Employing a range of literary styles and a variety of voices, Leopoldo Marechal parodies and celebrates Argentina's most brilliant literary and artistic generation, the martinfierristas of the 1920s, among them Jorge Luis Borges. First published in 1948 during the polarizing reign of Juan Perón, the novel was hailed by Julio Cortázar as an extraordinary event in twentieth-century Argentine literature. Set over the course of three break-neck days, Adam Buenosayres follows the protagonist through an apparent metaphysical awakening, a battle for his soul fought by angels and demons, and a descent through a place resembling a comic version of Dante's hell. Presenting both a breathtaking translation and thorough explanatory notes, Norman Cheadle captures the limitless language of Marechal's original and guides the reader along an unmatched journey through the culture of Buenos Aires. This first-ever English translation brings to light Marechal's masterwork with an introduction outlining the novel's importance in various contexts - Argentine, Latin American, and world literature - and with notes illuminating its literary, cultural, and historical references. A salient feature of the Argentine canon, Adam Buenosayres is both a path-breaking novel and a key text for understanding Argentina's cultural and political history.

    In the wake of his father's premature death, Jose Cemi comes of age in a turn of the century Cuba described in the Washington Post as "an island paradise where magic and philosophy twist the lives of the old Cuban bourgeoisie into extravagant wonderful shapes."

    His father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. At the age of sixteen, Diego is sent to Spain, a country chafing under the corruption of Napoleonic rule. He soon joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. Between the New World and the Old, the persona of Zorro is formed, a great hero is born, and the legend begins. After many adventures -- duels at dawn, fierce battles with pirates at sea, and impossible rescues -- Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

    He turned out to be a born storyteller.The adventures of Beremiz Samir, The Man Who Counted, take the reader on an exotic journey in which, time and again, he summons his extraordinary mathematical powers to settle disputes, give wise advice, overcome dangerous enemies, and win for himself fame and fortune. as we accompany him, we learn much of the history of famous mathematicisns who preceded him; we undergo a series of trials at the hands of the wise men of the day; and we come to admire the warm wisdom and patience that earn him the respect and affection of those whose problems he resolves so astutely. In the grace of their telling, these stories hold unusual delights for the reader.

    But when nobody has heard from him in three months, his father knows something must be very wrong.Fortunately, Inspector Manchego is on the case. Manchego gets to work unraveling the mystery of the Englishman’s disappearance, but there to block him at every turn are the five fiery and close-knit Spanish women who run Librarte and who will do anything to keep their jobs. From a kidnapping to the “discovery” of the long-lost poems of Federico García Lorca, Manchego and Atticus are taken on a madcap journey through the narrow streets of Madrid and down to the bohemian heart of Andalucía.A charming tale with linguistic mishaps, literary intrigue, a clash of cultures, and an unexpected romance, The Altogether Unexpected Disappearance of Atticus Craftsman is at once a humorous literary caper and a touching love story, making for an altogether clever and delightfully different read.

    She worked as a housekeeper, a caregiver, a cleaner—somehow always taking care of someone else. Two generations later, during the Women’s March in 2018, Alicia was working at the snack shop in the Atocha train station when it overflowed with protesters and strikers. Women, so many women, were flooding the streets with their signs and chants. She couldn’t have known María was among them; she was on the clock. And later, she’d be looking for someone else, a man to take her away for a few hours, to make her forget. Anyone but her husband, with his pleas to go on bike rides together, to have children, to act like the other thirtysomething couples they knew.  Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time. With grit, texture, and mesmerizing prose, The Wonders launches an inimitable new voice in fiction.

    The next morning, Hans meets an old organ-grinder in the market square and immediately finds himself enmeshed in an intense debate—on identity and what it is that defines us—from which he cannot break free.Indefinitely stuck in Wandernburg until his debate with the organ-grinder is concluded, he begins to meet the various characters who populate the town, including a young freethinker named Sophie. Though she is engaged to be married, Sophie and Hans begin a relationship that defies contemporary mores about female sexuality and what can and cannot be said about it.Traveler of the Century is a deeply intellectual novel, chock-full of discussions about philosophy, history, literature, love, and translation. It is a book that looks to the past in order to have us reconsider the conflicts of our present. The winner of Spain’s prestigious Alfaguara Prize and the National Critics Prize, Traveler of the Century marks the English-language debut of Andrés Neuman, a writer described by Roberto Bolaño as being “touched by grace.”

    Franco Andrade, lonely, overweight, and addicted to porn, obsessively fantasizes about seducing his neighbor - an attractive married woman and mother - while Polo dreams about quitting his gruelling job as a gardener within the gated community and fleeing his overbearing mother and their narco-controlled village. Each facing the impossibility of getting what he thinks he deserves, Franco and Polo hatch a mindless and macabre scheme. Written in a chilling torrent of prose by one of our most thrilling new writers, Paradais explores the explosive fragility of Mexican society - with its racist, classist, hyperviolent tendencies - and how the myths, desires, and hardships of teenagers can tear life apart at the seams.

    a poet who may be mad ... and a carpet containing all of human history combine in this brilliant new fantasy by one of Spain's brightest young writers.Walid was a model prince: handsome, intelligent, skilled in the arts of warfare and poetry. But the kingdom boasted one greater poet than he, and out of jealousy Walid cursed the man to create an impossible work of art: a carpet showing the history of the entire human race. The poet died weaving it. Men went mad seeing it. And when it is stolen, Walid discovers his life's quest: to recover the carpet and earn forgiveness for his mistakes. Inspired by the story of a real king of pre-Muslim Arabia, LEGEND is a magical fantasy, a meditation on destiny, and an utterly thrilling adventure.

    In a prison in the pilgrim city of Santiago de Compostela, an artist sketches the famous porch of the cathedral, the Portico da Gloria. He uses a carpenter's pencil. But instead of reproducing the sculptured faces of the prophets and elders, he draws the faces of his fellow Republican prisoners.Many years later in post-Franco Spain, a survivor of that period, Doctor Daniel da Barca, returns from exile to his native Galicia, and the threads of past memories begin to be woven together. This poetic and moving novel conveys the horror and savagery of the tragedy that divided Spain, and the experiences of the men and women who lived through it. Yet in the process, it also relates one of the most beautiful love stories imaginable.

    She undertakes a trip to her inner self in a narrative game full of surprises. It is a magician's hat from which she reveals amazing and unexpected events. In this book, she mixes literature and life in an aphrodisiacal cocktail of other people's biographies and a semi-fictional autobiography. This is, above all, a torrid story of love and salvation between her and her imagination.

    Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon."Thirteen-year-old Juan’s summer is off to a terrible start. First, his parents separate. Then, almost as bad, Juan is sent away to his strange Uncle Tito’s house for the entire break! Who wants to live with an oddball recluse who has zigzag eyebrows, drinks fifteen cups of smoky tea a day, and lives inside a huge, mysterious library?As Juan adjusts to his new life among teetering, dusty shelves, he notices something odd: the books move on their own! He rushes to tell Uncle Tito, who lets his nephew in on a secret: Juan is a Princeps Reader, which means books respond magically to him, and he’s the only one who can find the elusive, never-before-read Wild Book. But will Juan and his new friend Catalina get to The Wild Book before the wicked, story-stealing Pirate Book does?An unforgettable adventure story about books, libraries, and the power of reading, The Wild Book is the young readers’ debut by beloved, prize-winning Mexican author Juan Villoro. It has sold over one million copies in Spanish.

    Galdós's Madrid, recast from his youthful wanderings through the city's slums and cafés, includes the egg sellers and faded bullfighters surrounding Fortunata as well as the quieter, sequestered milieu of Jacinta's upbringing. Through Juanito, the lover of both women, the writer reveals Spain as a variegated fabric of delicate traditions and established vices, of shaky politics and rich intrigue. In this vast and colorful world, resonant of Dickens's London and Balzac's France, Galdós presents his characters with a depth, ambiguity, and humor born of the multiplicity of his scene.Galdós's novels enjoyed, for a time, a wide and attentive readership in Spain. As his reputation grew, however, hostility toward his achievements, envy of his success, and political squabbling hampered his progress, stalling his election to the Royal Academy and, in 1912, thoroughly derailing his nomination as Spain's candidate for the Nobel Prize.Though the political controversies that surrounded Galdós's works have long been calmed, this translation by Agnes Moncy Gullón brings alive the tempestuous era in which he lived and wrote, allowing English readers to hear the percussive yet often melodic tones of nineteenth-century Madrid in the correct and casual speech of Jacinta, in the pretty but empty words of Juanito, and in the painfully proper, sometimes vulgar language of Fortunata.

    They can survive in the harshest of conditions like nobody else. The noble inmouchar Gacel Sayah, is the master of a large extension of the desert. One day, two fugitives arrive from the north and Gacel, following his ancient and sacred hospitality laws, gives them shelter. However, Gacel doesn't realise that his act of kindness will lead him towards a deadly adventure.

    Ruby- and emerald-encrusted daggers, silver coins, jewels, and a letter with a golden seal depicting a snake swallowing its own tail. And clutched in the man’s firm grip—a stone. A stone that will shape Grimpow’s destiny. For when he holds it, strange things begin to happen. Visions of places he’s never been fill his mind and he’s able to read the strange language in the letter, a message meant for someone else entirely.So begins Grimpow’s journey with the stone—a centuries-long journey that has driven sane men crazy, turned peaceful men violent, and made strong men powerless. No man has ever unlocked its secrets. But no boy has ever tried.