In the extraordinary "Why China?" a man drags his family to the Xi'an province in a desperate attempt to reclaim his lost integrity, only to find himself more remote and mysterious than the place where his journey led. In settings as exotic as Kenya and Bora Bora, as glamorous as downtown Manhattan, or as familiar as suburban Illinois, Egan's characters—models, housewives, schoolgirls—seek transformation of the body and spirit, and transcendence of the borders of desire.

    My attention often drifts during readings, but Wolff’s voice has this melodious and steely combination that simultaneously coaxes and commands my focus.Among other things, Treisman and Wolff talk about the almost accidental nature of the emergence of the story. Johnson, Treisman says, “was just writing down some anecdotes and bar stories he’d told, and not necessarily constructing this as a masterwork of literature.” It was a bit of a surprise that one of the touchstones of the contemporary short story emerged. This seems appropriate when we talk about Denis Johnson, a writer whose stories seem so desperate, whose narrators exist so much in the margins, and yet who has become a writer comfortably in the accepted canon of modern literature.In a bit of ironic disclosure, I should tell you that Deborah is my boss in the fiction department. I tell you this because the podcast got me thinking about the nature of what we do, and how it coexists with what writers do. There’s a similar lack of intentionality, though it comes from different sources. We publish almost fifty stories a year, and like them all, and some of them we think are just completely awesome. But we go on to the next one, since that’s our job, and then some years go by and we look back and realize, wow, that one was a classic.Anyway, listen to the podcast.Read more: http://www.newyorker.com/online/blogs...

    A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

    In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own. (back cover)RunawayChanceSoonSilencePassionTrespassesTricksPowers

    She’s surfed the net to learn everything she can about being a monster. She’s ready. She’s even practicing on her sister. Inside her fractured mind, her imaginary mentor, Doctor Nine, promises that he is coming for her. To take her with him and his strange friends; to help her become all that she can be. Is Doctor Nine only a figment of her imagination, or has her madness opened a doorway to something –else? Jonathan Maberry the New York Times bestseller and multiple Bram Stoker award-winning author of Patient Zero, the King of Plagues, and Dead of Night takes you along for a ride through the darkest landscapes of the human soul.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    Subsequent stories have won the Asimov's SF Magazine reader poll, a second Nebula Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. He won the John W. Campbell Award for Best New Writer in 1992. Story for story, he is the most honored young writer in modern SF.Now, collected here for the first time are all seven of this extraordinary writer's stories so far-plus an eighth story written especially for this volume.What if men built a tower from Earth to Heaven-and broke through to Heaven's other side? What if we discovered that the fundamentals of mathematics were arbitrary and inconsistent? What if there were a science of naming things that calls life into being from inanimate matter? What if exposure to an alien language forever changed our perception of time? What if all the beliefs of fundamentalist Christianity were literally true, and the sight of sinners being swallowed into fiery pits were a routine event on city streets? These are the kinds of outrageous questions posed by the stories of Ted Chiang. Stories of your life . . . and others.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    These are but some of the men and women who fill this searingly imaginative and emotionally taut collection of short stories by Mark Haddon, that weaves through time and space to showcase the author's incredible versatility.     Yet the collection achieves a sum that is greater than its parts, proving itself a meditation not only on isolation and loneliness but also on the tenuous and unseen connections that link individuals to each other, often despite themselves. In its titular story, the narrator describes with fluid precision a catastrophe that will collectively define its victims as much as it will disperse them—and brilliantly lays bare the reader's appetite for spectacle alongside its characters'. Cut with lean prose and drawing inventively from history, myth, fairy tales, and, above all, the deep well of empathy that made his three novels so compelling, The Pier Falls reveals a previously unseen side of the celebrated author.

    Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

    It could be an exciting change.Or maybe not.Especially when that roommate is the cold and seemingly calculating Bridgette. Tensions run high and tempers flare as the two can hardly stand to be in the same room together. But Warren has a theory about Bridgette: anyone who can hate with that much passion should also have the capability to love with that much passion. And he wants to be the one to test this theory.Will Bridgette find it in herself to warm her heart to Warren and finally learn to love?Maybe.Maybe not.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    At that point, Elantris had only been out in stores for about seven or eight months, but I actually hadn't written anything new on the story or world since 2000, when I'd finished the first draft of the original book. This story was originally posted for sale on Amazon.com; once the contract with them ran out, I posted it on my website.There were always a few holes in the manuscript where I decided not to include viewpoints or sections of explanation in the name of streamlining, particularly at the end. In the back of my mind, I knew what happened. This story talks about one of those holes; it is meant to be read after you've finished the novel and takes place during the events of the climax. In the annotation, I've written a further explanation of why I wrote this piece. Some of you may find it interesting to read this ahead of time; I put it in the annotation, however, as I know others would rather enjoy the story without bias beforehand, then read my thoughts afterward. Either way, if you haven't read the novel Elantris, this contains major spoilers. Might I suggest reading the book first? This story won't work at all for you if you haven't.As always, thanks for reading!

    In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”