Edna’s work spans decades. Her soaring images of red dirt, close interiors and distant jungles have the potential to change the way the nation views itself.Edna could have been an official war artist. Did she choose to hide herself away? Or were there people who didn’t want her to become famous? As the biographer is pulled into Edna’s life, she is confronted with the fact that how she tells Edna’s past will affect her own future.This elegant and engrossing novel explores how we value and celebrate art and artists’ lives. The Biographer’s Lover reminds us that all memory is an act of curation.‘A delight to read. Ruby J. Murray enters the mind of an ambitious young biographer to assemble a moving portrait of a mysterious Australian painter.’ Carrie Tiffany‘An accomplished and memorable novel about the gaps left in our inherited history, and the imperfect storytellers we entrust to fill them. Beautifully constructed.’ Abigail Ulman

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    What could drive a girl on the cusp of womanhood to lock herself away from the world forever?Sarah is just seventeen when she chooses to become an anchoress, a holy woman shut away in a cell that measures only seven by nine paces, at the side of the village church. Fleeing the grief of losing a much-loved sister in childbirth as well as pressure to marry the local lord's son, she decides to renounce the world--with all its dangers, desires, and temptations--and commit herself to a life of prayer.But it soon becomes clear that the thick, unforgiving walls of Sarah's cell cannot protect her as well as she had thought. With the outside world clamoring to get in and the intensity of her isolation driving her toward drastic actions, even madness, her body and soul are still in grave danger. When she starts hearing the voice of the previous anchoress whispering to her from the walls, Sarah finds herself questioning what she thought she knew about the anchorhold, and about the village itself.With the lyricism of Nicola Griffith's Hild and the vivid historical setting of Hannah Kent's Burial Rites, Robyn Cadwallader's powerful debut novel tells an absorbing story of faith, desire, shame, fear, and the very human need for connection and touch. Compelling, evocative, and haunting, The Anchoress is both quietly heartbreaking and thrillingly unpredictable.

    The most famous work by the Australian novelist and poet, For the Term of His Natural Life is a powerful tale of an Australian penal settlement, which originally appeared in serial form in a Melbourne paper.

    Twenty years earlier his mother went missing in the area, believed murdered. His father has always been the main suspect, though her body was never found.Until now: the foundations are being dug for a new house on a vacant block. The skeletal remains of a child and an adult are found—and Charlie’s past comes crashing in on him.The Way It Is Now is the enthralling new novel by Garry Disher, one of Australia’s most loved and celebrated crime writers.

    A mother's silence, a village with a terrible secret, and an Australian woman who travels to Poland to uncover the truth ... When forensic dentist Halina Shore arrives in Nowa Kalwaria to take part in a war crimes investigation, she finds herself at the centre of a bitter struggle in a community that has been divided by a grim legacy. What she does not realise is that she has also embarked on a confronting personal journey. Inspired by a true incident that took place in Poland in 1941, Diane Armstrong's powerful novel is part mystery, part forensic investigation, and a moving and confronting story of love, loss and sacrifice. 'A deeply moving and inspiring novel' GOOD READING 'A bold adventure of a novel ... Here is a consummate writer at the top of her form. A fine fictional debut from a writer who's already made her mark' CANBERRA TIMES 'Profoundly moving, compelling and superbly written' AUSTRALIAN WOMEN'S WEEKLY

    Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    But he's never forgotten the two children she left behind...When Aisling Conroy's boyfriend Jack is found in the freezing black waters of the river Corrib, the police tell her it was suicide. A surgical resident, she throws herself into study and work, trying to forget - until Jack's sister Maude shows up. Maude suspects foul play, and she is determined to prove it.DI Cormac Reilly is the detective assigned with the re-investigation of an 'accidental' overdose twenty years ago - of Jack and Maude's drug- and alcohol-addled mother. Cormac is under increasing pressure to charge Maude for murder when his colleague Danny uncovers a piece of evidence that will change everything...This unsettling crime debut draws us deep into the dark heart of Ireland and asks who will protect you when the authorities can't - or won't. Perfect for fans of Tana French and Jane Casey.

    Tasmania. The green, rolling hills of the dairy town Mole Creek have a dark underside -- a labyrinthine underworld of tunnels that stretch for countless miles, caverns the size of cathedrals and underground rivers that flood after heavy rain. The caves are dangerous places, forbidden to children. But this is Tasmania -- an island at the end of the earth. Here, rules are made to be broken.For two young brothers, a hidden cave a short walk from the family farm seems the perfect escape from their abusive, shell-shocked father -- until the older brother goes missing. Fearful of his father, nine-year-old Kip lies about what happened. It is a decision that will haunt him for the rest of his life. Fifty years later, Kip -- now an award-winning scientist -- has a young son of his own, but cannot look at him without seeing his lost brother, Tommy. On a mission of atonement, he returns to the cave they called Kubla to discover if it's ever too late to set things right. To have a second chance. To be the father he never had.The Better Son is a richly imaginative and universal story about the danger of secrets, the beauty in forgiveness and the enthralling power of Tasmania's unique natural landscapes.

    It's not some bloody game.'In the murky world of Kings Cross in 1932, aspiring crime writer Joan Linderman and her friend and flatmate Bernice Becker live the wild bohemian life, a carnival of parties and fancy-dress artists' balls.One Saturday night, Joan is thrown headfirst into a real crime when she finds Ellie, her neighbour, murdered. To prove her worth as a crime writer and bring Ellie's killer to justice, Joan secretly investigates the case in the footsteps of Sergeant Lillian Armfield.But as Joan digs deeper, her list of suspects grows from the luxury apartment blocks of Sydney's rich to the brothels and nightclubs of the Cross's underclass.Death in the Ladies' Goddess Club is a riveting noir crime thriller with more surprises than even novelist Joan bargained for: blackmail, kidnapping, drug-peddling, a pagan sex cult, undercover cops, and a shocking confession.

    But it is. And it is nothing like I expected.'There was a short time in Australia's European history when two women wielded extraordinary power and influence behind the scenes of the fledgling colony.One was Elizabeth Macquarie, the wife of the new governor Lachlan Macquarie, nudging him towards social reform and magnificent buildings and town planning. The other was Elizabeth Macarthur, credited with creating Australia's wool industry and married to John Macarthur, a dangerous enemy of the establishment.These women came from strikingly different backgrounds with husbands who held sharply conflicting views. They should have been bitter foes. Elizabeth & Elizabeth is about two courageous women thrown together in impossible times.Borne out of an overriding admiration for the women of early colonial Australian history, Sue Williams has written a novel of enduring fascination.

    A mother's secret, a father's betrayal, a town on the edge…When social worker Aimee arrives in the mining town of Kalgoorlie, she is ready for a fresh start. Her colleagues Lori and Paddy seem friendly, and she is also drawn to one of her cases: the Steele family, whose future looks particularly bleak. But Aimee has a dark secret and as the past reaches out towards her once more, she realises that somehow her secret is connected to this unfamiliar but harshly beautiful town and its inhabitants. As she strengthens her ties with the local community – especially with the vibrant Lori, stoical Kerry and wise Agnes – she finds herself questioning earlier decisions. Can Aimee reveal her secret, even if it is not hers alone to share? A compelling novel of the transcendental love of children and the truth's unwillingness to stay hidden.

    We gathered around the bigger tree. No one asked Matty - he just reached up and put his right hand on the trunk with ours.Kieran cleared his throat. 'We swear, on these trees, to always be friends. To protect each other - and this place.'Finding those carved trees forged a bond between Jay and her four childhood friends and opened their eyes to a wider world. But their attempt to protect the grove ends in disaster, and that one day on the river changes their lives forever.Seventeen years later, Jay finally has her chance to make amends. But at what cost? Not every wrong can be put right, but sometimes looking the other way is no longer an option.

    Nor does she expect to become fast friends with beautiful, vivacious Pearl Kelly, organizer of the high school float at the annual Harvest Festival parade. It's better not to get too attached when Rose and her father live on the road, driving their caravan from one place to the next whenever her dad gets itchy feet. But Rose can't resist the mysterious charms of the town or the popular girl, try as she might.Pearl convinces Rose to visit Edie Baker, once a renowned dressmaker, now a rumored witch. Together Rose and Edie hand-stitch an unforgettable dress of midnight blue for Rose to wear at the Harvest Festival—a dress that will have long-lasting consequences on life in Leonora, a dress that will seal the fate of one of the girls. Karen Foxlee's breathtaking novel weaves friendship, magic, and a murder mystery into something moving, real, and distinctly original.