*** It sounds like just another urban legend -- a clock appears in your home, ticking backward to midnight, and when the twelfth chime rings, the recipient is gruesomely murdered. But when Kristen receives a clock of her own, ticking backward to her doom, she must unravel its mysteries. Mysteries that have their roots in her family, and that will lead her through generations of madness. The clock is ticking, and when it reaches midnight, Kristen will discover that some urban legends are real, and sometimes the dead do not stay dead. It's only a matter of time...

    Now, 150 years later, we live in over-crowded polluted cities, surrounded by vast radioactive wastelands. And no, we did not get all the zombies. They live among us, sometimes hiding in plain sight. Although the tattoos and piercings help them blend in, and the drugs help to contain their rage, they can never fully control their hunger. It’s endless. When they give in and people go missing and partially eaten corpses start turning up, the Dead-Eye hunters are called in to clean up the mess. Their job is to keep up the charade that we're safe. They do it for a price. In this world, money talks. Cash is king. Cole Younger knows that better than anyone, and he is hot on the trail of his next buck when he discovers that the tables have been turned. He’s not hunting Dead-Eyes, they are hunting him.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

    H. Auden (1907-73) came to prominence in the 1930s among a generation of outspoken poets that included his friends Louis MacNeice, Stephen Spender and C. Day Lewis. But he was also an intimate and lyrical poet of great originality, and a master craftsman of some of the most cherished and influential poems of the past century.Other volumes in this series: Betjemen, Eliot, Plath, Hughes and Yeats.

    Life is now nowhere Else. Live, live for Today I say, but The moments tick And groan, moan With the dismal passage Of time and I wait Forever for what Cannot be. Poems of feeling and experience, the anthology encompasses all of life and beyond: death, the universe, hopes, dreams, love, loss - all of existence contained in one work. Poetry that captures both moments and lifetimes, memories and hopes, reality and dreams. Poems to identify with, poems of life.

    This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    Edited by one of our most respected contemporary poets, Robert Creeley, who provides an informative introduction, George Oppen's Selected Poems includes Oppen's only known essay, "A Mind's Own Place," as well as "Twenty-Six Fragments" which Oppen wrote on envelopes and scraps of paper and posted to his wall, edited by Stephen Cope. Also incorporated is a helpful chronology and bibliography of his writings by Rachel Blau DuPlessis, celebrated editor of Oppen's letters. On his death, Hugh Kenner wrote, "George Oppen, gentlest of men...prized what took time, found the grain of materials, exacted accuracy." Oppen's Selected Poems is the perfect text for teaching and a remarkable window into a world of lasting light and clarity.

    While their personalities are very different, they bond over not quite fitting in with the other Royals. Lizzie, however, has one thing that Duchess doesn't: a happily-ever-after at the end of her story. While Lizzie and the other princesses train for the day when they will rule their kingdoms, Duchess is torn between her role as the perfect, dutiful princess and her rebellious ambition to be a queen. When both girls are selected to attend General Villainy class, Duchess sees an opportunity to be a rebel while following the rules. But can she play a prank on her roomie to ace the class? Find out if Duchess' desire to change her destiny will make her Ever After High's Next Top Villain!Don't miss the companion Destiny Do-Over Diary, General Villainy, for interactive fun!

    Over the following years, it became his life's work as he continuously revised and expanded it. Freed from the restraints of tradition, Whitman's exuberance shines through every poem. His uplifting verses and powerful language provide a stunning experience unmatched by his contemporaries, and exercised and incredible influence on his fellow countrymen. The poems selected here take you on a whirlwind tour of emotions as he whisks you from celebrations of sexuality to his inspirational accounts of society.

    . . a contemporary genius with the language itself . . . There is simply no contemporary poet like him.” —David Baker, The Kenyon Review Albert Goldbarth has created an unmistakable signature style—learned, copious, hilarious, and heartbreaking—which has so far spanned an award-winning career of thirty-five years. The Kitchen Sink brings together forty new poems with a rich selection of earlier poetry, ranging from the brief, flickering lyric to the long, narrative sequence. In both forms, Goldbarth exerts a wild showmanship and an ever-widening scope to illustrate the complex character and interconnectedness of humanity, history, and art. The Kitchen Sink is the definitive book by one of America’s most original and entertaining poets.

    She was a teacher, and it was morning on the first day of school. In this haunting new collection of poems, Taylor Mali, once a teacher himself, explores her life and their love as well as the shape and texture of his own guilt and resilience.

    

    Pushing her boundaries with more challenging technical poetry writing, she hopes her readership would appreciate Daylight Dialogues as much as they did Midnight Monologues.Paperback is already available in Malaysia, Singapore and the Philippines and has reached the Best seller's list.

    "Maggie Nelson has such drive in her language. Things do not dangle off this drive, but rather get resolutely pushed aside by her poem's forward motion. Also, she exercises the infinitesimal pause that is great poetry. Her SHINER is totally cool. She delivers the goods with fiendish delight"--Eileen Myles.

    Rumi's vast body of poetry includes a lengthy poem of religious mysticism, the Mathnavi, and more than three thousand lyrics and odes. A.J. Arberry, who selected four hundred of the lyrics for translation, calls Rumi "one of the world's greatest poets. In profundity of thought, inventiveness of image, and triumphant mastery of language, he stands out as the supreme genius of Islamic mysticism.""An excellent introduction to Rumi, the greatest mystical poet of Islam. . . . Rumi's scope, like that of all great poets, is universal—reaching from sensuous luxuriance to the driest irony."—Sherman Goldman, East-West Journal