There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.

    The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation's languages, the book describes how Ireland's pagan divinities were transformed into literary characters in the medieval Christian era--and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams's comprehensive history traces how these gods--known as the Tuatha De Danann--have shifted shape across the centuries, from Iron Age cult to medieval saga to today's young-adult fiction.We meet the heroic Lug; the Morrigan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the mist-cloaked sea god Manannan mac Lir; and the ageless fairies who inspired J.R.R. Tolkien's immortal elves. Medieval clerics speculated that the Irish divinities might be devils, angels, or enchanters. W. B. Yeats invoked them to reimagine the national condition, while his friend George Russell beheld them in visions and understood them to be local versions of Hindu deities. The book also tells how the Scots repackaged Ireland's divine beings as the gods of the Gael on both sides of the sea--and how Irish mythology continues to influence popular culture far beyond Ireland.An unmatched chronicle of the Irish gods, Ireland's Immortals illuminates why these mythical beings have loomed so large in the world's imagination for so long.

    Dedicating his work to Elizabeth I, Spenser brilliantly united medieval romance and renaissance epic to expound the glory of the Virgin Queen. The poem recounts the quests of knights including Sir Guyon, Knight of Constance, who resists temptation, and Artegall, Knight of Justice, whose story alludes to the execution of Mary Queen of Scots. Composed as an overt moral and political allegory, The Faerie Queene, with its dramatic episodes of chivalry, pageantry and courtly love, is also a supreme work of atmosphere, colour and sensuous description.

    Here, Dr. Greene traces his character through sign, house, aspect, and synastry in a brilliant analysis which reveals his other face: that of the Initiator who, for the price of our honesty, offers us greater consciousness, self-understanding and, eventually, freedom.

    It has been the subject of myth, legend, and folklore; the villain, and occassional hero, of films and novels. Today, the vampire is alive and flourishing in hit television shows, special night clubs, and even comic books.With more than 2,000 entries in A - Z format, The Vampire Encyclopedia offers information on a variety of subjects: the history of the vampire legend methods of finding and destroying vampires how to become a vampire the role of the vampire bat all about female vampires and much more! There are listings of films, appendices that list short stories and novels that feature vampires, even a listing of vampire societies and organizations. Whether traditional vampires or psychic vampires; historical vampires or vampires in poetry and art, they are all included in this comprehensive, single-volume reference guide to the undead.

    Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?

    The 26 stories of "Guleesh," "The Horned Women," "King O'Toole and His Goose," "The Sea-Maiden," "The Shee An Gannon and the Gruagach Gaire," "The Lad with the Goat-Skin," the legendary "Dierdre," "Beth Gellert," and the other wonderful characters, the curses and hexes, the broken promises and granted wishes are accompanied by eight full-page plates, 37 drawings, and decorated capitals and endpieces that help make this book the charming one that generations of youngsters have proclaimed it to be.

    The world's most important Arthurian expert presents a riveting portrait of the darkly complex woman known only through legend.

    Wilson, a deep personal, literary, and historical exploration of the Bible.In The Book of the People, A. N. Wilson explores how readers and thinkers have approached the Bible, and how it might be read today. Charting his own relationship with the Bible over a lifetime of writing, Wilson argues that it remains relevant even in a largely secular society, as a philosophical work, a work of literature, and a cultural touchstone that the western world has answered to for nearly two thousand years: Martin Luther King was "reading the Bible" when he started the Civil Rights movement, and when Michelangelo painted the fresco cycles in the Sistine Chapel, he was "reading the Bible." Wilson challenges the way fundamentalists—whether believers or non-believers—have misused the Bible, either by neglecting and failing to recognize its cultural significance, or by using it as a weapon against those with whom they disagree.Erudite, witty and accessible, The Book of the People seeks to reclaim the Good Book as our seminal work of literature, and a book for the imagination.

    Alan S. Fredrick summarizes missing episodes and includes a translation of 'The Tale of Tristan's Madness.'One of the earliest extant versions of the Tristan and Yseut story, Beroul's French manuscript of The Romance of Tristan dates back to the middle of the twelfth century. It recounts the legend of Tristan, nephew of King Mark of Cornwall, and the king's Irish wife Yseut, who fall passionately in love after mistakenly drinking a potion. Their illicit romance remains secret for many years, but the relentless suspicion of the king's barons and the fading effects of the magic draught eventually lead to tragedy for the lovers. While Beroul's work emphasizes the impulsive and often brutal behaviour of the characters, its sympathetic depiction of two people strug1150gling against their destiny is one of the most powerful versions of this enduringly popular legend.

    Editorial reviews: "Swami Bhaskarananda has written a compact, yet amazingly comprehensive treatment of the essentials of the Hindu view of life, emphasizing the very things one wishes most to know about when first approaching this complicated, and many-sided subject. While there is no lack of books on Hinduism, many are ill-suited to beginners because they do not adequately explain basic concepts. Swamiji's stlye is remarkable for its directness and lucidity, fresh and devoid of cliches to an extent that is truly rare nowadays." Walter Maurer, Professor of Sanskrit, University of Hawaii. "While I have taught an introductory Asian Religions course for some twenty years, I have never been able to find such a helpful work. I shall recommend it enthusiastically for use by our college students." Rev James Roberts, Catholic priest and professor, Religious Studies, Vancouver.

    It will undoubtedly remain for a long time a classic in its field.”—Religious Studies Review“The Treasures of Darkness is the culmination of a lifetime’s work, an attempt to summarize and recreate the spiritual life of Ancient Mesopotamia. Jacobsen has succeeded brilliantly. . . . His vast experience shows through every page of this unique book, through the vivid, new translations resulting from years of careful research. Everyone interested in early Mesopotamia, whether specialist, student, or complete layman, should read this book. . . . It is, quite simply, authoritative, based on a vast experience of the ancient Mesopotamian mind, and very well written in the bargain.”—Brian M. Fagan, History“Professor Jacobsen is an authority on Sumerian life and society, but he is above all a philologist of rare sensibility. The Treasures of Darkness is almost entirely devoted to textual evidence, the more gritty sources of archaeological knowledge being seldom mentioned. He introduces many new translations which are much finer than previous versions. . . . Simply to read this poetry and the author’s sympathetic commentary is a pleasure and a revelation. Professor Jacobsen accepts the premise that all religion springs from man’s experience of a power not of this world, a mysterious ‘Wholly Other.’ This numinous power cannot be described in terms of worldly experience but only in allusive ‘metaphors’ that serve as a means of communication in religious teaching and thought. . . . As a literary work combining sensibility, imagination and scholarship, this book is near perfection.”—Jacquetta Hawkes, The London Sunday Times“A fascinating book. The general reader cannot fail to admire the translated passages of Sumerian poetry with which it abounds, especially those illustrating the Dumuzi-Inanna cycle of courtship, wedding and lament for the god’s untimely death. Many of these (though not all) are new even to the specialist and will repay close study.”—B.O.R. Gurney, Times Literary Supplement

    Other tellings can be found under "all editions," each credited to its respective storyteller.

    These fascinating entries identify particular deities and giants, as well as the places where they dwell and the varied and wily means by which they forge their existence and battle one another. We meet Thor, one of the most powerful gods, who specializes in killing giants using a hammer made for him by dwarfs, not to mention myriad trolls, ogres, humans and strange animals. We learn of the ongoing struggle between the gods, who create the cosmos, and the jotnar, or giants, who aim to destroy it. In the enchanted world where this mythology takes place, we encounter turbulent rivers, majestic mountains, dense forests, storms, fierce winters, eagles, ravens, salmon and snakes in a landscape closely resembling Scandinavia. Beings travel on ships and on horseback; they eat slaughtered meat and drink mead.Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

    The first edition appeared in Germany in 1933 and drew upon Rahn’s account of his explorations of the Pyrenean caves where the heretical Cathar sect sought refuge during the 13th century. Over the years the book has been translated into many languages and exerted a large influence on such authors as Trevor Ravenscroft and Jean-Michel Angebert, but it has never appeared in English until now. Much as German archaeologist Heinrich Schliemann used Homer’s Iliad to locate ancient Troy, Rahn believed that Wolfram von Eschenbach’s medieval epic Parzival held the keys to the mysteries of the Cathars and the secret location of the Holy Grail. Rahn saw Parzival not as a work of fiction, but as a historical account of the Cathars and the Knights Templar and their guardianship of the Grail, a “stone from the stars.” The Crusade that the Vatican led against the Cathars became a war pitting Roma (Rome) against Amor (love), in which the Church triumphed with flame and sword over the pure faith of the Cathars.