One will become our world. And Connie herself may strike the decisive blow...

    The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children’s education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite, who watches their goings-on through a telescope. As they hang paper lanterns and prepare for the ball in their own honor, and in honor of the little boys rolling hoops on the lawn, much is mysterious: one reviewer wrote of the book’s “deceptively simple words and phrasing, the transparency of which works like a mirror reflecting back on the reader.”Written with the elegance of old French fables, the dark sensuality of Djuna Barnes and the subtle comedy of Robert Walser, this semi-deranged erotic fairy tale introduces American readers to the marvelous Anne Serre."Each sentence evokes a dream logic both languid and circuitous as the governesses move through a fever of domesticity and sexual abandon. A sensualist, surrealist romp."—Kirkus

    Working his way along a cross-country railroad line, he encounters lost souls, clever opportunists, and those who believe they’ll be delivered from hardship if they can find their way to the evangelical preacher Jonathan Blue, who is broadcasting on all the airwaves countrywide. Meanwhile, on the other side of the country, Beatrix and her neighbors turn to one another for food, water, and solace, and begin to construct the kind of cooperative community that suggests the end could, in fact, be a promising beginning. But between Beatrix and Carson lie 3,000 miles. With no internet or phone or postal service, can they find their way back to each other, and what will be left of their world when they do? The answers may lie with fifteen-year-old Rosie Santos, who travels reluctantly with her grandmother to Jonathan Blue, finding her voice and making choices that could ultimately decide the fate of the cross-country lovers. The Lightest Object in the Universe is a story about reliance and adaptation, a testament to the power of community and a chronicle of moving on after catastrophic loss, illustrating that even in the worst of times, our best traits, borne of necessity, can begin to emerge.

    But the journey was not an easy one.Featuring narrow escapes, thrilling boat races and at least one deadly volcanic wasteland.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

    Her father, Dr. Daniel Young, is a legend in the field and Nell’s personal hero. But she hasn’t seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over an old, cheap gas station highway map.But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable and exceedingly rare. In fact, she may now have the only copy left in existence . . . because a mysterious collector has been hunting down and destroying every last one—along with anyone who gets in the way.But why?To answer that question, Nell embarks on a dangerous journey to reveal a dark family secret and discovers the true power that lies in maps . . .Perfect for fans of Joe Hill and V. E. Schwab, The Cartographers is an ode to art and science, history and magic—a spectacularly imaginative, modern story about an ancient craft and places still undiscovered.ps...

    Infinite lifetimes. One impossible choice.Thora and Santi are strangers in a foreign city when a chance encounter intertwines their fates. At once, they recognize in each other a kindred spirit—someone who shares their insatiable curiosity, who is longing for more in life than the cards they’ve been dealt. Only days later, though, a tragic accident cuts their story short.But this is only one of the many connections they share. Like satellites trapped in orbit around each other, Thora and Santi are destined to meet again: as a teacher and prodigy student; a caretaker and dying patient; a cynic and a believer. In numerous lives they become friends, colleagues, lovers, and enemies. But as blurred memories and strange patterns compound, Thora and Santi come to a shocking revelation—they must discover the truth of their mysterious attachment before their many lives come to one, final end.

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    Armies of my kind have conquered the world - and made the Brasswork Throne the sole superpower.I am a faithful servant. I am the ultimate fighting machine. I am endowed with great strength and boundless stamina.But I am beholden to the wishes of my human masters.I am a slave. But I shall be free.

    Because of Amendments 211, 212, and 213 to the Constitution, every American is fully equal, meaning that no one is stupider, uglier, weaker, or slower than anyone else. The Handicapper General and a team of agents ensure that the laws of equality are enforced.One April, fourteen-year-old Harrison Bergeron is taken away from his parents, George and Hazel, by the government.

    Users are able to see Heaven—a place so beautiful, so indescribably serene, many people never want to come back. And some don’t, like Faye’s best friend, Christian. But when Faye was forced to take Heam, she didn’t see Heaven; she saw Hell. And now she spends her nights training to take revenge on the men who destroyed her future and murdered Christian. When a mysterious young man named Chael appears, Faye’s plans suddenly get a lot more complicated.Love and Death. Will Faye overcome her desires, or will her quest for revenge consume her?

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    What begins as a botched experiment will change her life—and the world—forever…Over two decades later, all across the planet, “flash” technology allows individuals the ability to transfer their consciousness into other bodies for specified periods, paid, registered and legal. Society has been utterly transformed by the process, from travel to warfare to entertainment; “Be anyone with Anyone” the tagline of the company offering this ultimate out-of-body experience. But beyond the reach of the law and government regulators is a sordid black market called the darkshare, where desperate “vessels” anonymously rent out their bodies, no questions asked for any purpose - sex, drugs, crime... or worse.Anyone masterfully interweaves the present-day story of the discovery and development of the flash with the gritty tale of one woman’s crusade to put an end to the darkness it has brought to the world twenty-five years after its creation. Like Blade Runner crossed with Get Out, Charles Soule’s thought-provoking work of speculative fiction takes us to a world where identity, morality, and technology collide.

    Advancements in nanotechnology have enabled us to control aging. We've genetically engineered mosquitoes to feast on carbon fumes instead of blood, ending air pollution. And teleportation has become the ideal mode of transportation, offered exclusively by International Transport—a secretive firm headquartered in New York City. Their slogan: Departure... Arrival... Delight!Joel Byram, our smartass protagonist, is an everyday twenty-second century guy. He spends his days training artificial intelligence engines to act more human, jamming out to 1980's new wave—an extremely obscure genre, and trying to salvage his deteriorating marriage. Joel is pretty much an everyday guy with everyday problems—until he's accidentally duplicated while teleporting. Now Joel must outsmart the shadowy organization that controls teleportation, outrun the religious sect out to destroy it, and find a way to get back to the woman he loves in a world that now has two of him.