Set in a small seaport town (1862), The Morgesons is the dramatic story of Cassandra Morgeson's fight against social and religious norms in a quest for sexual, spiritual, and economic autonomy. An indomitable heroine, Cassandra not only achieves an equal and complete love with her husband and ownership of her family's property, but also masters the skills and accomplishments expected of women.Counterpointed with the stultified lives of her aunt, mother, and sister, Cassandra's success is a striking and radical affirmation of women's power to shape their own destinies. Embodying the convergence of the melodrama and sexual undercurrents of gothic romance and Victorian social realism, The Morgesons marks an important transition in the development of the novel and evoked comparisons during Stoddard's lifetime with such masters as Balzac, Tolstoy, Eliot, the Brontes, and Hawthorne.

    From brutal brothel-keeper Mrs Castaway, she ascends in society. Affections of self-involved perfume magnate William Rackham soon smells like love. Her social rise attracts preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all kinds.

    First published in 1853, Villette is Brontë's most accomplished and deeply felt work, eclipsing even Jane Eyre in critical acclaim. Her narrator, the autobiographical Lucy Snowe, flees England and a tragic past to become an instructor in a French boarding school in the town of Villette. There she unexpectedly confronts her feelings of love and longing as she witnesses the fitful romance between Dr. John, a handsome young Englishman, and Ginerva Fanshawe, a beautiful coquette. The first pain brings others, and with them comes the heartache Lucy has tried so long to escape. Yet in spite of adversity and disappointment, Lucy Snowe survives to recount the unstinting vision of a turbulent life's journey - a journey that is one of the most insightful fictional studies of a woman's consciousness in English literature.

    A fascinating exploration of gender issues and feminist agendas of the New Woman movement of the late 1800s

    Fate, however, seems eager to cheat him out of an honest living, when Jack begins visiting the notorious Black Lion, drinking den of the worst criminals in London.

    Her mother and her mother's chamberlain, Sir John Conroy, are her guards. They will not allowher to associate with anyone that has not been thoroughly and critically checked to make sure Victoria is not made harmed by their very presence.Even her governesses are under scrutiny. She is not even allowed to bealone! Someone must always be with her. Her only hope is in contemplating her coming of age, whereupon she may be free and able to take her "UncleKing's" crown without her dreaded captures taking regency. Her best friends are her "dear" sister Feodora, married and living in Germany; her UncleLeopold, her cousin-in-law and uncle as well as King of the Belgians; Lehzen, her faithful governess; the King and Queen, whom she is rarely allowed to see; and her cousins that she is also rarely allowed to see. Shehas scheming uncles trying to usurp her right to the throne, and family fighting over her. Every day she comes closer to her dream of adulthood, and her guards' despair at loss of power.

    Though rumored to be haunted, Alexandrina and her lady's maid, Pooki, have no choice but to take the Queen up on her offer.     Aside from the ghost sightings, Hampton Court doesn't seem so bad. The princess is soon befriended by three eccentric widows who invite her to a picnic with all the palace's inhabitants, for which Pooki bakes a pigeon pie. But when General-Major Bagshot dies after eating said pie, and the coroner finds traces of arsenic in his body, Pooki becomes the #1 suspect in a murder investigation.      Princess Alexandrina isn't about to let her faithful servant hang. She begins an investigation of her own, and discovers that Hampton Court isn't such a safe place to live after all.     With her trademark wit and charm, Julia Stuart introduces us to an outstanding cast of lovable oddballs, from the palace maze-keeper to the unconventional Lady Beatrice (who likes to dress up as a toucan—don't ask), as she guides us through the many delightful twists and turns in this fun and quirky murder mystery. Everyone is hiding a secret of the heart, and even Alexandrina may not realize when she's caught in a maze of love.

    The vet lives with his bedridden wife and shy daughter Alice in a sinister London suburb. He works constantly, captive to a strange private fury, and treats his family with brutality and contempt. After his wife’s death, the vet takes up with a crass, needling woman who tries to refashion Alice in her own image. And yet as Alice retreats ever deeper into a dream world, she discovers an extraordinary secret power of her own.Harrowing and haunting, like an unexpected cross between Flannery O’Connor and Stephen King, The Vet’s Daughter is a story of outraged innocence that culminates in a scene of appalling triumph.

    Like Emily Dickinson, she lived in self-imposed isolation, writing of God and lost love with a sensuality and passion that seemed to emanate from the soul.This edition of 53 works combines a number of her best-known sonnets, ballads, and shorter lyrics with her long masterpiece, the narrative fable Goblin Market. A haunting fairy tale in verse, Goblin Market was once labeled a children's poem, yet its intricate symbolism and themes of temptation, sin, and redemption mark it for an adult audience. Among other works included in this choice collection are "The Convent Threshold," "Up-hill," "Cousin Kate," "Winter: My Secret," "Maude Clare," "No, Thank You, John," and "After Death."

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    Praised by Oscar Wilde who thought it 'admirably done ... clever and full of quick observation,' her little novel seemed to herald a brilliant career. The book is ostensibly the story of four young ladies who, after the death of their father, decide to open a photographic studio in the heart of London's bohemia (to the dismay of their more priggish relatives). Like much of Levy's work, the novel is concerned with the contradictions besetting the 'new' Victorian woman and her quest for independence despite being constrained by anachronistic social mores and conflicting values. Written just two years before her tragic suicide, a few months short of her 28th birthday, The Romance of A Shop, has a resonance that goes beyond its apparent innocence, echoing an undertone of despair and hunger for a liberation that, to Levy's misfortune, came only some years afterwards.

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land.At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking, as Kate Summerscale relates in her scintillating new book, that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher. Whicher quickly believed the unbelievable—that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today…from the cryptic Sgt. Cuff in Wilkie Collins’s The Moonstone to Dashiell Hammett’s Sam Spade. The Suspicions of Mr. Whicher is a provocative work of nonfiction that reads like a Victorian thriller, and in it Kate Summerscale has fashioned a brilliant, multilayered narrative that is as cleverly constructed as it is beautifully written.

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.