Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    

    Adrift at thirty-four, no-one does 'lost' quite like Jill. Wry, witty, resilient but bewildered, she's left asking, 'What does it take to stay sane in this life? And why does it look easier for everyone else?'Her nine-year relationship is over. She swaps one so-so job for another. She gets drunk with off-beat friends and internet dates with mixed results... Then life is flipped on its head by some shocking news. But average 'chic fiction' this ain't! There's nothing average about Jill and her distinctive, savagely honest voice; with sentences you'll want to read and re-read for their lyrical, original language and ringing clarity. An exploration of modern friendships and relationships, Jill's voice will penetrate and have you analysing your own life choices through her lens!When events take Jill to the edge - will tip herself over or turn things around and keep walking?

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It is a totally fresh, savvy and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad pop-culture world. It is fast, pacy and funny - an exhilarating joyride through the formative years of four Falkirk teenagers.'A terrific yarn... superb from start to finish' - FHM 'There is real emotion here, and gutsiness... a feeling for language so passionate it shames the dullness of so many sentences that make it into print' - Sunday Herald 'Required reading for those who understand and live its message' - The Herald

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

    The end of a marriage doesn't mean the end of life After the sudden and brutal breakdown of her marriage, Jenny finds herself alone for the first time in her life when she leaves the comfortable farmhouse with her four-year-old daughter. Taking refuge in a seaside town in North Wales, Jenny finds a room in a boarding house. It's difficult at first, but as she gets to know her fellow residents, she gradually begins to see that life has much more to offer than she could ever have dreamed. And when she meets Ben, the owner of the local coffee bar, she finally understands that she is far happier now, living on her own, than she ever was when she was married.

    But Merry has a secret: the magic has stopped flowing from her fingers. Try as she might, she can’t summon up the sparkle that makes her stories shine. And as her deadline whooshes by, her personal life falls apart too. Alex tells her he wants something other than the future she’d always imagined for them and Merry finds herself single for the first time since – well, ever. Desperate to get her life back on track, Merry leaves London and escapes to the windswept Orkney Islands, locking herself away in a secluded clifftop cottage to try to heal her heart and rediscover her passion for writing. But can the beauty of the islands and the kindness of strangers help Merry to fool herself into believing in love again, if only long enough to finish her book? Or is it time for her to give up the career she’s always adored and find something new to set her soul alight??The brand new series from Holly Hepburn, author of A Year at the Star and Sixpence. Parts one to four in the new series are available to pre-order now: BROKEN HEARTS AT BRIGHTWATER BAY, SEA BREEZES AT BRIGHTWATER BAY, DANGEROUS TIDES AT BRIGHTWATER BAY and SUNSET OVER BRIGHTWATER BAY ~*~Praise for Holly Hepburn~*~ 'A fresh new voice, brings wit and warmth to this charming tale of two sisters' Rowan Coleman 'Warm, witty and laced with intriguing secrets! I want to pull up a bar stool, order a large G&T and soak up all the gossip at the Star and Sixpence!' Cathy Bramley 'You'll fall in love with this fantastic new series from  star of women's fiction, Holly Hepburn. Filled to the brim with captivating characters and fantastic storylines in a gorgeous setting ... simply wonderful. I want to read more!' Miranda Dickinson 'The Star and Sixpence sparkles with fun, romance, mystery, and a hunky blacksmith. It's a real delight' Julie Cohen 'Like the dream pub landlady who always knows exactly what you want, Holly Hepburn has created the most delightful welcome to what promises to be a brilliant series, in the first Star and Sixpence. The sisters are warm and intriguing, the neighbours are (mostly!) friendly and the gossip is utterly addictive. I was very sad when it was time for last orders, and am already looking forward to the next round. Especially if a certain blacksmith happens to be at the bar...' Kate Harrison 'Warm, witty and utterly charming, Snowdrops at the Star and Sixpence is the perfect book to curl up with on a cold winter's day.

    She has a small but comfortable home, a loving, handsome husband, two beautiful little'uns - Babs and Beth - and she earns herself a little money weaving wicker baskets. Life is good. Until the day Tilly returns home to find a policeman standing on her doorstep. Her Arthur won't be coming home tonight - nor any night - having fallen to his death whilst working on Blackpool tower. Suddenly Tilly is her daughters' sole protector, and she's never felt more alone.With the threat of destitution nipping at their heels, Tilly struggles to make ends meet and keep a roof over her girls' heads. In a town run by men Tilly has to ask herself what she's willing to do to keep her family together and safe - and will it be enough? The perfect read for fans of Mary Wood, Kitty Neale, Val Wood and Nadine Dorries

    She meets and joins up with Lloyd Bophtelophti, a true "original" who has changed his name to avoid alimony payments and who now lives with a paraplegic named Pootie (who also pretends to be deaf in order to get double disability). Thus begins a series of picaresque escapades involving numerous psychiatrists, a TV game show, and, eventually, an ill-fated reunion with her husband. Filled with bizarre characters and events, the play reflects the fractured lifestyles which have become the norm for so many in our tenuous times.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    A farce with a hilarious drunk scene for two stylish comediennes.

    For DCI Malcolm Ford it's like nothing he's ever seen before, the savagery of the crime makes him want to catch the murderer before he strikes again. For reporter Donna Blake it's a shot at the big time, a chance to get her career back on track and prove all the doubters wrong. But for close protection specialist Connor Fraser it's merely a grisly distraction from the day job. But then another bloodied and broken corpse is found, this time in the shadow of the Wallace Monument - and with it, a message. One Connor has received before, during his time as a police officer in Belfast.With Ford facing mounting political and public pressure to make an arrest and quell fears the murders are somehow connected to heightened post-Brexit tensions, Connor is drawn into a race against time to stop another murder. But to do so, he must question old loyalties, confront his past and unravel a mystery that some would sacrifice anything - and anyone - to protect. From Dundee International Book Prize and Bloody Scotland book of the year nominee Neil Broadfoot comes No Man's Land, the first in the white-knuckle Connor Fraser series.

    This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.