Brilliant and resourceful, Felicity took refuge in science and education after her mother died and her father abandoned her to servants. Now, all he wants is for her to marry into a family of status and money.Felicity has other ambitions—but her plans shudder to a halt when her mentor is murdered at the British Museum and his priceless manuscript of King Arthur lore is stolen. Tapping into her photographic memory and the latest in the burgeoning field of forensic detection, Felicity launches an investigation. Handsome Scotland Yard Inspector Jackson Davies is also on the case, and finds Felicity as meddlesome as she is intelligent. But when more nobles are murdered and their King Arthur relics stolen, Felicity must journey on her own into the dark underworld of antiquity theft, where she uncovers a motive far more nefarious than simple profit.As the killer sets his sights on a new victim—a charismatic duke who has captured Felicity’s imagination—the stakes rise to impossible heights. It’s a case that could shake the kingdom in Patricia Marcantonio’s series debut, Felicity Carrol and the Perilous Pursuit.

    Nearby, Captain Jim Agnihotri lies in Poona military hospital recovering from a skirmish on the wild northern frontier, with little to do but re-read the tales of his idol, Sherlock Holmes, and browse the daily papers. The case that catches Captain Jim's attention is being called the crime of the century: Two women fell from the busy university’s clock tower in broad daylight. Moved by Adi, the widower of one of the victims — his certainty that his wife and sister did not commit suicide — Captain Jim approaches the Parsee family and is hired to investigate what happened that terrible afternoon.But in a land of divided loyalties, asking questions is dangerous. Captain Jim's investigation disturbs the shadows that seem to follow the Framji family and triggers an ominous chain of events. And when lively Lady Diana Framji joins the hunt for her sisters’ attackers, Captain Jim’s heart isn’t safe, either.Based on a true story, and set against the vibrant backdrop of colonial India.

    With her ability to spot details that others fail to see, it's not long before Mikki earns clients--and realizes that the village of Lenape Hollow isn't the thriving tourist destination it was decades ago. Not with a murderer on the loose . . . When perky novice writer Tiffany Scott knocks at her door holding a towering manuscript, Mikki expects another debut novel plagued by typos and sloppy prose. Instead, she finds a murder mystery ripped from the headlines of Lenape Hollow's not-too-distant past. The opening scene is a graphic page-turner, but it sends a real chill down Mikki's spine after the young author turns up dead just like the victim in her story . . .Mikki refuses to believe that Tiffany's death was accidental, and suspicions of foul play solidify as she uncovers a strange inconsistency in the manuscript and a possible motive in the notes. Then there's Tiffany's grandmother and husband, who aren't exactly on friendly terms over the local area's planned rejuvenation efforts . . .Unable to convince police that they are focused on the wrong suspect, Mikki must rely on her keen eyes to catch the truth hidden in Lenape Hollow. As she gets closer to cracking the case, only one person takes Mikki's investigation seriously--the cunning killer who will do anything to make this chapter of her life come to a very abrupt ending . . .

    His friends say he's a crack huntsman. The War Office is convinced he's a traitor. Fiona thinks he's a pompous prig.What sort of name is Fredrick Fredricks anyway? Too bad Fiona doesn't own a Wolseley pith helmet.

    It's 1920 and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox must go to Melrose Court, home to his uncle, Lord Melrose, to uncover the mystery. But then the murders start and it snows and suddenly everything becomes very complicated...

    She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1870s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless eighteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash.Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence—by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle . . . before she becomes a part of history herself.

    But when famed crime buster Allan Pinkerton opens his agency's doors to a handful of women, one intrepid actress with her own troubled past is driven to defy convention and take on a new and dangerous role. . .Since the age of eleven, when her mother was murdered, the life of the theater is all Lilly Long has known. Now twenty-two, she has blossomed into an accomplished Shakespearean actress. But after her innocence--and her savings--are taken from her by a seductive scoundrel, Lilly vows to leave the stage, enter the real world, and save others from a similar fate. Following in the footsteps of the country's first female detective, Lilly persuades Allan Pinkerton to take her on. Lilly's acting skills are a perfect fit for her real-life role as a Pinkerton operative. But her first case is a baptism by fire as she is sent to the small town of Vandalia to solve the mystery of a pastor who disappeared with his family--and the church's funds. When Lilly arrives, she finds the mere mention of the reverend's name provokes enmity or suspicious silence. Shadowed by a second Pinkerton agent with an agenda of his own, Lilly begins to uncover Vandalia's sordid secrets. But she'll have to deliver the performance of a lifetime to survive the final act of this drama.

    Until her best friend Jorianne James introduces her to entrepreneur Bryan Baker who invests in promising prospects. Now, working the bistro and inn until she's able to pay it off and call it her own, Mimi is throwing the inn's first wedding ever. The wedding will be the talk of the town, as famous talk show host Angelica Edmonton, daughter of Bryan's half-brother, Edison, has chosen the inn as her perfect venue. Anxious, Mimi is sure things are going to turn south, especially when Edison gets drunk and rowdy at the out-of-towners' dinner, but by the evening, things begin to look up again. That is until six AM rolls around, and Bryan is found dead at the bistro with an eclair stuffed in his mouth. And the fingers point at Mimi, whose entire loan is forgiven in Bryan's will. Now it's up to Mimi to clear her name and get to the bottom of things before the killer turns up the heat again in A Deadly Eclair, the scrumptious series debut by Agatha Award-winning author Daryl Wood Gerber.

    It’s where reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool… The dead woman had a red-hot secret about up-and-coming leading man Nick Tremayne, a scoop that Irene couldn’t resist—especially since she’s just a rookie at a third-rate gossip rag. But now Irene’s investigation into the drowning threatens to tear down the wall of illusion that is so deftly built around the famous actor, and there are powerful men willing to do anything to protect their investment. Seeking the truth, Irene finds herself drawn to a master of deception. Oliver Ward was once a world-famous magician—until he was mysteriously injured during his last performance. Now the owner of the Burning Cove Hotel, he can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago… With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under…