When she reconnects with her childhood friend Clare Kendry, who is similarly light-skinned, Irene discovers that Clare has been passing for a white woman after severing ties to her past--even hiding the truth from her racist husband.Clare finds herself drawn to Irene's sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost. Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself--and her deception--into every part of Irene's stable existence. First published in 1929, Larsen's brilliant examination of the various ways in which we all seek to "pass," is as timely as ever.

    The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    They have mortgaged, sold, borrowed, left friends and country, to settle in this remote spot; their plan is to live out their lives here, connected to the place and to each other. The two Americans, the only foreigners in Ibarra, live among people who both respect and misunderstand them. And gradually the villagers--at first enigmas to the Evertons--come to teach them much about life and the relentless tide of fate.There is an alternate cover edition of this book with the same ISBN here.

    The story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream, THE BRIDGES OF MADISON COUNTY gives voice to the longings of men and women everywhere-and shows us what it is to love and be loved so intensely that life is never the same again.

    For three days, a quartet of voices explores the air, making confessions, seeking alignments, quarreling, pleading, and pardoning. They are not entirely alone: ghosts (fathers, lovers, children) press upon them, as do phantoms from the near future (nurses, lawyers, land developers). Of the Farm concerns the places people choose to live their lives, and the strategies they use to stand their ground.

    First acclaimed as a story-length memoir, then expanded into a novel, Sylvia draws us into the lives of a young couple whose struggle to survive Manhattan in the early 1960s involves them in sexual fantasias, paranoia, drugs, and the extreme intimacy of self-destructive violence.Reproducing a time and place with extraordinary clarity, Leonard Michaels explores with self-wounding honesty the excruciating particulars of a youthful marriage headed for disaster.

    This chilling account of postpartum depression and a husband's controlling behavior in the guise of treatment will leave you breathless.

    Librarian's note: An alternate cover edition can be found hereThis short novel, already a modern classic, is the superbly told, tragic story of a Cuban fisherman in the Gulf Stream and the giant Marlin he kills and loses—specifically referred to in the citation accompanying the author's Nobel Prize for literature in 1954.

    He believes it is every gull's right to fly, to reach the ultimate freedom of challenge and discovery, finding his greatest reward in teaching younger gulls the joy of flight and the power of dreams. The special 20th anniversary release of this spiritual classic!

    Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

    This powerful and breathtaking novel is the story of four cadets who have become bloodbrothers. Together they will encounter the hell of hazing and the rabid, raunchy and dangerously secretive atmosphere of an arrogant and proud military institute. They will experience the violence. The passion. The rage. The friendship. The loyalty. The betrayal. Together, they will brace themselves for the brutal transition to manhood... and one will not survive. With all the dramatic brilliance he brought to The Great Santini, Pat Conroy sweeps you into the turbulent world of these four friends -- and draws you deep into the heart of his rebellious hero, Will McLean, an outsider forging his personal code of honor, who falls in love with a whimsical beauty... and who undergoes a transition more remarkable then he ever imagined possible.

    The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when “being a writer” was not an option open to women. As one of the Queen’s attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was “Mad Madge,” an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years.Margaret the First is very much a contemporary novel set in the past, rather than “historical fiction.” Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new narrative approach to imagining the life of a historical woman.

    In the cafés on College Hill, the wised-up kids are inhaling Derrida and listening to the Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead - charismatic loner, college Darwinist, and lost Portland boy - suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus - who's been reading Christian mysticism and generally acting strange - resurfaces, obsessed with the idea that Madeleine is destined to be his mate. Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love. Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.