In an uncompromising, often irreverent survey of the genre from Edgar Allan Poe to Philip K. Dick to Star Trek, Thomas M. Disch analyzes science fiction's impact on technological innovation, fashion, lifestyle, military strategy, the media, and much more. An illuminating look at the art of science fiction (with a practitioner's insight into craft), as well as a work of pointed literary and cultural criticism, The Dreams Our Stuff Is Made Of reveals how this "pulp genre" has captured the popular imagination while transforming the physical and social world in which we live.

    In this first collection of Harlan Ellison's cinema criticism (with expanded, never-before-collected articles as well as an essay written especially for this volume) come from the darkened interiors of a thousand movie houses where this most peculiar of all Observers of the Passing Scene has spent much of his life. The view is guaranteed to make you grind your teeth in anger, nod your head in blessed agreement, and open your eyes in a manner of judging films that is definitely not plebeian. Harlan Ellison's love affair with movies is obvious. As an essayist, he has no equal; as a film critic he has no friends. Take care.

    Frank Herbert described it as 'the most valuable science fiction source book ever written' and Isaac Asimov said 'It will become the Bible for all science fiction fans.'. This new edition has taken years to prepare and is much more than a simple updating. The world of science fiction in the 1990s is much more complex than it was back in the late 1970s. The advent of game worlds, shared worlds, graphic novels, film and tv spin-offs, technothrillers, survivalist fiction, of horror novels and fantasy novels with of centres has necessitated a radical revision, and this has allowed the inclusion of related subjects, such as magic realism. Accordingly, the book has expanded dramatically in order to cope with the complexities and changes. It now contains well over 4,300 entries - a staggering 1,500 more than the original - and, at 1.2 million words, it is over half a million words longer than the first edition. This is the indispensable reference work not only for every reader who loves, uses and wishes to know more about science fiction, but for every reader of imaginative fiction at the end of this century.

    He has taken part in all the significant developments and knows most of the important writers personally. His familiarity with the history of sf is unsurpassed, including UTOPIA, FRANKENSTEIN, the stories of Jules Verne and the concerns of today's writers.ASIMOV ON SCIENCE FICTION is just that: the Grand Master's views on his subject. There is no other book like it.

    From Mikhail Gorbachev to Alfred Hitchcock to David Bowie, Bradbury’s sway on contemporary culture is towering. Acclaimed biographer and Bradbury scholar Sam Weller has spent more than a decade interviewing the author; the fascinating conversations that emerge cast a high-definition portrait of a creative genius and a futurist who longs for yesterday. Listen to the Echoes: The Ray Bradbury Interviews is the definitive collection of interviews with an American icon.

    For much of his career, Vance has also been one of the field's most private writers, an author who preferred to let his work speak for him. Now, at last, to coincide with the release of the tribute anthology Songs of the Dying Earth, Jack gives us this intimate and fascinating glimpse into his rich and eventful life, and a valuable insight into how he went about practicing his craft. For fans of the Grand Master's work, these memoirs are something to be treasured.

    All the environmental and communications systems are still running ... but their operation remains a mystery. When one member of the team tries to prove his crazy quantum black hole theory about how the alien communications unit works, he inadvertently unleashes an astrophysical time bomb that threatens the very existence of the Red Planet. Hugo Award Winner

    She threw herself into work, accepting every theater or teaching job that came her way. She met a man ten years her junior and began a wild, liberat­ing fling that she never expected would last a lifetime. And after twelve years of fighting the blacklist, she was finally exonerated. With cour­age and style, Grant rebuilt her life on her own terms: first stop, a starring role on Peyton Place, and then leads in Valley of the Dolls, In the Heat of the Night, and Shampoo, for which she won her first Oscar.Set amid the New York theater scene of the fifties and the star-studded parties of Malibu in the seventies, I Said Yes to Everything evokes a world of political passion and movie-star glamour. Grant tells endlessly delightful tales of costars and friends such as Warren Beatty, Elizabeth Taylor, Grace Kelly, and Sidney Poitier, and writes with the verve and candor befitting such a seductive and beloved star.

    A collection of nine critical essays on the modern social science fiction novel, arranged in chronological order of their original publication.

    I have started calling this universe the Twenty Planets. I never planned to write linked stories; this universe just keeps luring me back because the rules are congenial. Humans have invented light-speed transport and (by the time this story takes place) primitive instantaneous communication. This creates some interesting situations I like to play with. For example, in this story I wanted to explore what it would be like to grow up as...

    Things stay with us—souvenirs with memories attached. We can't always choose what to keep, what to throw away.Nathan's parents devised cautionary tales for him and his sister—gruesome stories about predatory cars racing along the "Big Street" at one end of their neighborhood, or dope fiends lurking in the woods behind their house and ready to plunge hypodermics into the skin of foolish young trespassers. These stories served their purpose during Nathan's gullible childhood, essentially constructing an invisible fence around the yard and keeping the boy close to home where he'd be safe.Such barriers are not so easy to discard in later life. As an adult, Nathan no longer believes his parents' stories, and yet they still confine him. He lives cautiously, avoiding serious relationships, avoiding risk. But despite his efforts, something from his parents' cautionary tales threatens to creep beneath that invisible border…and the enclosed yard might not be as safe and secure as it always seemed…

    It's a window on a whole genre of literature through the words invented and passed along by the genre's most talented writers. In addition, it shows how many words we consider everyday vocabulary-words like spacesuit, blast off, and robot-had their roots in imaginative literature, and not in hard science.Citations are included for each definition, starting with the earliest usage that can be found. These citations are drawn not only from science fiction books and magazines, but also from mainstream publications, fanzines, screenplays, newspapers, comics, film, songs, and the Internet. In addition to illustrating the different ways each word has been used, citations also show when and where words have moved out of the science fiction lexicon and into that of other subcultures or mainstream English.Brave New Words covers the shared language of science fiction, as well as the vocabulary of science fiction criticism and its fans--those terms that are used by many authors in multiple settings. Words coined in science fiction have become part of the vocabulary of any number of subcultures and endeavors, from comics, to neo-paganism, to aerospace, to computers, to environmentalism, to zine culture. This is the first book to document this vocabulary transfer. Not just a useful reference and an entertaining browse, this book also documents the enduring legacy of science fiction writers and fans.

    But there's something even more interesting than the remarkable movies: the woman working behind the counter.

    Here we go again with real life and opinions made to look like one big, preposterous animal not unlike an invention by Dr. Seuss...--Kurt Vonnegut, from Fates Worse Than Death

    Though separated by background, geography, genre, and his marriage, the two authors shared their lives in witty, wry, tender, and at times profoundly romantic letters, each drawing on the other for inspiration, comfort, and strength. They brought their literary talents to bear on a wide range of topics, discussing each others' publications, the process of translating life into fiction, the nature of the writer’s block each encountered, books they were reading, and friends and colleagues they cherished. They also discussed the world around them, the Vietnam War, the Nixon, Carter, and Reagan presidencies, and the environmental threats facing the nation. The letters reveal the impact each had on the other’s work, and they show the personal support Welty provided when Alzheimer’s destroyed Macdonald’s ability to communicate and write.The editors of this collection, who are the definitive biographers of these two literary figures, have provided extensive commentary and an introduction. They also include Welty’s story fragment “Henry,” which addresses Macdonald’s disease. With its mixture of correspondence and narrative, Meanwhile There Are Letters provides a singular reading experience: a prose portrait of two remarkable artists and one unforgettable relationship.