Each writer will explore a different facet of the post-apocalyptic world, so readers will be treated to a wide and variety of action-adventure short stories.

    There are typical vampires who would be right at home in a horror story or a gothic romance; historical vampires; contemporary, gritty, urban vampires; fang-in-cheek comedy; boy-meets-girl sweetheart stories (if a little bloodier!); and erotic tales of inhuman passions and midnight pleasures. Look out, too, for stand-alone stories relating to existing series and characters of contributing authors, or stories which develop more fully characters who have only walk-on parts in those authors' longer fiction. Includes writing by big-name authors such as Jennifer Ashley, Kim Harrison writing as Dawn Cook, Caitlin Kittredge, Diane Whiteside and Eileen Wilks.

    Ghostly visitations, hauntings, unquiet souls seeking the living, vengeful wraiths, the possibility of life beyond the grave that can somehow reach out and touch us…these are some of literature’s most enduring icons. Now, in the twenty-first century, we are no less fascinated with phantoms than our cave-dwelling ancestors or our Victorian-age forebears. Thirty modern masters of fright and fantasy fill this anthology with shivers, chills, and spooky explorations of both sides of the veil. Be prepared to keep a light on all night!Peter Atkins: “Between the Cold Moon and the Earth”Rick Bowes: “There’s a Hole in the City”Laird Barron: “The Lagerstatte”Steve Duffy: “The Rag-and-Bone Men”Jeffrey Ford: “The Trentino Kid”Karen Joy Fowler: “Booth’s Ghost”Neil Gaiman: “October in the Chair”Stephen Gallagher: “The Box”Elizabeth Hand: “Wonderwall”Glen Hirshberg: “The Muldoon”Alaya Dawn Johnson: “The Score”Stephen Graham Jones: “Uncle” (original)Caitlin R. Kiernan: “Apokatastasis”Marc Laidlaw: “Cell Call”Margo Lanagan: “The Proving of Smollett Standforth”John Langan: “The Third Always Beside You”Joe R. Lansdale: “The Case of the Lighthouse Shambler”Maureen F. McHugh: “Ancestor Money”Sarah Monette: “The Watcher in the Corners”Reggie Oliver: “Mrs Midnight”Richard Parks: “The Plum Blossom Lantern”James van Pelt: “Savannah is Six”Tim Powers: “A Soul in a Bottle”Barbara Roden: “The Palace”Ekaterina Sedia: “Tin Cans”Nisi Shawl: “Cruel Sistah”John Shirley: “Faces in Walls”Peter Straub: “Mr Aikman’s Air Rifle”Melanie Tem: “Dhost”Steve Rasnic Tem: “The Ex”

    Lambshead Cabinet of Curiosities. Editors Ann and Jeff Vandermeer have gathered together a spectacular array of exhibits, oddities, images, and stories by some of the most renowned and bestselling writers and artists in speculative and graphic fiction, including Ted Chiang, Mike Mignola (creator of Hellboy), China Miéville, and Michael Moorcock. A spectacularly illustrated anthology of Victorian steampunk devices and the stories behind them, The Thackery T. Lambshead Cabinet of Curiosities is a boldly original, enthrallingly imaginative, and endlessly entertaining entry into a hidden world of weird science and unnatural nature that will appeal equally to fantasy lovers and graphic novel aficionados.

    He is Morpheus, the lord of story. Older than humankind itself, he inhabits -- along with Destiny, Death, Destruction, Desire, Despair, and Delirium, his Endless sisters and brothers -- the realm of human consciousness. His powers are myth and nightmare -- inspirations, pleasures, and punishments manifested beneath the blanketing mist of sleep.Surrender to him now.A stunning collection of visions, wonders, horrors, hallucinations, and revelations from Clive Barker, Barbara Hambly, Tad Williams, Gene Wolfe, Nancy A. Collins, and sixteen other incomparable dreamers -- inspired by the groundbreaking, bestselling graphic novel phenomenon by Neil Gaiman.

    Delaney, Barbara Gowdy, and others. 15,000 first printing.

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    All are sure to provide thrills and chills but are best read with the lights on.

    This is a communal effort by the Pushcart Press staff, contributing editors, and hundreds of small presses. For this edition distinguished poets Julie Sheehan and Tom Sleigh served as poetry editors. The result is an introduction to a literary world that few readers have access to, where much of today's important new writing is published, far from the commercial influence of the conglomerates. In reviewing last year's edition, Donna Seaman of Booklist commented: "A brimming, vibrant anthology-the perfect introduction to new writers and adventurous new work by established writers . . . extraordinary in its range of voices and subjects. Here is literature to have and to hold." The Pushcart Prize has been chosen for the Ivan Sandrof Lifetime Achievement recognition by the National Book Critics Circle and the Writers for Writers award from Poets Writers / Barnes Noble.

    But what happens where the human world touches the domain of races ancient and alien? Museum curators, surveyors, police officers, archaeologists, mathematicians; from derelict buildings to country houses to the London Underground, another world is just a breath away, around the corner, watching and waiting for you to step into its power. The Private Life of Elder Things is a collection of new Lovecraftian fiction about confronting, discovering and living alongside the creatures of the Mythos.

    Wick, D.D. Roy, Jean Cross, Tess Oliver, Laura Keysor, KJ Hannah Greenberg, & Chris Eboch

    Mystery, horror, science fiction, and fantasy stories have all been written about cats.From legendary editor Ellen Datlow comes Tails of Wonder and Imagination, showcasing forty cat tales by some of today’s most popular authors. With uncollected stories by Stephen King, Carol Emshwiller, Tanith Lee, Peter S. Beagle, Elizabeth Hand, Dennis Danvers, and Theodora Goss and a previously unpublished story by Susanna Clarke, plus feline-centric fiction by Neil Gaiman, Kelly Link, George R.R. Martin, Lucius Shepard, Joyce Carol Oates, Graham Joyce, Catherynne M. Valente, Michael Marshall Smith, and many others.Tails of Wonder and Imagination features more than 200,000 words of stories in which cats are heroes and stories in which they’re villains; tales of domestic cats, tigers, lions, mythical part-cat beings, people transformed into cats, cats transformed into people. And yes, even a few cute cats.Table of Contents:"Through the Looking Glass (excerpt)" - Lewis Carroll"No Heaven Will Not Ever Heaven Be..." - A. R. Morlan"The Price" - Neil Gaiman"Dark Eyes, Faith, and Devotion" - Charles de Lint"Not Waving" - Michael Marshall Smith"Catch" - Ray Vukcevich"The Manticore Spell" - Jeffrey Ford"Catskin" - Kelly Link"Mieze Corrects an Incomplete Representation of Reality" - Michaela Roessner"Guardians" - George R. R. Martin"Life Regarded as a Jigsaw Puzzle of Highly Lustrous Cats" - Michael Bishop"Gordon, the Self-Made Cat" - Peter S. Beagle"The Jaguar Hunter" - Lucius Shepard"Arthur's Lion" - Tanith Lee"Pride" - Mary A. Turzillo"The Burglar Takes a Cat" - Lawrence Block"The White Cat" - Joyce Carol Oates"Returns" - Jack Ketchum"Puss-Cat" - Reggie Oliver"Cat in Glass" - Nancy Etchemendy"Coyote Peyote" - Carole Nelson Douglas"The Poet and the Inkmaker's Daughter" - Elizabeth Hand"The Night of the Tiger" - Stephen King"Every Angel is Terrifying" - John Kessel"Candia" - Graham Joyce"Mbo" - Nicholas Royle"Bean Bag Cats(R)" - Edward Bryant"Antiquities" - John Crowley"The Manticore's Tale" - Catherynne M. Valente"In Carnation" - Nancy Springer"Old Foss is the Name of His Cat" - David Sandner"A Safe Place to Be" - Carol Emshwiller"Nine Lives to Live" - Sharyn McCrumb"Tiger Kill" - Kaaron Warren"Something Better than Death" - Lucy Sussex"Dominion" - Christine Lucas"Tiger in the Snow" - Daniel Wynn Barber"The Dweller in High Places" - Susanna Clarke"Healing" - Benjamin Dennis Danvers"The Puma" - Theodora Goss

    Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author. The hardcover, a Multimedia Bundle Edition, includes the e-book and audiobook editions as downloadable bonus content.Excerpt from Introduction:"When the first Conan of Cimmeria story appeared in the pages of Weird Tales magazine in December 1932, nothing quite like it had ever before appeared in print.Author Robert E. Howard had been writing stories broadly similar to it for half a decade; but it was with Conan, and the Hyborian Age storyworld in which he was placed, that Howard finally fully doped out the sub-genre that would become known as “sword and sorcery,” of which Howard is today considered the founding father."Conan’s origins date back to an experiment in 1926 titled “The Shadow Kingdom,” featuring the character Kull, exile of Atlantis. The idea — Howard’s great innovation — was, at its core, historical fiction set in a pre-historical period. That pre-historical period — being, of course, lost in the mists of time — could contain anything Howard might like to include: evil races of sentient snake-things, sorcerers, undead creatures, demons walking upon the earth, anything."In other words, Howard was creating a secular mythology."And as with any mythology, secular or no, there would be a hero, a Ulysses or a Theseus, an exceptional man of legend striding through that myth-world, sword in hand, righting wrongs and slaying supernatural monsters and, along the way, providing metaphorical insight onto his world and ours."At the same time, he was finding success with another historical-fiction-fusion innovation: The grim, savage English Puritan Solomon Kane. Kane’s world was the skull-strewn chaos of Europe and north Africa during the Thirty Years War, in the early 1600s. Little enough is known about specific events during that dark time that it was possible to take historical liberties with it as a storyworld, so that it could accommodate dark magic, walking skeletons, vampires, magic staffs, and, of course, N’Longa the witch-doctor."Howard quickly realized he was onto something with Solomon Kane. The first Solomon Kane story, “Red Shadows,” appeared in August 1928 in Weird Tales, and readers loved it. Here was a dark, brooding world of menace and witchcraft connected pseudo-genealogically to their own. It was easy for readers to “take the ride” — to suspend their disbelief and envision Kane’s adventures as a part of the real world."But, perhaps the connection with the real world was too close. The countries of 1630s Europe are well known; the causes of the conflict fully understood. There was only so much Howard could do in Solomon Kane’s world. Moreover, Solomon Kane is just a hard character to root for. Unlike Kull, he is, not to put too fine a point on it, really not a sane man."So it makes perfect sense that after the shadowy, prehistoric world of Kull and the dark, necromantic world of Solomon Kane, Howard would combine these two precursors to develop a world that was far enough into the distant past to be free of actual historical constraints — like Kull’s — yet close enough to the present to still exist as echoes and legends in the world’s mythologies."And so Howard created The Hyborian Age, circa 10,000 B.C. And to play the role of our avatar as we explore this shadowy, almost-historical  world, he gave us Conan the Cimmerian - to tread the jeweled thrones of the Earth under his sandalled feet."

    The journey promises to be a memorable one.