S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein. As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist . . . He could turn any literary subject back into the personal drama it had been for the writer."

    

     This specially-priced boxset includes: BOOK 1: LET NOT THE DEEP A crippled cargo ship drifts helplessly in the face of an oncoming hurricane-force storm. On board, a passenger whose presence means the world is watching. Only the skill, determination and raw courage of a lifeboat crew and the British military forces despatched to save them offer any hope of survival. But set against the savagery of the Atlantic even that might not be enough... BOOK 2: KING'S SHILLING As a powerful insurgent army closes on Liberia’s capital, London is forced to act, and HMS Beaufort is despatched to West Africa to pull British nationals from the teeth of encroaching danger. But when the volatile situation ashore unravels, the frigate’s crew must draw deep on reserves of skill, ingenuity and sheer bloody mindedness to save it. And with time running out Beaufort’s Captain makes the decision to take his ship up river... BOOK 3: LONG REACH When Belize is invaded by a powerful neighbour it’s Britain that must spring to the defence of this old outpost of empire. But intervening in distant Central America will test the limits of the former colonial power. And in the end the outcome will turn on the skill, boldness and heart-bursting bravery of handful of British forces already in country... BOOK 4: CONGO BLUE When a group of missionaries get caught up in bloody African civil war London is forced to act. For the men of 40 Commando, Royal Marines, it should be a quick in and out. A nice clean operation. But what awaits them will test them like never before. And, facing overwhelming odds, this time the skill and raw courage of these legendary fighting men may not be enough.. *Note: Congo Blue was previously published as Heraklion Blue. What everyone is saying about Mike Lunnon-Wood’s books: ‘Mike Lunnon-Wood is a great thriller writer’ -- Rowland White, author of Vulcan 607 ‘Absolutely Magnificent! Never has a book twisted my emotions as much as this book has. What a brilliant author Mike Lunnon-Wood is.' ‘Storytelling at its best. Thoroughly enjoyed the whole thing.’ ‘I have just finished reading Congo Blue after reading Let Not The Deep, King's Shilling and Long Reach all in sequence and almost without a break. I just could not stop. I see completely why Rowland White praised these books. I recommend anyone to read them all.’ ‘These four books are probably the best series I've read.’ ‘The quality of his writing and the depth of his characters are brilliant.’ ‘I was lost from the world while reading this and books like that don't come along too often.’ Mike Lunnon-Wood’s books are perfect for fans of Red Storm Rising, Sniper One or Bravo Two Zero or movies like Red Dawn, Dunkirk or The Siege of Jadotville.

    Lewis' The Discarded Image paints a lucid picture of the medieval world view, as historical and cultural background to the literature of the Middle Ages and Renaissance. It describes the image discarded by later ages as the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe. This, Lewis' last book, was hailed as the final memorial to the work of a great scholar and teacher and a wise and noble mind.

    Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.With vivid cameos of the formative influences in Williams's life--his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin--Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen.The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life.Lahr captures not just Williams's tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.Winner of the 2015 Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters' Harold D. Vursell Memorial AwardChicago Tribune Best Books of 2014USA Today 10 Books We Loved ReadingWashington Post 10 Best Books of 2014

    Later, the builders of Xibalba called it, Xn’Csero, meaning the 3rd World. But the youth who calls himself Timber Wolf doesn’t care. Born into slavery, the human and elf half-breed was taken from his momma’s side and sold into hazardous labor. Over the years he learned to hate, but there was something more; something, some kind of power from his lost, forgotten elvin ancestry was growing inside. But why? Did it have anything to do with the strange weather patterns, awakening volcanoes, tidal waves and part of a continent falling into the sea? Magic was a dying practice, his mother was last of the Elvin Tell-Singers, there were no more Druids, and Kn’Yang, the youth’s great-great-grandfather had been last of the Gahjurahnge Warriors … or was he? The word was, religious leaders around the known world were moving toward the Kohntia Mountains in belief an upcoming stellar phenomenon would transform one individual into godhood. But in the overall scheme of things, why should the youth care? Besides, what difference can one person make? Follow Timber Wolf’s path in a world of chaos, tyranny, oppression by the sword and a worldwide Quest for Conquest by those seeking divine ascension … a world desperately in need of heroes. Call of the Wolf is the 1st novel in The Kohrinju Tai Saga. Weaving a story driven by character development, captivating visuals, fast moving action and intricate paradox against a background of richly detailed history and culture, J P Nelson has created an innovative new look at elves, leprechauns, dragons and magic with all new creatures, intelligent species and more …

    Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, "Michael Schmidt does full justice to its complexity.Like his hero Ford Madox Ford in The March of Literature," Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English.Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliche--some irreducible quality that keeps readers coming back to its pages."

    In "Love, Life, Goethe," John Armstrong tells the dramatic life story of this great poet--a representative man akin to Wordsworth in England or Emerson in America. In so doing, he subtly and imaginatively explores the ways that we can learn from Goethe, whether in love, suffering, friendship, or family. At the center of the project is the human yearning for happiness: In an imperfect world, how can we live well with what we have, and accept what we haven't? From our lives at home, to our attitude toward money and the politicians we choose, Armstrong explores the main themes of our lives through the life of Goethe, and helps us learn how to live.

    Basing his ideas on common sense, Eco shares a vast wealth of literary and historical knowledge, touching on issues that affect us every day. At once philosophical and amusing, Kant and the Platypus is a tour of the world of our senses, told by a master of knowing what is real and what is not.

    It ultimately challenges the cultural assumptions of both conservatives and traditional liberals. 47 photographs.

    Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.

    Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition.Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.

    Judith Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.

    This volume provides basic writings of Dostoevsky, Kierkegaard, Nietzsche, Rilke, Kafka, Ortega, Jaspers, Heidegger, Sartre, and Camus, including some not previously translated, along with an invaluable introductory essay by Walter Kaufmann.

    The Cave was surviving but Twar had flashbacks to another time when a Cave had died during a bad winter. Tom’s Hearth did all they could to help. Then the Normeend came. They killed, enslaved and then destroyed what they did not steal. Twar took the Spear holders north to find his Hearth and the remaining members of his Cave, leaving Tom holding the fort. Tom, with little more than his Hearth for help, went about finding the Normeend and bringing back all that remained of Willow Cave.