I'VE GOT IT ALL HERE, GROWING LIKE A TUMOR IN MY THROAT.I'm telling you because if I don't, I will choke on it. Everybody knows what happened, but nobody asks. And Elvis the EMT doesn't count because when he asked, he didn't even listen to me answer because he was listening to my sister's heart not beat with his stethoscope. I want to tell. It's mine to tell. Even if you didn't ask, you have to hear it. Fourteen-year-old Donnie's older sister, Karen, has always been the one person in his life on whom he could totally depend. But as Karen slowly slips away in the grip of an eating disorder, Donnie finds himself alone in facing the trauma of his parents' faltering marriage and his new life as an outcast at school. Donnie makes it his responsibility to cure his sister's illness and fix his parents' issues, letting every part of himself disappear in the process. It is more important -- and somehow easier -- to figure out if today is a day when Karen is eating, or to know if Dad and Mom are sleeping in the same bedroom, than to deal with his own problems. In the end, though, Donnie must decide whether to float through life unnoticed, or to claim his rightful place as a member of his family and of the world. This powerful story from a brilliant new talent introduces a memorable boy in Donnie, who, from his funny and painfully honest point of view, describes a harrowing year that leaves both him and his family forever changed.

    In addition to fan essays, Flirtin' with the Monster takes a deeper look at the issues behind Hopkins' bestselling novels by allowing the real teenage girl who inspired the meth-addicted main character to contribute an essay. Ellen Hopkins doesn't shy away from serious yet crucial teen topics, and whether it's homosexuality or suicide, she paints a very real picture of the issue. With an introduction by Ellen herself, Flirtin' with the Monster is the definite voice on what makes Crank and Glass page-turners for teens everywhere. Flirtin' with the Monster has essays written by Susan Hart Lindquist, Lynda Sandoval, Nicole Burnham, Terri Clark, Gail Giles, Cinda Chima, Megan Kelley Hall, Micol Ostow, Mary Bryan and John Tatro

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

     Fiction: Bad Seed (Broken Empire) by Mark Lawrence Shadow Hunter (Shadows of the Apt) by Adrian Tchaikovsky The Woman I Used to Be by Gerri Leen The Neutral by Anatoly Belilovsky (translator) and Mike Gelprin (author) The Red Wraith by Nick Wisseman Non-Fiction: An interview with Joe Abercrombie An interview with Graham McNeill Book Review: Joe Abercrombie's Half a King - review by Kyle Massa Article: Grimdark is Here to Stay by Layla Cummins

    Don't they teach you anything at school?So says 104-year-old Ona to the 11-year-old boy who's been sent to help her out every Saturday morning. As he refills the bird feeders and tidies the garden shed, Ona tells him about her long life, from first love to second chances. Soon she's confessing secrets she has kept hidden for decades.One Saturday, the boy doesn't show up. Ona starts to think he's not so special after all, but then his father arrives on her doorstep, determined to finish his son's good deed. The boy's mother is not so far behind. Ona is set to discover that the world can surprise us at any age, and that sometimes sharing a loss is the only way to find ourselves again.

    The following winter, her dismembered remains were found buried in a seaside cave. The seven months in between had seen a massive search for the missing girl, involving Japanese policemen; British private detectives; Australian dowsers; and Lucie's desperate, but bitterly divided, parents. As the case unfolded, it drew the attention of prime ministers and sado-masochists, ambassadors and con-men, and reporters from across the world. Had Lucie been abducted by a religious cult, or snatched by human traffickers? Who was the mysterious man she had gone to meet? And what did her work, as a "hostess" in the notorious Roppongi district of Tokyo, really involve?Richard Lloyd Parry, an award-winning foreign correspondent, followed the case since Lucie's disappearance. Over the course of a decade, he traveled to four continents to interview those caught up in the story, fought off a legal attack in the Japanese courts, and worked undercover as a bartender in a Roppongi strip club. He talked exhaustively with Lucie's friends and family and won unique access to the Japanese detectives who investigated the case. And he delved into the mind and background of the man accused of the crime--Joji Obara, described by the judge as "unprecedented and extremely evil." With the finesse of a novelist, he reveals the astonishing truth about Lucie and her fate. People Who Eat Darkness is, by turns, a non-fiction thriller, a courtroom drama, and the biography of both a victim and a killer. It is the story of a young woman who fell prey to unspeakable evil, and of a loving family torn apart by grief. And it is a fascinating insight into one of the world's most baffling and mysterious societies, a light shone into dark corners of Japan that the rest of the world has never glimpsed before.

    When a freak accident saw his father burn to death in front of him, Joe was left at the mercy of his mother. Without the love of his friend and brother, he wouldn't have survived. With them, he went on to spend his life fighting child abuse. Joe was just five years old and the horrific scene literally struck him dumb. He didn't speak for four and a half years, which meant he was unable to ask anyone for help as his life turned into a living hell. His schizophrenic mother and two of his older brothers spent the following years beating him, raping him and locking him in the cellar at the family home. Fed on scraps that he was forced to lick from the floor, he was sometimes left naked in the dark for three days without human contact. Unable to read or write, all Joe could do to communicate his suffering was draw pictures. The violence and sexual abuse grew in severity as more people, including his stepfather, were invited to use him in any way they chose. The only thing that saved Joe was the kindness of his elder brother and his only school friend, both of whom showed him that love was possible even in the darkest of situations. At fourteen he finally found the courage to run away, hiding in a hut by a railway line, fed on scraps by some local children who found him. Joe's is the ultimate insider's story, casting light into the darkest of hidden worlds, and a truly inspirational account of how one small boy found the strength to overcome almost impossible odds and become a remarkable man. Now that he has found his voice again, Joe speaks out against child abuse and helps support and protect other children whose lives have been blighted by it.

    Someday, when it was his turn at the table, he’d connect with his readers. The experience has been even more revealing than he’d hoped.In this hilarious and perceptive essay, the celebrated humorist reflects on the unusual patterns of forced socialization between author and audience, and the obligations and sometimes surprising returns of not-so-chance encounters with strangers: jokes, secrets, insights, and even charity.

    This chilling account of postpartum depression and a husband's controlling behavior in the guise of treatment will leave you breathless.

    “What the hell do you want?” snarled Frogman at Raff Cody, as the boy stepped innocently on the reputed murderer’s property. Fifteen years old, Raff had only wanted to catch a glimpse of Frogman’s 1,000-pound alligator.Thus begins the epic story of Anthill, part thriller, part parable, which follows the adventures of Raff, a modern-day Huck Finn, whose improbable love of the “strange, beautiful, and elegant” world of ants ends up transforming his own life and the citizens of Nokobee County. Battling both snake bites and cynical relatives who just don’t understand his consuming fascination with the outdoors, Raff explores the pristine beauty of the Nokobee wildland. In doing so, he witnesses the remarkable creation and destruction of four separate ant colonies (“The Anthill Chronicles”)—whose histories are epics that unfold on picnic grounds—becoming a young naturalist in the process.An extraordinary undergraduate at Florida State University, Raff, despite his scientific promise, opts for Harvard Law School, believing that the environmental fight must be waged in the courtroom as well as the lab. Returning home a legal gladiator, Raff grows increasingly alarmed by the rapacious condo developers who are eager to pave and subdivide the wildlands surrounding the Chicobee River. But one last battle awaits him in his epic struggle. In a shattering ending that no reader will forget, Raff suddenly encounters the angry and corrupt ghosts of an old South he thought had all but disappeared, and he learns that “war is a genetic imperative,” not just for ants but for men as well.Part thriller, part parable, Anthill will not only transfix readers with its stunning twists and startling revelations but will also provide readers with new insights into the meaning of survival in our rapidly changing world.

    Jamie has ditched her husband and is running away with her two baby girls. Bill is dreaming of making it big in a life of crime. They meet on a Greyhound bus and decide to team up.So begins a stunning, tragic odyssey through the dark underbelly of America – the bars, bus stations, mental wards, and prisons that play host to Jamie and Bill as they find themselves trapped in a downward spiral though rape, alcohol, drugs and crime, to madness and death.From the author of Tree of Smoke , winner of the National Book Award for Fiction

    Matt Taibbi's serialized book, co-authored with a national drug dealer.