'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.'Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.Also contains The Rocking-Chair and Old Water.

    His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

    Girl was originally published in the June 26, 1978 issue of The New Yorker and subsequently included in the short story collection At the Bottom of the River in 1983.

    Now the truth behind the story is revealed through the account of Felicity, a low-born companion of the Princess Caution at Buckkeep.With Felicity by her side, Caution grows into a headstrong Queen-in-Waiting. But when Caution gives birth to a bastard son who shares the piebald markings of his father's horse, Felicity is the one who raises him. And as the prince comes to power, political intrigue sparks dangerous whispers about the Wit that will change the kingdom forever...

    Major literary talent Ramona Ausubel, author of Sons and Daughters of Ease and Plenty, coming Summer 2016, combines the otherworldly wisdom of her much-loved debut novel, No One Is Here Except All of Us, with the precision of the short-story form. A Guide toBeing Born is organized around the stages of life—love, conception, gestation, birth—and the transformations that happen as people experience deeply altering life events, falling in love, becoming parents, looking toward the end of life. In each of these eleven stories Ausubel’s stunning imagination and humor are moving, entertaining, and provocative, leading readers to see the familiar world in a new way.In “Atria” a pregnant teenager believes she will give birth to any number of strange animals rather than a human baby; in “Catch and Release” a girl discovers the ghost of a Civil War hero living in the woods behind her house; and in “Tributaries” people grow a new arm each time they fall in love. Funny, surprising, and delightfully strange—all the stories have a strong emotional core; Ausubel’s primary concern is always love, in all its manifestations.

    Discover a bold new way to raise a child in this unsettling story of the near future by the New York Times bestselling author of A Gentleman in Moscow.When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.Amor Towles’s You Have Arrived at Your Destination is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Just One Day followed Allyson’s quest to reunite with Willem; Just One Year chronicled the pair’s year apart from Willem’s perspective. Now, back together at last, this delectable e-novella reveals the couple’s final chapter.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    With a fluency of tone that will surprise even his devoted readers, he captures both bewildering horror and heartrending tenderness with an absorbing, compassionate authority.We warm to these newcomers—as to all Russo's characters—almost despite ourselves. A jaded Hollywood moviemaker uncovers a decades-old flame he never knew he'd harbored. A precocious fifth grader puzzles over life, love and baseball as he watches his parents' marriage dissolve. Another child is forced into a harrowing cross-country escape whose actual purpose he learns only after the fact. An elderly couple rediscovers the power, and the misery, of their relationship during a long-awaited retreat to a resort island. And in the title story, a septuagenarian nun invades the narrator's college writing workshop with an incredible saga.

    First published in Collier's, May 6, 1950.The story concerns a household in Allendale, California, in the aftermath of a nuclear war.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    

    He didn't want to use the weapon, but feared he might anyhow. This was a justifiable assumption, for Caswell was a homicidal maniac.It was a gentle, misty spring day and the air held the smell of rain and blossoming-dogwood. Caswell gripped the revolver in his sweaty right hand and tried to think of a single valid reason why he should not kill a man named Magnessen, who, the other day, had commented on how well Caswell looked.What business was it of Magnessen's how he looked? Damned busybodies, always spoiling things for everybody....Caswell was a choleric little man with fierce red eyes, bulldog jowlsand ginger-red hair. He was the sort you would expect to find perchedon a detergent box, orating to a crowd of lunching businessmen andamused students, shouting, "Mars for the Martians, Venus for theVenusians!"But in truth, Caswell was uninterested in the deplorable social conditions of extraterrestrials. He was a jetbus conductor for the New York Rapid Transit Corporation. He minded his own business. And he was quite mad.Fortunately, he knew this at least part of the time, with at least half of his mind........

    From the famous proto-feminist tale "The Story of an Hour" to the subtly sexy "A Respectable Woman," Chopin sheds light on the frustrations, desires, and dreams of her own era and their reverberations today. Artist Gemma Correll's quirky illustrations provide a perfect modern counterpoint to Chopin's classic prose.(