For five hundred years they dominated the lands north of the Alps, before being largely absorbed into the Roman Empire. But Celtic culture survived and achieved a glorious flowering in the post-Roman, early Christian era. Today Celtic influence can be found in arts and crafts, in legends, in place names, and even in languages.In this generously illustrated introduction to the world of the Celts, Simon James charts their way of life from farming to feasting, their wars, their gods, and their superb craftsmanship in metal, wood, and stone. He covers the neglected subject of Celtic life under Roman rule, particularly in Gaul and Britain, and the continuing traditions in Ireland after AD 400, when a Celtic renaissance gave birth to heroic tales, masterpieces of enameled metalwork, and renowned illuminated manuscripts.

    But magic - the idea that we have a connection with the universe - has developed a bad reputation.It has been with us for millennia - from the curses and charms of ancient Greek, Roman and Jewish magic, to the shamanistic traditions of Eurasia, indigenous America and Africa, and even quantum physics today. Even today seventy-five per cent of the Western world holds some belief in magic, whether snapping wishbones, buying lottery tickets or giving names to inanimate objects.Drawing on his decades of research, with incredible breadth and authority, Professor Chris Gosden provides a timely history of human thought and the role it has played in shaping civilization, and how we might use magic to rethink our understanding of the world.

    This is the world of the Irish fairy tale, a magical realm kept alive by generations of storytellers and their avid listeners. As Alfred Perceval Graves, author of the ballad "Father O'Flynn" and a former president of the Irish Literary Society, wrote in the introduction, "The truth is that the Gaelic peasant, Scotch and Irish, is a mystic, and believes not only in this world, and the world to come, but in that other world which is the world of Faery, and which exercises an extraordinary influence upon many actions of his life." In The Irish Fairy Book, Graves has collected Ireland's best-loved fairy tales written by some of its favorite authors. Included are W.B. Yeats' "The Stolen Child," Lady Gregory's "Cuchulain of Muirthemne," Standish James O'Grady's "The Coming of Finn," Lady Wilde's "The Horned Women" and "The Demon Cat," and many more. Illustrations by George Dunham add a delightful touch to this charming collection.

    From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed their themes, their relevance to Greek religion and society, and their relationship to the landscape."Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater."Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities."The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities."Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes."Family sagas" explores the dramas and catastrophes that befall heroes and heroines."A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld."Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

    It draws a map for today's Celtic quest, with the way of the pilgrim, honor of one's ancestors, and the language and culture. Exploring the Celtic universe-gods and goddesses, mythic heroes and warriors, wonderworkers, underworlds, and otherworlds-this manual also covers legends such as King Arthur, Merlin, and the Quest for the Holy Grail.

    In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil's art and charm and are among his most delightful achievements. Between approximately 39 and 29 BC, years of civil strife between Antony, and Octavian, Virgil was engaged upon the Georgics. Part agricultural manual, full of observations of animals and nature, they deal with the farmer's life and give it powerful allegorical meaning. These four books contain some of Virgil's finest descriptive writing and are generally held to be his greatest and most entertaining work, and C. Day Lewis's lyrical translations are classics in their own right.

    He begins with a mystery: Why is the most important god in the Rg Veda, the oldest of India's sacred texts, known by a secret name--"Ka," or Who?What ensues is not an explanation, but an unveiling. Here are the stories of the creation of mind and matter; of the origin of Death, of the first sexual union and the first parricide. We learn why Siva must carry his father's skull, why snakes have forked tongues, and why, as part of a certain sacrifice, the king's wife must copulate with a dead horse. A tour de force of scholarship and seduction, Ka is irresistible.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    Fox recreates the period from the 2nd to the 4th century, when the Olympians lost their dominion and Christianity, with Constantine's conversion, triumphed in the Mediterranean world.CONTENTSList of MapsPrefacePagans & ChristiansPagans & their citiesPagan cultsSeeing the godsLanguage of the godsThe spread of ChristianityLiving like angelsVisions & prophecy Persecution & martyrdom Bishops & authoritySinners & saintsConstantine & the churchFrom pagan to ChristianNotesIndex

    Recounting a true story, this exploration tells of a wandering Mongol shaman who made a dramatic appearance around the Mediterranean centuries before the time of Christ. Highlighting how this nomad came as an envoy on a mission of purification, this study records how he met with a man who became tremendously influential in Western science, philosophy, culture, and religion: Pythagoras. The essence of Western civilization is said to have originated from this meeting and this examination argues that today’s conflicts and tensions have stemmed from taking this monumental occasion for granted, forgetting that there must be a greater meaning to life than everyday efforts and struggles. Reflecting on a time when Eastern and Western cultures were one, this evocation contends that there is still a common spiritual heritage to all civilizations. A unique collaboration between the author and archaeologists, historians, and shamans from around the world, this document has the potential to change the future for all.

    It speaks to something deep and primal within us-something we don't hear as often as we should.By exploring a variety of mysteries and traditions of trees, Whispers from the Woods helps readers get reacquainted with the natural world and find their place in the earth's rhythm. Covering more than just Celtic Ogham and tree calendars, this book includes meditation, shamanic journeys, feng shui, spellcraft, and ritual. In addition, it has a reference section with detailed information on fifty trees, which includes seasonal information, lore, powers, attributes, and more.Finalist for the Coalition of Visionary Resources Award for Best Wiccan/Pagan Book

    It includes hundreds of whimiscal superstitions as well as folk cures, charms, and chants practiced by the early settlers of Appalachia.

    M. Synge achieved both notoriety and lasting fame with The Playboy of the Western World. The Aran Islands, published in the same year, records his visits to the islands in 1898-1901, when he was gathering the folklore and anecdotes out of which he forged The Playboy and his other major dramas.Yet this book is much more than a stage in the evolution of Synge the dramatist. As Tim Robinson explains in his introduction, "If Ireland is intriguing as being an island off the west of Europe, then Aran, as an island off the west of Ireland, is still more so; it is Ireland raised to the power of two." Towards the end of the last century Irish nationalists came to identify the area as the country's uncorrupted heart, the repository of its ancient language, culture and spiritual values. It was for these reasons that Yeats suggested Synge visit the islands to record their way of life. The result is a passionate exploration of a triangle of contradictory relationships – between an island community still embedded in its ancestral ways but solicited by modernism, a physical environment of ascetic loveliness and savagely unpredictable moods, and Synge himself, formed by modern European thought but in love with the primitive.

    Definitive and lively articles focus on the great tales and traditions of the age and includes information on daily and nightly customs andactivities; religious beliefs of the pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastical.While most books on medieval folklore focus primarily on the West, this unique volume brings together an eclectic range of experts to treat the subject from a global perspective. Especially remarkable are the surveys of the major medieval traditions including Arab-Islamic, Baltic, English, Finno-Ugric, French, Hispanic, Hungarian, Irish, Italian, Jewish, Scandinavian, Scottish, Slavic, and Welsh.For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place to look.The contributors:Ulrich Marzolph -- Arab-IslamicThomas A. DuBois -- BalticJohn McNamara & Carl Lindahl -- EnglishThomas A. DuBois -- Finno-UgricFrancesca Canad� Sautman -- FrenchSamuel G. Armistead -- Hispanic�va P�cs -- HungarianJoseph Falaky Nagy -- IrishGiuseppe C. Di Scipio -- ItalianEli Yassif -- JewishStephen A. Mitchell -- ScandinavianJohn McNamara -- ScottishEve Levin -- SlavicElissa R. Henken & Brynley F. Roberts -- Welsh