It is also an extraordinary love story that lasted half a century.The first major biography with access to family letters and archives. Mordecai Richler was an outsized and outrageous novelist whose life reads like fiction.Mordecai Richler won multiple Governor General's Literary Awards, the Giller Prize, the Commonwealth Writers' Prize, among others, as well as many awards for his children's books. He also wrote Oscar-nominated screenplays. His influence was larger than life in Canada and abroad. In Mordecai, award-winning novelist and journalist Charlie Foran brings to the page the richness of Mordecai's life as young bohemian, irreverent writer, passionate and controversial Canadian, loyal friend and deeply romantic lover. He explores Mordecai's distraught childhood, and gives us the "portrait of a marriage" — the lifelong love affair with Florence, with Mordecai as beloved father of five. The portrait is alive and intimate — warts and all.

    After the overwhelming interest generated by the original limited letterpress edition of Execution Poems, Gaspereau Press released this trade edition which went on to win Canada's highest literary honour in 2001. The jurors of the Governor General's Literary Award called this book "raging, gristly, public — and unflinchingly beautiful," and remarked on Clarke's "explosive, original language."In 1949, George and Rufus Hamilton were hanged for the murder of a taxi driver in Fredericton, New Brunswick. Fifty years later, Clarke has written, in his abundant style, a series of poems that embody both damnation and redemption, offering convoluted triumphs alongside tragedy and blurring the line between perpetrator and victim. What Clarke presents in Execution Poems is uncomfortable. He reminds us of racism and poverty; of their brutal, tragic results. He reminds us of society's vengefulness. He blurs the line between the perpetrator and the victim — a line we'd prefer remain simple and clear. At the heart of it, Clarke is frustrating the notion that society deals any better with these issues today than it did in the 1940s.

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    Driven to investigate his grandfather's account of the four Mackenzie children and their monstrous family history, Ezra embarks on a horrific voyage of discovery, deception and revelation.

    Simultaneously, Vintage Canada is delighted to publish Downie's first book of poetry, under the same title. It will also contain the lyrics to the sixteen songs on the record.Coke Machine Glow is a rich, haunting collection that reveals both the public and private selves of one of Canada's most enigmatic musicians. In poetry that is urban, gritty and political, as well as romantic, nostalgic and whimsical, Downie allows us a glimpse inside his world. With his acute and observing eye, he gives us snapshots of his life, both on the road and at home; he writes of loneliness and isolation; of longing and desire; of the present and the past; of dreams and nightmares; love lost and love of family. Ultimately, this book is about the distances that bridge and separate us.Layered and deceptively simple, imbued with Downie's wit, insight, anger, compassion and rock 'n'roll edge, Coke Machine Glow is a remarkable debut. With its publication, Gordon Downie becomes a part of the wonderful literary tradition of Canadian songwriters like Leonard Cohen and Joni Mitchell who are also poets.

    She can’t do anything right, except draw, but she draws the wrong pictures. When her father moves the family to a small prairie city, Raphaelle wants to leave behind the misfit rebel, the outcast, the vengeful trouble-maker she was. Reborn as “Ella,” she plans fit in at her new school, while her perfect younger sister goes to the Catholic girls’ school and her emotionally fragile mother looks for a job. But Ella might just be a different kind of misfit. She’s drawn to a brooding boy in her art class, Samir, and expresses her confused feelings in an explicit artwork. When a classmate texts a photo of Ella’s art to a younger friend, the horrendous fallout spreads though Ella’s life like an uncontrollable disease. Ella is expelled from school and faces pornography charges, her mother is hospitalized, her sister fails all her classes, and her distant father finally notices something is wrong.

    The wildly inventive imagery in these cinematic pieces lodges them somewhere between the surreal and the pure symbol, colorful and smooth like the lyrics of John Ashbery or Linda Pastan. In Chelotti’s poems, diamonds talk and sheriffs balance frogs on the tips of pens.The rain says, Listen to Debussy,go ahead, Debussy will fix you.—From “Migraine Cure”The secret to including everythingis to intricately divide your mindand then, all of a sudden,undivide it.—From “Still Life on a Scrolling Background”

    Poems that range in style from starkly concrete to limber break down the barriers that prevent understanding of what it means to be racialized. Shraya paints the face of everyday racism with words, rendering it visible, tangible, and undeniable.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    Winner of the 1999 Governor General's Award for Poetry and shortlisted for the 1999 Pat Lowther Award and the 1999 Dorothy Livesay Award for Poetry (BC Book Prize). SONGS FOR RELINQUISHING THE EARTH contains many poems of praise and grief for the imperiled earth drawing frequently on Jan Zwicky's experience as a musician and philosopher and on the landscapes of the prairies and rural Ontario.SONGS FOR RELINQUISHING THE EARTH was first published by the author in 1996 as a handmade book, each copy individually sewn for its reader in response to a request. It appeared between plain covers on recycled stock, with a small photo (of lavender fields) pasted into each copy. The only publicity was word of mouth.Part of Jan Zwicky's reason for having the author be the maker and distributor of the book was a desire to connect the acts of publication and publicity with the initial act of composition, to have a book whose public gestures were in keeping with the intimacy of the art. She also believed the potential audience was small enough that she could easily sew enough copies to fill requests as they came in. While succeeding in recalling poetry's public life to its roots, she was wrong about the size of that audience and her ability to keep up with demand as word spread, Hence, this facsimile edition. In publishing it, Brick Books has attempted to remain as faithful as possible to the spirit of those original gestures, while making it possible for more readers to have access to this remarkable book.

    Heading towards a half-remembered cave on the Pacific coast where her younger, more adventurous self once stayed, she recalls adventures in Sumatra, the Yukon and many places in between—and wonders what compels her to keep moving through life while everyone else has found a place to belong.

    In these poems, Purdy ponders the remains of a Native village; encounters Fidel Castro in Revolutionary Square; curses a noisy cellmate in the drunk tank; and marvels at the "combination of ballet and murder" known as hockey, all in the author's inimitable man-on-the-street style.Rooms for Rent in the Outer Planets is destined to become the standard Purdy poetry volume for many years to come.

    Eilleen Hoffman has just told Danny, her con-artist lover and father of her youngest daughter Grace, to get out — for good. Once a teacher, Eilleen lived a middle-class life, but her taste in men coupled with a predilection for pills and booze has brought her down. Desperate to prevent her family from sinking deeper into poverty, Eilleen reluctantly goes on welfare. Eventually she turns to the only friends she has left, hustlers and hookers, to learn how a woman makes fast money, no investment necessary.With Eilleen on welfare and her older daughter Charlotte a teenaged runaway, child welfare authorities descend on the Hoffmans. As Eilleen trails through several attempts at drying out, the well-intentioned Children's Protection Society finally intervenes to apprehend Grace. With the threat of prolonged separation now a stark reality, Eilleen and Grace must rally to confront their demons with grit, determination and humour. Unblinkingly observed and brilliantly written, Going Down Swinging is about the powerful bond between mother and child. And with her skilful narrative interplay, Billie Livingston illustrates poignantly how the truth of our stories lies not so much in the black and white, as it does in the grey.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York TimesWhat if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema?These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The book is available with four different back covers, designed by artists Hadley+Maxwell.A quorum of crows will be your witness.And if you discover you were bought?You note the smell of rain, bread, and exhaust mixed with tiredness.And if you yourself are incompatible with your view of the world?And what is the subject but a stitching?Once again you are the one who promotes artifice.At 2 am on Friday, you burn with a maudlin premonition.And rankings and rankings and badges and repetitions.Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.