Adam and Polly Fitch face a bleak future after being sold for just five shillings to Miss Reed's orphanage by their bullying father. Missing their mother Minnie, and their three brothers still at home, they know they must stick together to survive. But the orphanage does have one advantage – a merry band of children who soon form their own kind of family – and they're all determined to escape the clutches of the wicked Miss Reed. Adam decides to survive he'll need to fight, so he sneaks out to have boxing lessons with the famous pugilist Billy Marshall. Lessons he needs sooner than he expects when his beloved sister Polly is sold to the rich Bellamy family, and Adam decides to go to her rescue. Can Adam, Polly and their band of friends survive life with only each other to rely on, and will they ever have the happily ever after they so long for...

    

    He struggles to come to terms with the forces that brought him down.

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

    S. Marshal sent into West Texas by President U. S. Grant. He comes to West Texas with six of the finest thoroughbred horses to build a life and build up a horse ranch in San Angelo, Texas, which becomes his base of operations. Fain seeks to establish law and order at a time when the U.S. Cavalry is in constant battle with Comanches and Kiowas. Soldiers desert regularly and often become criminals themselves. People without a conscience, murderers, robbers, rapists, counterfeiters, card sharps are all over West Texas. Fain seeks to bring to justice the worst of the worst criminals. Fain and his deputy, a former Buffalo Soldier named Isum Wood, have encounters with cattle rustlers, buffalo hunters, card sharps and a host other criminals. Will finds that horse racing is the favorite pastime of westerners, so be races his thoroughbreds against the finest quarterhorses in the West. While these criminals inhabit Fain's work world, he finds great joy by marrying a widow with two children, who give purpose to his life and bring him the greatest love he's ever known.

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.

    As the country celebrates, the new monarch must face one of the most difficult challenges he has ever encountered: the dreaded BBC Radio Broadcast to the Nation. Only one man can prepare the terrified King for his ordeal at the microphone – Australian speech therapist Lionel Logue. With his unconventional methods such as tongue-twisters, breathing exercises, and Shakespearean quotations, and a variety of teaching styles ranging from empathy to bullying, Logue aims to give George VI the confidence to navigate the minefield ahead. As the two men wrestle with the intricacies of the speech, their conversation ranges from the Abdication Crisis to the King's childhood and his uneasy relationship with his father - and the King's dependence on and deep friendship with Logue becomes apparent.Starring Alex Jennings as George VI and Trevor Littledale as Logue, this is a riveting portrait of a prominent man at a pivotal moment in his own life and in the history of the 20th century. Running time 45 minutes.

    With a final twist that will shock even his most ardent listeners, Heads You Win is #1 New York Times bestseller Jeffrey Archer’s most ambitious and creative work since Kane and Abel. Leningrad, Russia, 1968. Alexander Karpenko is no ordinary child, and from an early age, it is clear he is destined to lead his countrymen. But when his father is assassinated by the KGB for defying the state, he and his mother will have to escape from Russia if they hope to survive. At the docks, they are confronted with an irreversible choice: should they board a container ship bound for America, or Great Britain? Alexander leaves that choice to the toss of a coin . . .In a single moment, a double twist decides Alexander’s future. During an epic tale of fate and fortune, spanning two continents and thirty years, we follow his triumphs and defeats as he struggles as an immigrant to conquer his new world. As this unique story unfolds, Alexander comes to realize where his destiny lies, and accepts that he must face the past he left behind in Russia.

    Each makes a brilliant marriage that will bring her both happiness and heartbreak. The eldest, Princess Victoria, marries the handsome Prince Louis of Battenberg, the former lover of Lillie Langtry. The next, the exquisite Elisabeth, is swept off to the unbelievable splendor of the Romanov court by Grand Duke Serge, while Irène dazzles Prince Henry of Prussia and takes her place at the court in Berlin. Alix, the youngest, marries the man she has loved since childhood, Tsar Nicholas II of Russia, and becomes the fabled Empress Alexandra.From such exotic locals as Russia, Bulgaria and Ottoman Jerusalem, to the drawing rooms of Sandringham, The Royal Mob is told as an intimate memoir of the eldest sister, Princess Victoria of Hesse, who was the favorite granddaughter of Queen Victoria. Starting in the court of the Queen Empress and ending at the marriage of Victoria’s grandson, Prince Philip, to the future Queen Elizabeth of England, The Royal Mob is the lavish and exciting story of the last royal courts of Europe.

    How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

    The British government called the famine an act of God. The Irish called it genocide. By any name the famine caused the death of over one million men, women, and children by starvation and disease. Another two million were forced to flee the country. With the famine as a backdrop, this is a story about two families as different as coarse wool and fine silk. Michael Ranahan, the son of a tenant farmer, dreams of breaking his bondage to the land and going to America. The passage money has been saved. He’s made up his mind to go. And then—the blight strikes and Michael must put his dream on hold. The landlord, Lord Somerville, is a compassionate man who struggles to preserve a way of life without compromising his ideals. To add to his troubles, he has to deal with a recalcitrant daughter who chafes at being forced to live in a country of “bog runners.”In The Time Of Famine is a story of survival. It’s a story of duplicity. But most of all, it’s a story of love and sacrifice.

    So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, that before long she comes to the notice of the Duke of York.With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government - and brings personal disgrace.A vivid portrait of overweening ambition, MARY ANNE is set during the Napoleonic Wars and based on du Maurier's own great-great-grandmother. In Regency London, the only way for a woman to succeed is to beat men at their own game. So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, that before long she comes to the notice of the Duke of York.With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government - and brings personal disgrace.

    She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can - will she?

    Not for long. By 1919, White Russians were fighting the Bolsheviks (Reds) for control of their country, and Winston Churchill (then Minister for War) wanted to see Communism 'strangled in its cradle'. So a volunteer R.A.F. squadron, flying Sopwith Camels and DH9 bombers, went there to duff up the Reds. 'There's a splendid little war going on,' a British staff officer told them. 'You'll like it.' Looked like fun. But the war was neither splendid nor little. It was big and it was brutal, a grim conflict of attrition, marked by cruelty, betrayal and corruption. Before it ended, the squadron wished that both sides would lose. If that was a joke, nobody was laughing. "A Splendid Little War" tests the pilots' gallows humour in a world of armoured trains and elegant barons, gruesome religious sects and anarchist guerrillas, unreliable allies and pitiless enemies. The comedy of this war, if it exists, is very bleak. Derek Robinson is at once our finest living comic novelist and a master of military fiction. Biggles was never like this.