In 2006, she had just signed her first record deal and, after placing as first runner-up for Miss World, was a sought-after fashion model and icon within the Iranian dissident community. But one afternoon, she received an email that would change the course of her life. The subject of that email—a Kurdish girl named Nazanin Fatehi—was facing execution in Iran, as punishment for stabbing a man who had tried to rape her. Afshin-Jam quickly came to Fatehi's defence, striding into the world of international diplomacy and confronting the dark side of the country of her birth, with its honour killings, violence against women and state-sanctioned executions of children. While Fatehi languished in prison, experiencing conditions so deplorable she attempted to end her own life, Afshin-Jam worked desperately on the campaign to save her. The Tale of Two Nazanins weaves together the lives of two women—one leading a life of opportunity, the other living in abject poverty—and a fight for justice that, if only for a moment, brought the Iranian regime to its knees. An inspiring story about the bonds of sisterhood, this extraordinary book speaks to the power of every individual to foster positive change in the world.

    Bullied in school and caught between the world of her traditional family and her tough American classmates, she rebelled early. Elias moved to New York City to become a musician and kept herself afloat with an uncommon talent for cutting hair. At the height of the punk movement, life on the Lower East Side was full of adventure, creative inspiration, and temptation. Eventually, Elias’s passionate affairs with lovers of both sexes went awry, her (more than) occasional drug use turned to addiction, and she found herself living on the streets—between her visits to jail. This debut memoir charts four decades of a life lived in the moment, a path from harrowing loss and darkness to a place of peace and redemption. Elias’s wit and lack of self-pity in the face of her extreme highs and lows make Harley Loco a powerful read that’s sure to appeal to fans of Patti Smith, Augusten Burroughs, and Eleanor Henderson.

    The bright and driven daughter of a Boston-area Irish-Arab family that has risen over the generations from poor immigrants to part of the coastal elite, Rita grows up in a 1980s cultural mishmash. Corned beef and cabbage sit on the dinner table alongside stuffed grape leaves and tabooleh, all cooked by Rita's mother, an Irish nurse who met her Lebanese surgeon husband while working at a hospital together. The unconventional yet close-knit family bonds over summers at the beach, wedding line-dances, and a shared obsession with the Red Sox. Rita charts herself an ambitious path through Harvard to one of the best newspapers in the country. She is posted in cosmopolitan Beirut and dates a handsome Palestinian would-be activist. But when she is assigned to cover the America-led invasion of Baghdad in 2003, she finds herself unprepared for the warzone. Her lifeline is her interpreter and fixer Nabil al-Jumaili, an equally restless young man whose dreams have been restricted by life in a deteriorating dictatorship, not to mention his own seemingly impossible desires. As the war tears Iraq apart, personal betrayal and the horrors of conflict force Rita and Nabil out of the country and into twisting, uncertain fates. What lies in wait will upend their lives forever, shattering their own notions of what they're entitled to in a grossly unjust world.Epic in scope, by turns satirical and heartbreaking, and speaking sharply to America's current moment, Correspondents is a whirlwind story about displacement from one's own roots, the violence America promotes both abroad and at home, and the resilience that allows families to remake themselves and endure even the most shocking upheavals.

    Little did he know that among those released was Abu Musab al-Zarqawi, a man who would go on to become a terrorist mastermind too dangerous even for al-Qaeda and give rise to an Islamist movement bent on dominating the Middle East.     Zarqawi began by directing hotel bombings and assassinations in Jordan from a base in northern Iraq, but it was the American invasion of that country in 2003 that catapulted him to the head of a vast insurgency. By identifying him as the link between Saddam and bin Laden, the CIA inadvertently created a monster. Like-minded radicals saw him as a hero resisting the infidel occupiers and rallied to his cause. Their wave of brutal beheadings and suicide bombings continued for years until Jordanian intelligence provided the Americans with the crucial intelligence needed to eliminate Zarqawi in a 2006 airstrike.     But his movement endured, first called al-Qaeda in Iraq, then renamed Islamic State of Iraq and Syria, or ISIS, seeking refuge in unstable, ungoverned pockets on the Iraq-Syria border. And as the Syrian civil war broke out in 2011, ISIS seized its chance to pursue Zarqawi's dream of a sweeping, ultra-conservative Islamic caliphate.      Drawing on unique access to CIA and Jordanian sources, Joby Warrick weaves together heart-pounding, moment-by-moment operational details with overarching historical perspectives to reveal the long trajectory of today's most dangerous Islamic extremist threat.From the Hardcover edition.

    There is the intern in pre-#MeToo Hollywood of “Only Those Who Struggle Succeed,” the New York City children on the lookout for a place to play on the heels of Etan Patz’s kidnapping in “Disappearance,” and the “dangerous” women of “Daughters of Manāt” who struggle to assert their independence.The title story, “Alligator,” is a masterpiece of historical reconstruction and intergenerational trauma, told in an epistolary format through social media posts, newspaper clippings, and testimonials, that starts with the true story of the lynching of a Syrian immigrant couple by law officers in small-town Florida. Placed in a wider context of U.S. racial violence, the extrajudicial deaths, and what happens to the couple’s children and their children’s children in the years after, challenges the demands of American assimilation and its limits.Alligator and Other Stories is haunting, spellbinding, and unforgettable, while marking Dima Alzayat’s arrival as a tremendously gifted new talent.

    As Syria imploded in civil war in 2011, Kurdish volunteers in the north rose up to free their homeland from centuries of repression and create a progressive sanctuary that they named Rojava. To the medievalists of ISIS, the emergence of a haven of tolerance and democracy on the frontier of their new caliphate was an affront. They amassed 12,000 men, heavy artillery, tanks, mortars and ranks of suicide bombers to crush the uprising. Against them stood 2,500 volunteer fighters armed with 40-year-old rifles. There was only one way for the Kurds to survive. They would have to kill the invaders one by one. A decade earlier, as a 19-year-old conscript into the Iranian army, Azad Cudi had faced being forced to fight his own Kurdish people. Instead he had deserted, seeking asylum in Britain. Now, as he returned to his homeland to help build a new Kurdistan, he found he would have to pick up a gun once more. In September 2014, Azad became one of 17 snipers deployed when ISIS, trying to shatter the Kurds in a decisive battle, besieged the northern city of Kobani. In LONG SHOT, Azad tells the inside story of how a group of activists and idealists withstood a ferocious assault and, street by street, house by house, took back their land in a victory that was to prove the turning point in the war against ISIS. By turns devastating, inspiring and lyrical, this is an unique account of modern war and of the incalculable price of victory as a few thousand men and women achieved the impossible and kept their dream of freedom alive.

    The entire populace has mobilized to celebrate the twenty-year anniversary of the reigning despot in this unnamed Middle eastern country. The heat is oppressive and loudspeakers blare as an endless parade takes over the streets. Desperate to get away from the noise and the zombie-like masses, Fathi leaves his house to visit his mother and his girlfriend, but en route stops to help a student who is being beaten by the police. Fathi’s iD papers are confiscated and he is told to report to the police station before night falls.   When Fathi turns himself in, he is led from one department to another in an ever-widening bureaucratic labyrinth. His only weapon against the irrationality of the government employees is his sense of irony. Tinged with a Kafkaesque sense of the absurd, The Silence and the Roar explores what it means to be truly free in mind and body.

    For those watching the headlines and wondering what led the nation to this point, and what might come next, this book is a perfect place to start developing a deeper understanding. Based on decades of living and working in Syria, My House in Damascus offers an inside view of Syria’s cultural and complex religious and ethnic communities. Diana Darke, a fluent Arabic speaker who moved to Damascus in 2004 after decades of regular visits, details the ways that the Assad regime, and its relationship to the people, differs from the regimes in Egypt, Tunisia, and Libya—and why it was thus always less likely to collapse quickly, even in the face of widespread unrest and violence. Through the author’s firsthand experiences of buying and restoring a house in the old city of Damascus, which she later offered as a sanctuary to friends, Darke presents a clear picture of the realities of life on the ground and what hope there is for Syria’s future.

    And if she can't get that from her parents, then why not from her mother's boyfriend, or her father's muscle-bound neighbor, Mr. Vuoso? Alicia Erian's incandescent debut novel, Towelhead, will ring true for readers who remember the rarely poetic transition from childhood to young adulthood. Jasira is a creature of contradiction: both innocent (reading romantic intentions into the grossest displays of lust) and oddly clear-sighted, especially when it comes to the imbalance of power, and the things we do for love. When her mother exiles her to Houston to live with Jasira's strict, quick-to-anger Lebanese father, she quickly learns what aspects of herself to suppress in front of him. In private, however, she conducts her sexual awakening with all the false confidence that pop culture and her neighbor's Playboy magazines have provided.Jasira tells her story with candor and glimmers of dark, unexpected humor--as when she describes her mother's boyfriend Barry's assistance in her personal grooming: "A week later, Barry broke down and told her the truth. That he had shaved me himself. That he had been shaving me for weeks. That he couldn't seem to stop shaving me." The freshness of her narrative voice sets Towelhead apart from the sentimental or purely harsh treatment of similar subject matter elsewhere, and makes the novel a promising follow-up to Erian's well-regarded short story collection, The Brutal Language of Love. --Regina Marler

    In this definitive masterwork, distinguished Oxford historian Albert Hourani offers the most lucid, enlightening history ever written on the subject. From the rise of Islam to the Palestinian issue, from the Prophet Mohammed to Mu'ammar al-Qadhafi. A History of the Arab Peoples chronicles the rich spiritual, political and cultural institutions of this civilization through thirteen centuries of war, peace, literature and religion. Lauded by authorities, encyclopedic and panoramic in its scope, here is a remarkable window on today's conflicts and on the future of a glorious and troubled land.

    A young woman sits in her apartment in an unnamed English city, absorbed in watching the small dramas of her assorted neighbors through their windows across the way. Traumatized into muteness after a long, devastating trip from war-torn Syria to the UK, she believes that she wants to sink deeper into isolation, moving between memories of her absent boyfriend and family and her homeland, dreams, and reality. At the same time, she begins writing for a magazine under the pseudonym "the Voiceless," trying to explain the refugee experience without sensationalizing it—or revealing anything about herself. Gradually, as the boundaries of her world expand—as she ventures to the neighborhood corner store, to a gathering at a nearby mosque, and to the bookstore and laundromat, and as an anti-Muslim hate crime shatters the members of a nearby mosque—she has to make a choice: Will she remain a voiceless observer, or become an active participant in her own life and in a community that, despite her best efforts, is quickly becoming her own?   With brilliant, poetic prose that captures all the fragments of this character's life, and making use of fragments of text from Tweets and emails to the narrator's own articles, journals, and fiction, Silence Is a Sense explores what it means to be a refugee and to need asylum, and how fundamental human connection is to survival.

    Tracing this process to the origins of the Arabic language, rather than the advent of Islam, Tim Mackintosh-Smith begins his narrative more than a thousand years before Muhammad and focuses on how Arabic, both spoken and written, has functioned as a vital source of shared cultural identity over the millennia. Mackintosh-Smith reveals how linguistic developments—from pre-Islamic poetry to the growth of script, Muhammad’s use of writing, and the later problems of printing Arabic—have helped and hindered the progress of Arab history, and investigates how, even in today’s politically fractured post–Arab Spring environment, Arabic itself is still a source of unity and disunity.

    It combines elements of the supernatural and mystic with the story of their physical and spiritual adventures.

    It marked the beginning of Hezbollah as a political force, but even more important, it eliminated America’s most influential and effective intelligence officer in the Middle East – CIA operative Robert Ames.  What set Ames apart from his peers was his extraordinary ability to form deep, meaningful connections with key Arab intelligence figures. Some operatives relied on threats and subterfuge, but Ames worked by building friendships and emphasizing shared values – never more notably than with Yasir Arafat’s charismatic intelligence chief and heir apparent Ali Hassan Salameh (aka “The Red Prince”). Ames’ deepening relationship with Salameh held the potential for a lasting peace.  Within a few years, though, both men were killed by assassins, and America’s relations with the Arab world began heading down a path that culminated in 9/11, the War on Terror, and the current fog of mistrust. Bird, who as a child lived in the Beirut Embassy and knew Ames as a neighbor when he was twelve years old, spent years researching The Good Spy.  Not only does the book draw on hours of interviews with Ames’ widow, and quotes from hundreds of Ames’ private letters, it’s woven from interviews with scores of current and former American, Israeli, and Palestinian intelligence officers as well as other players in the Middle East “Great Game.” What emerges is a masterpiece-level narrative of the making of a CIA officer, a uniquely insightful history of twentieth-century conflict in the Middle East, and an absorbing hour-by-hour account of the Beirut Embassy bombing.  Even more impressive, Bird draws on his reporter’s skills to deliver a full dossier on the bombers and expose the shocking truth of where the attack’s mastermind resides today.

    She meets and falls in love with Bassem, a former Free Syrian Army fighter and together they decide to leave behind the hardship and harassment they face in Egypt to flee for Europe, joining the ranks of the thousands of refugees who make the dangerous journey across the Mediterranean on overcrowded and run-down ships to seek asylum overseas and begin a new life. After four days at sea, their boat is sunk by another boat filled with angry men shouting threats and insults. With no land in sight and surrounded by bloated, floating corpses, Doaa is adrift with a child’s inflatable water ring around her waist, while two little girls cling to her neck. Doaa must stay alive for them. She must not lose strength. She must not lose hope.