The Trench Poets, as they came to be called, were soldier-poets dispatching their verse from the front lines. Known for its rejection of war as a romantic or noble enterprise, and its plainspoken condemnation of the senseless bloodshed of war, Trench Poetry soon became one of the most significant literary moments of its decade. The marriage of poetry and comics is a deeply fruitful combination, as evidenced by this collection. In stark black and white, the words of the Trench Poets find dramatic expression and reinterpretation through the minds and pens of some of the greatest cartoonists working today.With New York Times bestselling editor Chris Duffy (Nursery Rhyme Comics, Fairy Tale Comics) at the helm, Above the Dreamless Dead is a moving and illuminating tribute to those who fought and died in World War I. Twenty poems are interpreted in comics form by twenty of today's leading cartoonists, including Eddie Campbell, Kevin Huizenga, George Pratt, and many others.

    The three men, who have been trained by their father in the art of war since childhood, spend the sweltering afternoons practicing swordplay, trading barbs, and thinking of how many men they would need to take the prince’s poorly fortified castle for themselves. But when a mysterious agent asks the prince for the brothers’ services in obtaining a gilded chest, eldest brother William recognizes an opportunity to strengthen the Hauteville legacy. When he assembles a crew of skilled mercenaries, loyalties are tested and truths revealed. Among the group, there is a traitor, a spy, and the carrier of a long-held secret. The trust William places in each of his men will decide the future for himself and his family.

    What winter holiday celebration would be complete without: sleigh rides, jingle bells, reindeer games, happy little elves, fruit cakes, radioactive Christmas trees, snow mums, defective toys, grimacing Grinches, secretive Santas, miserly Scrooges, and New Year's resolutions you will never keep? So, deck the halls with The Simpsons and be of good cheer with glad tidings of joy that will last through the year!

    Kouno examines the impact that WWII and the dropping of the atomic bomb had on the people of Japan through the eyes of an average woman living in 1955.

    Or do they? This biography conveys the well-known and the lesser-known facts about Orville and Wilbur's lives, and does so by weaving the biographical information into a wonderful story. The evocative illustrations combine with the storytelling prowess of Lewis Helfand to relate the Wright Brothers' joint biography in a way never done before.

    A profoundly wise and humorous rendering of the classic Chinese text on military strategy, as told through the delightful Chinese cartoon panels of best-selling author Tsai Chih Chung.

     ABOUT THE SHORT STORY’S PRICE: Hello, you lovely people. Odd to talk about money straight up, but I know that some of you might be thinking, £1.99 is a lot for a short story. Let me explain how it works. A rate of 20% VAT (Value Added Tax) applies to eBooks in the UK. This doesn’t apply to ‘real’ paper books. That means 33p of the £1.99 goes straight to the British government. Amazon takes around 2p to deliver the story to your Kindle, then takes another 48p as its cut. The remainder, £1.16, goes to me. That's not a great deal, I hope you agree. In these times of falling sales, and authors losing their contracts, and only one in seven traditionally published authors being able to write fulltime, stories like this are a vital way of YOU supporting the authors whose books you enjoy. So THANK YOU for your support! Think of it in terms of a pint of beer or a cup of coffee: they cost £2-4, depending on where you live. This story will give you more enjoyment (I think!) than either of those things, and last for a longer time, and cost you less money. This is only the second time I have self-published a short story. (Massive thanks here to Pete Simpson, who designed the cover for me!) It’s been an exciting project since the day I did the poll on Facebook, asking you lovely people which of my characters you wanted me to write about. Centurion Tullus won out, narrowly, and this is the result. The one hundred and something people who backed the Kickstarter campaign got to read this story almost 7 months ago, but now you can too. Enjoy the story, and please email me if you have any questions about it or anything else – ben@benkane.net Ben

    Kansas rider Dodge Mercer is an ex-gunslinger hungry for the quiet life and seeking only a little corner of peace in Arizona, so he drifts west looking for a spread of his own, but he runs up against the Southwest's three most dangerous things: a beautiful young woman, sorghum booze runners, and hot-flying lead!

    Each is a prize winner! Fictional short stories based on true life events. The book is approximately 100 pages. The stories, while containing fictional characters reflect the true, heroism of the time and era of the Holocaust.The uprising of the Lodz ghetto, a rare romance in a concentration camp and the Sobibor escape are captured in this book. Different perspectives and gripping horror from real life accounts. A must read.

    As Josephine contends with life, family, and work in Cleveland, letters from Leonard sustain her. But official censorship forces him to leave out much of the most significant action he sees.Finally, with the war coming to an end, Leonard is able to tell his full story. In a quietly beautiful letter to Josephine, Leonard writes of the loneliness he felt, the camaraderie he experienced, and the terrible violence he witnessed.Now, Josephine and Leonard's grandson Joseph Sieracki has carefully researched the battles Leonard describes and expanded the letter into a moving tale of a young man's fears and bravery far from home. Brought to heart-wrenching life by the paintbrushes of Kelly Williams (Creepy, Eerie), A Letter to Jo is at once a tender love story and harrowing battlefield memoir.

    Complete with original music and sound effects.

    

    And so he has decided to put his thoughts down on paper. In THE CROWN: TRUTH & FICTION, Vickers writes that he does not approve of THE CROWN because 'it depicts real life people in situations which are partly true and partly false, and unfortunately most viewers take it all as gospel truth.'  He accepts that fiction can be a device to illuminate true events, but points out that it can be used to create dangerous, and lasting, false impressions too. THE CROWN has been a highly successful series, watched with intense interest across the globe.  The settings and costumes are of high quality, the acting is good, and it all looks convincing.  Peter Morgan is an intelligent writer, author of the film THE QUEEN, and the stage production of THE AUDIENCE.  The real Queen has previously inspired great performances from actresses such as Prunella Scales and Helen Mirren, and Claire Foy portrays her beautifully. As Vickers writes, 'THE CROWN has done a great job in reminding a younger generation that the Queen and Prince Philip were once young themselves.' One of the devices used in Series 2 is to take two straightforward themes which did happen and clash them against each other to create something which did not.  For example, in Episode 8, yes, the Queen and Prince Philip entertained the Kennedys at Buckingham Palace (on 5 June 1961), and yes, the Queen visited Nkrumah in Ghana (between 9 and 20 November 1961), but the Queen did not go to Ghana for the trivial reason that she wished to pull one over on Mrs Kennedy – she went there to ensure that Ghana remained part of the Commonwealth. Much has been written about the massive budget for this series and the attention to detail.   THE CROWN: TRUTH & FICTION identifies quite a number of mistakes, especially in respect of Orders and decorations.  Having worked on films himself, Hugo Vickers knows how hard it is to make sure these details are correct, and how sometimes shortcuts have to be taken.  But it is not that difficult to get the details right, and so he points out some of these errors.  But these are trivial things in comparison to the things shown as having happened, when they did not. The cruelest and most undeserved victim of the series is Prince Philip, here portrayed as a fractious, bumptious Jack the Lad, very much the villain.  Watching the series, Hugo Vickers concludes that he failed to find the man who, in 1962, was advancing Anglo-German relations through remarks such as, ‘It may be difficult for people to see any virtue in forgiving one’s enemies, but let them reflect that it is much more likely to achieve a better future than stoking the fires of hatred and suspicion.’  This fictional Prince Philip is little more than a self-centred philanderer.  The real Prince Philip told his biographer, Tim Heald: ‘I certainly believe in the need for a “free” press, but there is a difference between freedom and licence and between the honest pursuit of the truth and the cynical pursuit of thoughtless – even vindictive sensationalism.’ THE CROWN: TRUTH & FICTION delivers a sharp message to filmwriters, producers, and their historical advisers: Fiction should help us understand the truth, not pervert it.

      On October 25, 1415, a trapped and vastly outnumbered force of exhausted and demoralized English archers and men-at-arms faced a colossal army of French knights on a desolate field in northern France. What took place that day became one of the greatest moments of the Hundred Years’ War and English history.   Based on chronicles of the times, Agincourt 1415: Field of Blood is a dramatic, minute-by-minute retelling of the battle as seen through the eyes of the commanders and soldiers on both sides. This is a brutal, bloody, and captivating retelling of a major British victory written by a Pulitzer Prize finalist. This work sets a new standard for historical fiction.   “If you look for a book to read on a chair next to the fireplace holding a glass of whiskey, this book is highly recommendable.” —Historic Battlefield Tours

    Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that he would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of detail and storytelling.