetheridge saves the outspoken, impetuous young detective from getting the sack, siding with her against Scotland Yard's powerful male hierarchy, his cold, elegantly balanced world spins out of control. Summoned to London's fashionable Belgravia to investigate the brutal murder of a financier, Hetheridge must catch the killer while coping with his growing attraction to Kate, the reappearance of an old flame, and the secret that emerges from his own past.

    But his plans are derailed when, passing through a country village, he discovers a helpless woman being auctioned off to the highest bidder--by her husband.In order to save her from being violated by another potential buyer, Atlas purchases the lady, Lilliana, on the spot to set her free. But Lilliana, desperate to be with her young sons and knowing the laws of England give a father all parental rights, refuses to be rescued--until weeks later when her husband is murdered and Atlas is the only one who can help clear her name of the crime.Fortunately, Atlas is a master at solving complicated puzzles, both with games and the intricacies of human motivation, and finds himself uniquely suited to the task, despite the personal peril it may put him in. But soon Altas learns the dead man had many secrets--and more than a few enemies willing to kill to keep them quiet--in Murder in Mayfair, the first in a new historical mystery series by D. M. Quincy.

    Brett's convinced his partner-in-crime sister is behind the theft -- a theft that's liable to bring more scandal to their eccentric family, and cost Brett his marriage to society heiress Juliet Lennox. What Brett doesn't count on is the instant and powerful attraction that flares between him and Rafferty.Once before, Brett took a chance on loving a man, only to find himself betrayed and broken. This time around there's too much at risk. But as the Bard himself would say, Journey's end in lovers meeting.Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices.

    As a young girl, Bronwyn could pass through a time slip in her great-aunt’s house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting. William Thorne is no longer the boy she remembers. He’s a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He’s also none too pleased with Bronwyn for abandoning him all those years ago. As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    Lewis Browning—known by the locals as the Midnight Devil and by Rebecca as her new guardian.Summoned to his reclusive country estate to await her London season, Rebecca plans her own secret investigation among the darkened corridors of the mysterious Greybourne Hall. Yet Lewis Browning is not as she once imagined, and his motivation is horribly unclear. Recurrent nightmares and Rebecca’s restless feelings are further complicated by the shadow of her mother’s prior descent into madness and wondering if she, too, will follow the same heartbreaking path.Even as midnight rides, strange injuries, and further murders lead back to Mr. Browning, Rebecca can’t ignore the subtle turn of her heart. Has she fallen for the man she swore would pay for her brother’s death? And moreover, can she trust him with her uncertain future?Praise for Abigail Wilson:“In the Shadow of Croft Towers is everything I love in a novel: a classic gothic feel, a regency setting, a mysterious hero . . . and secrets abounding!” —Dawn Crandall, award-winning author of the Everstone Chronicles series“Shades of Gothic romance in a portrait of Regency England . . . if Jane Austen ever met Jane Eyre, it would be at Croft Towers!” —Kristy Cambron, author of Castle on the Rise, of In the Shadow of Croft Towers"Blending the unputdownable Regency flair of Georgette Heyer with the intricate plotting of Julie Klassen, Wilson not only places herself competently amidst beloved authors but carves out a unique place of her own." —Rachel McMillan, author of the Van Buren and DeLuca Mysteries"Beautifully written, suspenseful, and satisfyingly romantic." —Jennifer Beckstrand, author of Home on Huckleberry Hill “Murder is far from no one’s thoughts in this delicious new romantic mystery from Abigail Wilson. With scandal dodging every turn of the page, mystery hiding behind the visage of each character, and a romance brewing with an English rake of the worse—and best—sorts, readers will find nothing lacking! I was entranced, mesmerized, addlepated, and not a little bit bewildered as I wandered the halls of Middlecrest Abbey.” —Jaime Jo Wright, author of the Christy Award–winning novel, The House on Foster HillFull-length Regency romance with a murder mystery (c. 90,000 words)Perfect for fans of Sarah Ladd, Deanna Raybourn, Julie Klassen, Tasha Alexander, and Lauren WilligAlso by Abigail Wilson:In the Shadow of Croft TowersMasquerade at Middlecrest AbbeyThe Vanishing at Loxby Manor (available January 2021)Includes discussion questions for book clubs

    D. James, long among the most admired mystery writers of our time, draws the characters of Jane Austen’s beloved novel Pride and Prejudice into a tale of murder and emotional mayhem. It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball. Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery. Inspired by a lifelong passion for Austen, P. D. James masterfully re-creates the world of Pride and Prejudice, electrifying it with the excitement and suspense of a brilliantly crafted crime story, as only she can write it.

    Now it's made her a killer's target. Emme knows why the Dowager Duchess of Briarleigh invited her to a house party--to investigate whether the duke, Rhys Brammel, murdered his wife years ago. But Emme never imagined she would fall in love with the brooding duke. Branded by society as a possible killer, Rhys is suspicious of Emme and her alleged "gift." Then a late night encounter creates awareness of her other, more attractive, aspects. When Emme's life is threatened, Rhys becomes her protector. Emme and Rhys find passion and peril as they join forces to solve the mysteries at Briarleigh. She made him believe in spirits, but can she make him believe in love?

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    It turns out the two women are identical twins, separated at birth, and raised in dramatically different circumstances. Lucy's mother quickly resolves to give her less fortunate sister the kind of life she has never known. And the transformation in Aunt Helen is indeed remarkable. But when Helen begins to imitate her sister in every way, even Lucy isn't sure at times which twin is which. Can Helen really be trusted, or does her sweet face mask a chilling agenda?Filled with shocking twists and turns, THE TWIN'S DAUGHTER is an engrossing gothic novel of betrayal, jealousy, and treacherous secrets that will keep you guessing to the very end.