This is her story: of coming to Christ, of building a career, of admitting who she is, and of how her faith remained strong through it all.At the top of her career in the Christian music industry, Jennifer Knapp quit. A few years later, she publicly revealed she is gay. A media frenzy ensued, and many of her former fans were angry with what they saw as turning her back on God. But through it all, she held on to the truth that had guided her from the beginning.In this memoir, she finally tells her story: of her troubled childhood, the love of music that pulled her through, her dramatic conversion to Christianity, her rise to stardom, her abrupt departure from Christian Contemporary Music, her years of trying to come to terms with her sexual orientation, and her return to music and Nashville in 2010, when she came out publicly for the first time. She also talks about the importance of her faith, and despite the many who claim she can no longer call herself a believer, she maintains that she is both gay and a Christian.Now an advocate for LGBT issues in the church, Jennifer has witnessed heartbreaking struggles as churches wrestle with issues of homosexuality and faith. This engrossing, inspiring memoir will help people understand her story and to believe in their own stories, whatever they may be.

    The V-Word captures the complexity of this important life-decision and reflects diverse real-world experiences. Includes helpful resources for parents and teens.Losing it. Popping your cherry. Handing in your V-card.First time sex is a big unknown. Will it be candlelight and rose petals or quick and uncomfortable? Is it about love or about lust? Deciding to have sex for the first time is a choice that’s often fraught with anxiety and joy. But do you have anyone telling you what sex is really like?In The V-Word seventeen writers (including Christa Desir, Justina Ireland, Sara Ryan, Carrie Mesrobian, Erica Lorraine Scheidt, and Jamia Wilson) pull back the sheets and tell all, covering everything from straight sex to queer sex, diving-in versus waiting, and even the exhilaration and disappointment that blankets it all. Some of their experiences happened too soon, some at just the right time, but all paint a broad picture of what first-time sex is really like.Funny, hot, meaningful, cringe-worthy, gross, forgettable, magnificent, empowering, and transformative, the stories in The V-Word are never preachy, but provide a map for teens to chart their own course through the steamy waters of sex. With The V-Word girls can finally take control, learn what’s on the horizon, and eliminate the fear and mystery surrounding this important milestone.

    Jeff Miner and John Tyler Connoley offer a comprehensive yet easy-to-read examination of the biblical evidence regarding loving same-sex relationships and God's attitude toward them. In Chapter One, the authors lead the reader through a discussion of each of the six passages traditionally used against gay, lesbian, and bisexual people. In their friendly and authoritative style, they demonstrate how an anti-gay interpretation is a misapplication of these scriptures. Then, in Chapter Two, Miner and Connoley turn our attention to the biblical stories and passages that affirm loving same-sex relationships. Did you know Jesus once met a gay person? Jesus' loving response is just one of the well-researched stories presented in this chapter. Chapter Three asks readers to take seriously the call of Jesus to think more deeply about biblical rules. And Chapter Four calls Christians to action, making a connection between the conflicts in the early Church and those occurring within the Church today. This book belongs in the library of any Christian questioning the role of Scripture in the lives of gay, lesbian, and bisexual people, or the role of GLB people in the Church.

    . . . Using the language of the elemental world, he delineates a complex human intersection and transmutes cruelty into its opposite—a potent, lifegiving remedy.”—Alison Bechdel, author of Fun HomeFirst published in 1999, Exile & Pride established Eli Clare as one of the leading writers on the intersections of queerness and disability. With this critical tenth-anniversary edition, the groundbreaking publication secures its position as essential to the history of queer and disability politics, and, through significant new material that boldly interrogates and advances the original text, to its future as well. Clare’s writing on his experiences as a genderqueer activist/writer with cerebral palsy permanently changed the landscape of disability politics and queer liberation, and yet Exile & Pride is much too great in scope to be defined by even these two issues. Instead it offers an intersectional framework for understanding how our bodies actually experience the politics of oppression, power, and resistance. At the heart of Clare’s exploration of environmental destruction, white working-class identity, queer community, disabled sexuality, childhood sexual abuse, coalition politics, and his own gender transition is a call for social justice movements that are truly accessible for everyone.Blending prose and theory, personal experience and political debate, anger and compassion, Exile & Pride provides a window into a world where our whole selves in all their complexity can be loved and accepted.An award-winning poet and essayist, Eli Clare is also the author of The Marrow’s Telling.

    32 pages of photos.

    In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions — cheap, easy to find in drugstores, and immediately recognizable by their lurid covers. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some — especially those written by lesbians — offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.

    Worse, she lives in the small Alaska town of Moose Point, which never lets her forget it. From the annual Moose Madness Festival to the moose bumper stickers to the giant sign for the Moose Point Pub where she works, this town loves its moose.Worst of all? Maggie really is a moose. A moose shifter, to be specific. It's just that no one knows. No one can ever know.Except one person ...Wolf shifter Fiona Barton was one of the mean girls in high school ... and Maggie's desperate crush. Years after shaking the dust of Moose Point off her heels, she's back in town for a pack event and runs headlong into Maggie—and this time she recognizes what she didn't before: the tall girl with the shy, beautiful smile is her fated mate.Fiona is openly out; Maggie isn't. But Fi has a lot to make up for, and Maggie has a lot of soul-searching to do before a wolf and a moose can ride off into the sunset together.A hilarious and heartwarming enemies-to-lovers lesbian romcom, with a guaranteed HEA!

    Sometimes it just sucks less. But I promise you: where there's a Willam, there's a way.But this isn't all about me (for once). It's about you and how you can SUCK LESS at a variety of things drag queens are so much better at than the average person. I've got clap backs and life hacks and tips on classing up a simple grab-and-run lifting spree to the much more dignified act of larceny. Super-important life stuff with my own special, secret fag- swag sauce. So welcome to Willam's School of Bitchcraft and Wiggotry. Class is in session. With a foreword from Neil Patrick Harris.

    Edited by noted mystery author Joseph R. G. DeMarco, A Study in Lavender queers the Holmes universe; the authors have devised stories in which Holmes and Watson are lovers, or investigate mysteries of inverts hidden from the laws and cultures of the Victorian era; even the indomitable Lestrade has his turn at love; and where strange lights similar to the work of Jules Verne draw the detectives to infamous Cleveland Street.

    Mind your manners and enjoy the chocolate in a dance of sparkling wit and political intrigue.Tremontaine is an episodic serial presented by Serial Box Publishing. This collected omnibus edition gathers all 16 episodes from Season 1.

    A "wizard at blending levity and pathos" (Chicago Tribune), Leavitt displays here his characteristic grace and intelligence, as well as his remarkable candor and wit. Here are stories that range in form from a historical survey to a police interrogation to an e-mail exchange. In "The Infection Scene," a young man's determined effort to contract HIV is juxtaposed with an account of the early life of Lord Alfred Douglas. In the title story, an expatriate tries to make sense of his ex-partner's senseless murder. In "Crossing St. Gotthard," the members of an American family traveling in Europe at the turn of the twentieth century find themselves confronting their own mortality as they plunge into a train tunnel in Switzerland. And in "Black Box," the partner of a man killed in a plane crash is drawn into an unholy alliance with a fellow "crash widow." Moving from Rome to San Francisco to Florida, from fin-de-siccle London to Hollywood in the early 1960s, these stories showcase the agility and sensitivity that have earned David Leavitt his reputation as one of the most innovative voices in contemporary short fiction.

    This first book by Rae (who uses "they" as a pronoun) is a candid, powerful story about a young person growing up queer in a strict Pentecostal family in rural Canada.The narrator attends church events and Billy Graham rallies faithfully with their family before discovering the music that becomes their salvation and means of escape. As their father's schizophrenia causes their parents' marriage to unravel, the narrator finds solace and safety in the company of their siblings, in their nascent feelings for a girl at school, and in their growing awareness that they are not the person their parents think they are. With a heart as big as the prairie sky, this is a quietly devastating, heart-wrenching coming-of-age book about escaping dogma, surviving abuse, finding love, and risking everything for acceptance.Rae Spoon lives in Montreal, Quebec.

    A manic cross between Mark Leyner, Fran Lebowitz, and the National Enquirer, Sedaris’s collection of essays is a rollicking tour through the national Zeitgeist: a do-it-yourself suburban dad saves money by performing home surgery; a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tries to incite a lynch mob at her funeral; a bitter Santa abuses the elves.David Sedaris made his debut on NPR’s Morning Edition with “SantaLand Diaries”, recounting his strange-but-true experiences as an elf at Macy’s, and soon became one of the show’s most popular commentators. With a perfect eye and a voice infused with as much empathy as wit, Sedaris writes stories and essays that target the soulful ridiculousness of our behavior. Barrel Fever is like a blind date with modern life, and anything can happen.Parade --Music for lovers --The last you'll hear from me --My manuscript --Firestone --We get along --Glen's homophobia newsletter vol. 3, no. 2 --Don's story --Season's greeting to our friends and family!!! --Jamboree --After Malison --Barrel fever --Diary of a smoker --Giantess --The curly kind --SantaLand diaries

    Norris and Goodbye to Berlin, which make up The Berlin Stories are recognized today as classics of modern fiction.A charming city of avenues and cafés, a grotesque city of night-people and fantasts, a dangerous city of vice and intrigue, a powerful city of millionaires and mobs - all this was Berlin in 1931, the period when Hitler was beginning his move to power.Here are Mr. Norris, the improbable old debauchee mysteriously caught in the struggle between Nazis and Communists; plump Fräulein Schroeder, who thinks an operation to reduce the scale of her Büste might relieve her heart palpitations; the Landauers, a distinguished and doomed Jewish family; Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and screen by Julie Harris in "I Am a Camera" and by Liza Minelli in "Cabaret."

    By the time it was over, she was notorious. The New York Times thought her worthy of a lengthy obituary that began “Death of a Modern Diana . . . Dressed in Man’s Clothing She Wins a Girl’s Love.” The obit detailed what the Times knew of Lucy’s life, from her backwoods upbringing to the dance school she ran disguised as a man, “where she won the love of a young lady scholar.” But that was just the start of the trouble; the Times did not know about Lucy’s arrest and trial for the crime of wearing men’s clothes or her jailbreak engineered by her wife, Marie Perry, to whom she had been married by an unsuspecting judge.Lucy lived at a time when women did not commonly travel unescorted, carry a rifle, sit down in bars, or have romantic liaisons with other women. Lucy did these things in a personal quest—to work and be paid, to wear what she wanted, and to love whomever she cared to. But to gain those freedoms she had to endure public scorn and wrestle with a sexual identity whose vocabulary had yet to be invented. Lucy promised to write a book about it all, and over the decades, people have searched for that account. Author William Klaber searched also until he decided that the finding would have to be by way of echoes and dreams. This book is Lucy’s story, told in her words as heard and recorded by an upstream neighbor.It has been named a Stonewall Book Award-Barbara Gittings Literature Award Honor Book for 2014.