Her so-called friends bully her, whatever semblance of a mother she had has been drowned at the bottom of a gin bottle ever since her dad left them for another woman, and now a teenage ghost is speaking to her through a broken phone booth. Kirra and the ghost make a pact. She'll prove who murdered him almost twenty years ago if he does three things for her. He makes her popular, he gets her parents back together, and he doesn't haunt her. Things aren't so simple however, and Kirra realises that people can be haunted in more ways than one.

    It's a game he always thinks he'll win. There was his mother, a deluded snob, who made up large swathes of her past and who ran away with Richard's English teacher, a Tolkien devotee, nudist and stuffed-toy collector. There was his father, a distant alcoholic, who ran through a gamut of wives, yachts and failed dreams. And there was Richard himself, a confused teenager, vulnerable to strange men, trying to find a family he could belong to. As he eventually accepted, the only way to make sense of the present was to go back to the past - but beware of what you might find there. Truth can leave wounds - even if they are only flesh wounds.Part poignant family memoir, part rollicking venture into a 1970s Australia, this is a book for anyone who's wondered if their family is the oddest one on the planet. The answer: 'No'. There is always something stranger out there.'Sad, funny, revealing, optimistic and hopeful.' Jeanette Winterson

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    It could be our best friend or … our worst enemy.’Emily Woods counts cracks for a living. Concrete cracks. So when her long-term boyfriend dumps her, she decides it’s time for a change of scenery. Her best friend, Will, suggests joining his construction team in Queensland. Working next door to the Great Barrier Reef seems like just the sort of adventure she needs to reboot her life…until she realises that Will is not the person she thought he was.Charlotte Templeton is frustrated with the lack of respect FIFO workers have for her seaside resort. But picking a fight with their tyrannical project manager, Mark Crawford, seems to lead to more complications than resolutions. The man is too pompous, too rude, and too damned good looking.As both women strive to protect their dreams and achieve their goals, they discover that secrets will come out, loyalty often hurts, and sometimes the perfect man is the wrong one.

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald

    'I ... I want to know that I'm using my powers for good and -' 'You want to make a dead man proud.' 'Whoa!''You want to put bandages over severed arteries that really need to be sewn shut. You want the moral high ground.'Holly Yarkov has a boyfriend who is a gift from the universe. She has a job that fulfils her even as it wears her down. She has a core group of friends from high school. And she has a layer of steel around her heart that is beginning to tarnish. Just as she is reaching for a future she can't quite see, Holly is borne back into the past by memories of her beloved father, and of the boy-who-might-have-been...

    Trapped. Hunted. An almost unbearably tense Australian survival thriller. Not much daylight left now.So begins the field diary of Alix Verhoeven, whose impulsive acceptance of an offer to spend Easter on a remote island has turned into a terrifying ordeal. Hiding in a tiny cave, she carefully rations out her meagre supplies, while desperately trying to figure out how to escape the men hunting her. She is determined not to be a victim.What do they want with her? She knows it's nothing good - she overheard enough on that first night to flee. But now she's got little food or water, no way of calling for help, and only her skills as an exploration geologist and memories of Atkinson's Bushcraft Guide to survive.By day she is disciplined and lives by strict plans, but at night she finds herself haunted by questions about her life that she has never wanted to face.And her time is running out.

    1965: As the United States becomes further embroiled in the Vietnam War, the ripple effects are far-reaching—even to the other side of the world. In Australia, a national military draft has been announced and Pearl Keogh, a headstrong and ambitious newspaper reporter, has put her job in jeopardy to become involved in the anti-war movement. Desperate to locate her two runaway brothers before they’re called to serve, Pearl is also hiding a secret shame—the guilt she feels for not doing more for her younger siblings after their mother’s untimely death. Newly arrived from Sweden, Axel Lindquist is set to work as a sculptor on the besieged Sydney Opera House. After a childhood in Europe, where the shadow of WWII loomed large, he seeks to reinvent himself in this utterly foreign landscape, and finds artistic inspiration—and salvation—in the monument to modernity that is being constructed on Sydney’s Harbor. But as the nation hurtles towards yet another war, Jørn Utzon, the Opera House’s controversial architect, is nowhere to be found—and Axel fears that the past he has tried to outrun may be catching up with him. As the seas of change swirl around them, Pearl and Axel’s lives orbit each other and collide in this sweeping novel of art and culture, love and destiny.

    and pastry. The witty new novel from the author of Hotel du Barry, for fans of Jonas Jonasson.In the winter of 1912 on the wild West Coast of Tasmania, Wolfftown's most notorious heiress and murderess, Sasha Torte, tells the tale of her own spectacular downfall.Forsaken by her parents and raised by criminals and reprobates, Sasha becomes a world-famous pastry chef at the tender age of seventeen. Entanglement with the disreputable Dasher brothers leads to love, but also to a dangerous addiction.Behind bars in Wolfftown's gaol, Sasha sips premium champagne as she recalls a life of seduction, betrayal, ghosts, opium and an indiscreet quantity of confectionary - and plots her escape.The Scandalous Life of Sasha Torte: revenge, redemption and pastry, is a novel of dastardly deeds, intrepid protagonists, dark villains, wild gangs, luxurious hotels … and murder.

    Feeling like foreigners in this land of sun and surf, they're still adjusting to work, school, and life in a sprawling purple clapboard house, when one morning, tragedy strikes.In the devastating aftermath, the questions fly. What really happened? And who's to blame? Determined to protect his family, Finn finds himself under the police and media spotlight. Guilty and enraged, Bridget spends nights hunting answers in the last place imaginable. Jarrah — his innocence lost — faces a sudden and frightening adulthood where nothing is certain.In the Blink of an Eye is a haunting, redemptive story about forgiveness and hope.

    But with a single confession in the middle of the night, her carefully constructed life comes undone. After escaping a tumultuous childhood and raising a son, she now faces a future without the security of the home and family she has spent decades building.Luis only wants to make the grandmother who raised him proud. As a soldier, he was on his way to being the man she taught him to be until he woke up in Walter Reed Hospital with vague and troubling memories of how he got there. Now he must find a new way to live a life of honor.Every day, young Bashkim looks forward to the quiet order of school and the kind instruction of his third grade teacher. His family relocated to Las Vegas after fleeing political persecution in their homeland. Now their ice cream truck provides just enough extra income to keep them afloat. With his family under constant stress, Bashkim opens his heart to his pen pal, a US soldier.When these lives come together in a single, shocking moment, each character is called upon to rise. “You’ll be thinking about these characters long after you finish this haunting, heart-wrenching, and hopeful book” (Houston Chronicle).

    She never imagined she’d have to campaign to save the local primary school. She certainly had no idea her best friend would turn out to be the crusty old junk man. All in all, she’s starting to wonder if she took a wrong turn somewhere. If only she could drop the kids at the orphanage and start over . . . But now, thanks to her protest letters, the education minister is coming to Gunapan, and she has to convince him to change his mind about the school closure. And as if facing down the government isn’t enough, it soon becomes clear that the school isn’t the only local spot in trouble. In the drought-stricken bushland on the outskirts of town, a luxury resort development is about to siphon off a newly discovered springwater supply. No one seems to know anything, no one seems to care.With a dream lover on a Harley unlikely to appear to save the day, Loretta needs to stir the citizens of Gunapan to action. She may be short of money, influence, and a fully functioning car, but she has good friends. Together they can organize chocolate drives, supermarket sausage sizzles, a tour of the local slaughterhouse—whatever it takes to hold on to the scrap of world that is home.

    And I was eighteen when I left.One tanked career, one badly timed glamour shoot and one dead boyfriend later, thirty-year-old Lottie Bentz is finally going home.Back in the orchard town of Bonnievale, Lottie embarks on a radical declutter of her life, Marie Kondo-style. She casts out everything that got her into trouble: her phone, socials, make-up and a tendency to tell little white lies – to herself and others. But home has its own issues, not least Lottie’s staunchly feminist mother, who is furious with her.When Lottie lands herself a place to stay in exchange for helping kindly Mrs Brooker try out the Kondo method, it seems like the perfect farm escape. That’s until Angus, Lottie’s former Peach King and heir to the Brooker orchards, makes it clear she’s not welcome – especially when Lottie’s declutter begins to stir up long buried memories and half-truths.As Lottie finds her way back to herself, can she use her talents to coax Bonnievale and the Brookers out of the past? After all, everyone deserves to feel love, hope and the occasional spark of joy.A deeply moving story about forgiving, finding joy and falling in love with life again.

    Ikey's partner in crime is his mistress, the forthright Mary Abacus, until misfortune befalls them. They are parted and each must make the harsh journey from 19th century London to Van Diemens Land. In the backstreets and dives of Hobart Town, Mary learns the art of brewing and builds The Potato Factory, where she plans a new future. But her ambitions are threatened by Ikey's wife, Hannah, her old enemy. The two women raise their separate families. As each woman sets out to destroy the other, the families are brought to the edge of disaster.