Exiled, widowed, and on the brink of poverty…she reluctantly goes to work for the Pinkerton National Detective Agency in Chicago.Adding insult to injury, her first big assignment is commissioned by the Union Army. In short, a federally sponsored transport dirigible is being violently pursued across the Rockies and Uncle Sam isn’t pleased. The Clementine is carrying a top secret load of military essentials—essentials which must be delivered to Louisville, Kentucky, without delay.Intelligence suggests that the unrelenting pursuer is a runaway slave who’s been wanted by authorities on both sides of the Mason-Dixon for fifteen years. In that time, Captain Croggon Beauregard Hainey has felonied his way back and forth across the continent, leaving a trail of broken banks, stolen war machines, and illegally distributed weaponry from sea to shining sea.And now it’s Maria’s job to go get him.He’s dangerous quarry and she’s a dangerous woman, but when forces conspire against them both, they take a chance and form an alliance. She joins his crew, and he uses her connections. She follows his orders. He takes her advice.And somebody, somewhere, is going to rue the day he crossed either one of them.

    But there is much more to the story of the little Neanderthal boy plucked out of time and transferred to the 21st century. Now, Robert Silverberg--in this second collaboration with Asimov--has made this sf classic into an engrossing novel-length tale.

    Dick had warned her repeatedly not to hunt on this planet, but what cat ever does what a human tells her to?

    You will learn and grow and strive to be excellent." Created as an experiment by the time-traveling goddess Pallas Athene, the Just City is a planned community, populated by over ten thousand children and a few hundred adult teachers from all eras of history, along with some handy robots from the far human future--all set down together on a Mediterranean island in the distant past.The student Simmea, born an Egyptian farmer's daughter sometime between 500 and 1000 A.D, is a brilliant child, eager for knowledge, ready to strive to be her best self. The teacher Maia was once Ethel, a young Victorian lady of much learning and few prospects, who prayed to Pallas Athene in an unguarded moment during a trip to Rome--and, in an instant, found herself in the Just City with grey-eyed Athene standing unmistakably before her.Meanwhile, Apollo--stunned by the realization that there are things mortals understand better than he does--has arranged to live a human life, and has come to the City as one of the children. He knows his true identity, and conceals it from his peers. For this lifetime, he is prone to all the troubles of being human.Then, a few years in, Sokrates arrives--the same Sokrates recorded by Plato himself--to ask all the troublesome questions you would expect. What happens next is a tale only the brilliant Jo Walton could tell.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Lovecraft, part of the Cthulhu Mythos universe of horror fiction. It was written in August 1933, and first published in the January 1937 issue of Weird Tales.Daniel Upton, the story's narrator, begins by telling that he has killed his best friend, Edward Derby, and that he hopes his account will prove that he is not a murderer ...

    Fearing his father may be stranded in time—or worse—Shel enlists the aid of Dave Dryden, a linguist, to accompany him on the rescue mission. Their journey through history takes them from the enlightenment of Renaissance Italy through the American Wild West to the civil-rights upheavals of the 20th century. Along the way, they encounter a diverse cast of historical greats, sometimes in unexpected situations. Yet the elder Shelborne remains elusive. And then Shel violates his agreement with Dave not to visit the future. There he makes a devastating discovery that sends him fleeing back through the ages, and changes his life forever.

    Le Guin is one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained in Worlds Of Exile And Illusion. These novels, Rocannon's World, Planet Of Exile, and City Of Illusions, are set in the same universe as Le Guin's ground-breaking classic, The Left Hand Of Darkness.Tor is pleased to return these previously unavailable works to print in this attractive new edition.

    His death marked the end of Wales as an independent nation and the beginning of over seven hundred years under the English boot. Footsteps in Time is the story of what might have happened had Llywelyn lived. And what happens to the two teenagers who save him. Footsteps in Time is the first book in the After Cilmeri Series.

    But amid this civilization, a shadow took root, one that would stretch its arms across space and time. Amid this ancient civilization's advances, the hideous evil of Phyrexia was born.Years later, a conflict between the brothers Urza and Mishra over the supremacy on the continent of Terisiaire escalates with the discovery of an ancient artifact, a remnant of the Thran, but with it comes the peril that befell them. The classic origin story of planeswalker Urza sets the stage for the new age of Magic. This single volume represents two of the most popular Magic stories.Contents: The Brothers' War [Artifacts Cycle • 1] [Magic: The Gathering • 4] (1998) / novel by Jeff Grubb: Dominarian legends speak of a mighty conflict, obscured by the mists of history. Of a conflict between the brothers Urza and Mishra for supremacy on the continent of Terisiare. Of titantic engines that scarred and twisted the very planet. Of a final battle that sank continents and shook the skies. The Thran [Magic: The Gathering • 11] (1999) / novel by J. Robert King: Before the Brothers' War. Before the five colors of magic. Before history itself, the plane of Dominaira was ruled by the Thran. They built machines and artifacts, the likes of which have never since been seen. But amid this civilization, a shadow took root, one that would stretch its arms across space and time.

    And expected. And still expected, despite endless proof that young Dennison Crestmar has no talent whatsoever for war. But the life Dennison is forced to live will have its surprising lessons to impart.

    Veteran of failed garage bands, he works as a repairman of stereo equipment, tending the dying embers of his marriage, and dreaming of bygone days and the music that almost was. When he finds the music he dreams of has been mysteriously recorded by his tape deck, Ray is drawn into the past, to revisit the histories of Hendrix, Morrison, and the Beatles...along with the history of Ray Shackleford. Vividly recreating a lost era that might have been, Glimpses fuses the hopes and dreams in the music with a powerful vision of reality.

    Beam Piper, the creator of the Terrohuman Future History and the bestselling Fuzzy novels, come the parallel worlds of Paratime—collected for the first time in one volume.Infinite worlds allowed for infinite evil—unless the doorway to those worlds was most carefully guarded. The Paratime Police are an elite force of men and women charged with defending a million unsuspecting Earths from their more developed—and more ruthless—neighbors in parallel continua. From the original Paratime, which introduced the unceasing struggles of the time-traveling heroes, to Lord Kalvan of Otherwhen, the last Paratime story of a state trooper’s conquest of an alternate Earth...The Complete Paratime is a grand science fiction experience.

     An elusive woman arrives at Criminy’s doorstep with a steamer trunk, begging for a position in the caravan to perform her unique new act. She opens her trunk to reveal a menagerie of brilliantly colored butterflies. The woman, who calls herself Madam Morpho, is on the run from a dark past in London, where she was forced to leave her equipment behind and abscond with only her tiny performers. Playing a hunch, Criminy hires Madam Morpho on the spot. Taking her down to meet Mr. Murdoch, the reclusive talented engineer who keeps the carnival’s clockworks running, Criminy instructs them to work together to design and build a groundbreaking new circus for the butterflies. Amid the magical ambiance of the circus and the hint of danger from Madam Morpho’s pursuers, she and Mr. Murdoch soon find that their scientific collaboration has produced chemistry of a more romantic kind.

    Frequently quoted as one of the ‘favorite’ books of many of the masters of the field, this book by L. Sprague de Camp helped establish time-travel as a solid sub-genre of science fiction.An indication of the influence and longevity of the book is by the number of best-selling writers who have written stories in direct response to, or influenced by, "Lest Darkness Fall." This new volume also includes three such stories by Frederik Pohl, David Drake and S. M. Stirling written over a period of forty-three years—a testament to the timelessness of the book. Similar, thematically, to Mark Twain’s "A Connecticut Yankee in King Arthur’s Court", the book tells the tale of Martin Padway who, as he is walking around in modern Rome, is suddenly transported though time to 6th Century Rome. Once in ancient Rome, Padway (now Martinus Paduei Quastor) embarks on an ambitious project of single-handedly changing history.L. Sprague de Camp was a student of history (and the author of a number of popular works on the subject). In Lest Darkness Fall he combines his extensive knowledge of the workings of ancient Rome with his extraordinary imagination to create one of the best books of time travel ever written.“Endlessly fascinating. The author knows a lot about Gothic Italy and almost as much about human nature, and he has a real gift for making the people of those days come alive.”—The New York Times“Lest Darkness Fall [is] one of the best time travel stories ever written…”—A Reader’s Guide to Science Fiction“Good fun.” —The New Yorker“A work of real and stimulating imagination.” —Saturday Review of Literature