He arrives on the frozen continent and immediately begins making contact with the various scientific and political factions that comprise Antarctic society.What he finds is an interesting blend of inhabitants who don't always mesh well but who all share a common love of Antarctica and a fierce devotion to their life there. He also begins to uncover layers of Antarctic culture that have been kept hidden from the rest of the world, and some of them are dangerous indeed. Things are brought to a head when the saboteurs—or “ecoteurs” as they call themselves—launch an attack designed to drive humans off the face of Antarctica.

    . .Their first destination was Kratos. It seemed almost ideally suited for colonization. But before interplanetary settlers could begin arriving, they had to know what caused the deep ruts and throbbing domes that marred the planet's surface.The Expendables hadn't reckoned with powerful creatures capable of constructing hills bigger than the pyramids of Egypt. Colossal snake-like beings that swayed and roared. Hostile life forms that could destroy their mission--and them.

    But Brad's true dedication was to bring about the unification of all fields and forces, and his theory was too wild for his superiors to take seriously. So he defied the political authorities and went AWOL to work with a fellow maverick scientist. They built the machine that his theory made possible - but the machine made all weapons impotent, and could either wreck the world or save it. And the Powers That Be wanted to control it for their own benefit......

    Richard Seaton acquires rights to his discovery from the government and commercializes it with the aid of his friend, millionaire inventor Martin Crane. When a former colleague tries to steal the invention, not only the future of Dr. Seaton and his allies, but ultimately the entire world hangs in the balance!The first of the great "space opera" science fiction novels, The Skylark of Space remains a thrilling tale more than 80 years after its creation."With the exception of the works of H. G. Wells, possibly those of Jules Verne -- and almost no other writer -- it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work." -- Frederik Pohl

    The title is a play on words, one meaning "the force which pulls" & the other being "extremely serious or important". It was serialized in Astounding Science Fiction, 4–7/53. Its 1st cloth publication was in '54. It was 1st published in paper in '58. Along with the novel itself, many editions (& most recent editions) of the book also include Whirligig World, an essay on creating the planet Mesklin that was published in the 6/53 Astounding. He published two sequels, a '70 novel called Star Light & a '73 short story called Lecture Demonstration. Mission of Gravity was nominated for a Retro Hugo Award for '54.For a profit & adventure Barlennan would sail thousands of miles across uncharted waters, into regions where gravity played strange tricks. He'd dare the perils of strange tribes & stranger creatures--even dicker with those aliens from beyond the skies, though the concept of another world was unknown to the inhabitants of the planet of Mesklin. But in spite of the incredible technology of the strangers & without regard for their enormous size, Barlennan had the notion of turning the deal to an unsuspected advantage for himself--a considerable enterprise for a being very much resembling a 15" caterpillar!

    Every day he leaned over and gently kissed his wife's forehead. Every day, an audience laughed at him!Nathaniel: He is told a story about the ultimate bureaucrat. A man who brings prosperity to a backward world just by filling in forms and filing reports.In these, and eleven other stories, Britain's leading writer of science fiction explores the outer vastness of space and the inner obscurity of man.Cover illustration: Bruce Pennington

    The title comes from Asimov's breakthrough short story.CONTENTS:Nightfall - Astounding, Sept 1941Green Patches - Galaxy, Nov 1950Hostess - Galaxy, May 1951Breeds There a Man . . . ? - Astounding, June 1951C-Chute - Galaxy, Oct 1951In a Good Cause - "New Tales of Space & Time", 1951What If--- - Fantastic, Summer 1952Sally - Fantastic, June 1953Flies - F&SF, June 1953Nobody Here But--- - Star SF #1, 1953It's Such a Beautiful Day - Star SF #3, 1954Strikebreaker - Original SF Stories, Jan 1957Insert Knob A in Hole B - F&SF, Dec 1957The Up-to-Date Sorcerer - F&SF, July 1958Unto the Fourth Generation - F&SF, April 1959What is this Thing Called Love? - Amazing, March 1961The Machine That Won the War - F&SF, Oct 1961My Son, the Physicist - Scientific American, Feb 1962Eyes Do More Than See - F&SF, April 1965Segregationist - Abbottempo, Book 4, 1967

    The radioactivity acts as a catalyst for the bug spray, causing his body to shrink at a rate of approximately 1/7 of an inch per day. A few weeks later, Carey can no longer deny the truth: not only is he losing weight, he is also shorter than he was and deduces, to his dismay, that his body will continue to shrink.

    At the end of his life he becomes reclusive and cantankerous, refusing to appear before or interact with his legion of fans. Little did anyone know, Nathan was putting into motion his true, timeless legacy.Convinced that humanity cannot survive on Earth, his Arkwright Foundation dedicates itself to creating a colony on an Earth-like planet several light years distant. Fueled by Nathan's legacy, generations of Arkwrights are drawn together, and pulled apart, by the enormity of the task and weight of their name.

    He could remember things significant & insignificant. He remembered--if hazily--when he was young enough to be fed milk only. He remembered the odd child who disappeared from playschool & he remembered the other child who fell (or was pushed?) from the high window & lay all smashed & crumpled on the ground, but not bleeding & he remembered how he'd wanted to know about words, how you could keep them, how you could fix them--perhaps like a drawing--forever." "Time seems to have run amok. London is governed by Queen Victoria & Winston Churchill, populated by young people called 'fragiles' & others called 'drybones' because they don't bleed. The young fragiles come to realize that they're the last of their kind--whatever kind that might be. Thus is established the setting for a brilliant novel of adventure that speaks to the largest questions facing young people everywhere--questions of identity, of purpose in life & of responsibility for themselves & their kind."--Book Club Edition

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    The Terran explorers have made an uneasy truce with the Sholen, their first extraterrestrial contact: so long as they don’t disturb the Ilmataran habitat, they’re free to conduct their missions in peace.But when Henri Kerlerec, media personality and reckless adventurer, ends up sliced open by curious Ilmatarans, tensions between Terran and Sholen erupt, leading to a diplomatic disaster that threatens to escalate to war.Against the backdrop of deep-sea guerrilla conflict, a new age of human exploration begins as alien cultures collide. Both sides seek the aid of the newly enlightened Ilmatarans. But what this struggle means for the natives—and the future of human exploration—is anything but certain, in A Darkling Sea by James Cambias.

    Violence erupts and insanity reigns as the human race struggles for survival in a worldwide desert of despair.

    A bright young star in a multinational conglomerate, she's living well in a post-millennial age of peace, prosperity, and profit.In an age of advanced technology, information is the world's most precious commodity. Information is power. Data is locked in computers and carefully rationed through a global communications network. Full access is a privilege held by few.Now, Laura Webster is about to be plunged into a netherworld of black-market data pirates, new-age mercenaries, high-tech voodoo... and murder.

    A Shaper. In a warm womb of metal, his patients dream their neuroses, while Render, intricately connected to their brains, dreams with them, makes delicate adjustments, and ultimately explains and heals. Her name is Eileen Shallot, a resident in psychiatry. She wants desperately to become a Shaper, though she has been blind from birth. Together, they will explore the depths of the human mind -- and the terrors that lurk therein