The figures who influenced him most were not the typical ones – Miles Davis, say, or Jack Kerouac – but rather people like Jean Shepherd, whose manic, acidic nightly radio broadcasts out of WOR-Radio had a tough realism about life and ‘enthralled a generation of alienated young people’; Henry Mancini, whose chilled-out, nourish soundtracks, especially to films by Blake Edwards utilised the unconventional, spare instrumentation associated with the cool jazz school; and Mort Fega, the laid back, knowledgeable all night jazz man at WEVD, who was like ‘the cool uncle you always wished you had’. He writes of how, growing up as a Cold War baby, one of his primary doors of escape became reading science fiction by such authors as Philip K. Dick, and of his regular trips into New York City to hear jazz. Other emblematic musical heroes Fagen writes about include Ray Charles, Ike Turner, and the Boswell Sisters, a trio from the 1920s and 30s whose subversive musical genius included trick phrasing and way out harmony.‘Class of ’69’ recounts Fagen’s colourful tumultuous years at Bard College, the progressive university north of New York City that attracted a strange mix of applicants, including ‘desperate suburban misfits with impressive verbal skills but appalling high school records’ (like himself). It was at Bard that Fagen first met Walter Becker, with whom he would later form Steely Dan. The final section of the book, ‘With the Dukes of September’, offers a day-by-day account of a tour Fagen undertook last summer across America with Boz Scaggs and Michael McDonald, performing a programme of old R&B and soul tunes as well as some of each of their own hits. Told in a weary, cranky, occasionally biting and always entertaining voice, Fagen brings to life the ups and downs and various indignities and anxieties of being on the road – The Dukes were an admittedly ‘low-rent operation’ compared to a Steely Dan tour – as well as communicating the challenges and joy of playing every night to a different crowd in a different city.

    Jeremy Simmonds here draws on a lifetime’s obsession to match the industry’s biggest departed stars--Buddy, Jeff, Sid, Jimi, Biggie, Janis, Elvis, Marc, Tupac--with more than a few lesser-known tales of rock tragedy. He also includes a smorgasbord of lighter-hearted sidebars, including strange facts, lucky escapes, and top-ten death discs. An indispensable reference full of useful and useless information, with hundreds of photos of the good, the bad, and the silly, The Encyclopedia of Dead Rock Stars is guaranteed to rock the world of trivia buffs and diehards alike.

    When their lives collided, the events that unfolded were too bizarre even for fiction; the very public seduction and intense love affair, the fights, the drugs bust, heartbreaking custody battles, financial deals and the deaths of Paula and Michael were front-page news for months. But the vital facts of the web the lovers wove together were kept secret, and the reasons for their deaths were never clear, even to their family and friends.Only one person was there to witness every aspect of the story - Gerry Agar. A former publicist and Paula's long-term friend, Gerry's life, both personal and professional, became inextricably tied to those of the star-crossed lovers, and to the one who would be left behind.This is the stuff of modern legend; a red-blooded tragedy played out in the merciless glare of the media spotlight. Here are the facts, divulged in painful and deeply moving detail, and told with an intimacy that could only be disclosed by one caught in the centre of the storm. This is Gerry Agar's story of Paula, Michael & Bob.

    They are all versions of a bigger question: how do you live? How do you do the good or honourable thing, while flourishing and feeling happy? This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne (1533-92), perhaps the first truly modern individual. A nobleman, public official, and wine-grower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them 'essays', meaning 'attempts' or 'tries'. Into them he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog's ears twitched when dreaming, as well as the appalling events of the religious civil wars raging around him. The Essays was an instant bestseller, and more than four hundred years later, Montaigne's honesty and charm still draw people to him. Readers come to him in search of companionship, wisdom and entertainment--and in search of themselves. This book, a spirited and singular biography (and the first full life of Montaigne in English for nearly fifty years), relates the story of his life by way of the questions he posed and the answers he explored. It traces his bizarre upbringing (made to speak only Latin), youthful career and sexual adventures, travels, and friendships with the scholar and poet Etienne de La Boétie and with his adopted 'daughter', Marie de Gournay. And as we read, we also meet his readers--who for centuries have found in Montaigne an inexhaustible source of answers to the haunting question, 'how to live?'

    Twenty-five years later, Shelton, who had followed Dylan's career faithfully, published No Direction Home . Here is the "empathetic and rather magnificent" ( Washington Post Book World ) story of Dylan, musician and phenomenon.

     What do all these people have in common? Fame, of course, and undeniable talent. But most of all, they were cool. Birth of the Cool is a stunningly illustrated, brilliantly written cultural history of the American avant-garde in the 1940s and 1950s -- the decades in which cool was born. From intimate interviews with cool icons like poet Allen Ginsberg, bop saxophonist Jackie McLean, and Living Theatre cofounder Judith Malina, award-winning journalist and poet Lewis MacAdams extracts the essence of cool. Taking us inside the most influential and experimental art movements of the twentieth century -- from the Harlem jazz joints where Dizzy Gillespie and Charlie Parker invented bebop to the back room at Max's Kansas City when Andy Warhol was holding court to backstage at the Newport Folk Festival the night Bob Dylan went electric, from Surrealism to the Black Mountain School to Zen -- MacAdams traces the evolution of cool from the very fringes of society to the mainstream. Born of World War II, raised on atomic-age paranoia, cast out of the culture by the realities of racism and the insanity of the Cold War, cool is now, perversely, as conventional as you can get. Allen Ginsberg suited up for Gap ads. Volvo appropriated a phrase from Jack Kerouac's On the Road for its TV commercials. How one became the other is a terrific story, and it is presented here in a gorgeous package, rich with the coolest photographs of the black-and-white era from Robert Doisneau, Henri Cartier-Bresson, Man Ray, and many others. Drawing a direct line between Lester Young wearing his pork-pie hat and his crepe-sole shoes staring out his hotel window at Birdland to the author's three-year-old daughter saying "cool" while watching a Scooby-Doo cartoon at the cusp of a new millennium, Birth of the Cool is a cool book about a hot subject...maybe even the coolest book ever.

    Her artistic curiosity blossomed early, and she and her siblings began performing their own music for anyone who would listen. Now, twelve Grammy Awards later, Ronstadt tells the story of her wide-ranging and utterly unique musical journey.Ronstadt arrived in Los Angeles just as the folk-rock movement was beginning to bloom, setting the stage for the development of country-rock. After the dissolution of her first band, the Stone Poneys, Linda went out on her own and quickly found success. As part of the coterie of like-minded artists who played at the Troubadour club in West Hollywood, she helped define the musical style that dominated American music in the 1970s. One of her early back-up bands went on to become the Eagles, and Linda would become the most successful female artist of the decade. She has sold more than 100 million records, won numerous awards, and toured all over the world. Linda has collaborated with legends such as Emmylou Harris, Dolly Parton, Aaron Neville, J.D. Souther, Randy Newman, Neil Young, Bette Midler, and Frank Sinatra, as well as Homer Simpson and Kermit the Frog. By the time she retired in 2009, Ronstadt had spent four decades as one of the most popular singers in the world, becoming the first female artist in popular music to release four consecutive platinum albums.In Simple Dreams, Ronstadt reveals the eclectic and fascinating journey that led to her long-lasting success. And she describes it all in a voice as beautiful as the one that sang “Heart Like a Wheel”—longing, graceful, and authentic.

    Indebted to rockabilly, reggae, Memphis soul, cowboy justice, and '60s protest, the overtly political band railed against war, racism, and a dead-end economy, and in the process imparted a conscience to punk. Their eponymous first record and" London Calling" still rank in Rolling Stone's top-ten best albums of all time, and in 2003 they were officially inducted into the Rock and Roll Hall of Fame. Joe Strummer was the Clash's front man, a rock-and-roll hero seen by many as the personification of outlaw integrity and street cool. The political heart of the Clash, Strummer synthesized gritty toughness and poetic sensitivity in a manner that still resonates with listeners, and his untimely death in December 2002 shook the world, further solidifying his iconic status. Music journalist Chris Salewicz was a friend to Strummer for close to three decades and has covered the Clash's career and the entire punk movement from its inception. With exclusive access to Strummer's friends, relatives, and fellow musicians, Salewicz penetrates the soul of an icon. He uses his vantage point to write the definitive biography of Strummer, charting his enormous worldwide success, his bleak years in the wilderness after the Clash's bitter breakup, and his triumphant return to stardom at the end of his life. In the process, Salewicz argues for Strummer's place in a long line of protest singers that includes Woody Guthrie, John Lennon, and Bob Marley, and examines by turns Strummer's and punk's ongoing cultural influence.

    Collating classic music press and glossy magazine articles, Morrissey in Conversation describes the rocker's crazy-quilt career in his own words. It’s all here — how the Smiths created 1980s indie rock; the anti-rock credentials, feminist sympathies, and militant vegetarianism; Morrisey’s obsession with pop culture and girl groups, his (a)sexuality, and sardonic salvos against the mediocre. This is the story of how one man bewitched the ‘80s, peaked in the ‘90s, and triumphed in the new millennium.

    Then he was recruited by two of his successful musician friends to form a band that became Semisonic. Who could forget the smash single “Closing Time,” a runaway hit in 1998 that thrust Jake and his bandmates into the international spotlight and helped them sell over two million albums worldwide? But along the road to fame and success came bewilderment and personal chaos: How will we ever get a record deal? Which record company is the best? The worst? Do I really have to wear these ridiculous boots? Why isn’t radio playing our song? What if I have a panic attack right here on stage? What should I write on this fan’s CD? Am I famous? Why isn’t the video director getting more shots of me? Did I say the wrong thing during that interview? Help!So You Wanna Be a Rock & Roll Star is a telling and witty look at what happens just before and during one's time in the spotlight. Jake takes readers on a step-by-step journey of his evolution from fledgling drummer to globetrotting performer and proves to be the perfect guide—feisty and humbled—to the inner workings of the music industry and instant celebrity. So You Wanna Be a Rock & Roll Star speaks to all of us who dream again and again of rock superstardom and shows how one kid can go from picking up a pair of drumsticks to picking up a platinum record.

    The early 1950s. The Mississippi rolls by, and there's a train in the night. Down on Beale Street there's hard-edged blues, on the outskirts of town they're pickin' hillbilly boogie.At Sam Phillips' Sun Records studio on Union Avenue, there's something different going on. "Shake it, baby, shake it!" "Go, cat, go!" "We're gonna rock..."This is where rock 'n' roll was born-the record company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. The label that brought the world, "Blue Suede Shoes," "Whole Lotta Shakin' Goin' On," "Breathless," "I Walk the Line," "Mystery Train," "Baby, Let's Play House,' "Good Rockin' Tonight." Good Rockin Tonight is the history, in words and over 240 photographs, of Sam Phillips' legendary storefront studio, from the early days with primal blues artists like Howlin' Wolf and B.B. King to the long nights in the studio with Elvis and Jerry Lee. As colorful and energetic as the music itself, it's a one-of-a-kind book for anyone who wants to know where it all started.

    Founded by Jerry Dammers, their fusion of punk, reggae, and ska created a new musical fashion—spearheaded by their own Two Tone record label—that stood for unity and racial harmony in a polarized society. This musical odyssey with The Specials moves from their early days on Coventry's punk circuit, to their chart-storming success with singles like Too Much Too Young and the eerily prescient Ghost Town, released as the race riots of 1982 saw Toxteth and Brixton go up in flames. Written with wry humor, this affectionate look at a band whose sublime music remains influential today is a must for all fans of The Specials.