Ruminate the searing to the sultry as you absorb this haunting lilt of burning carnality. The poems ignite rapid and surprising shifts in focus and perspective as they twist and turn your preconceptions, allowing the implications to linger in your thoughts.Vignette verses explore the workings of love, nature, spirituality, and dreams with sprinklings of tarot symbolism and jazzy blues. Together these verses contemplate the subtle underpinnings of a soft earth.Hear what readers and reviewers have said about Frank Watson’s poetry:"This collection is truly captivating and beautifully written." —Lenore Jordan, NetGalley (In the Dark, Soft Earth)“Compact poems replete with stunning and visually arresting images.” —Kirkus Reviews (The Dollhouse Mirror)“Watson left me wanting more. More poems. More imagery. More blue nights and haunted dreams. More weeping wood and moonlit ecstasy.” —The Portsmouth Review (The Dollhouse Mirror)“This book was HAUNTING. There is no other word for it. Fantasy, romance, contemporary, mystery, and historical all rolled into one; each poem brought all of my emotions bubbling to the surface. It’s not something I will soon forget.” —Shawna Brooks, Goodreads (The Dollhouse Mirror)“A collection that is both sensuous and graceful; I found myself drifting into a tranquil garden of dancing words and imagery. The eloquence is revealed in the rhythm as each page prances past the reader. A highly recommended compilation of words become art.” —Patricia Zarounas Murphy (Seas to Mulberries)

    Not so with Daphne Gottlieb. In Why Things Burn, Gottlieb tackles sexuality, lesbian issues, rape, urban life, and a host of other topics with the same power of her live performances.

    And, caught up in the whirlwind of first love, they kiss under the Bridge of Sighs at sunset. Which - according to legend - will tie them together forever. But ten years later, they've completely lost contact. That is, until Lucy moves to New York and the legend brings them back together. Again. And again. And again. But what if Nate isn't The One? How is she going to get rid of him? Because forever could be a very long time...A funny, magical romantic comedy about how finding The One doesn't always have to mean happily ever after.

    His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes's verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes's reputation as one of the most compelling new voices in American poetry.

    Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    But when he finally fetches his bride-to-be from a secluded English convent, he finds he needs more than his knight's spurs to bring order to his life.When she was betrothed at fifteen to the legendary English knight she had never met, Lady Clio of Camrose believed that love was something magical. But her youthful hopes faded as she languished in a convent for six long years, never hearing a word from Merrick.Weary of war, Lord Merrick finds little peace guarding the wild Welsh borders, and even less with the wife whose trust he destroyed. But as Lady Clio comes to understand the dark knight she so blindly wed, she sees a chance to make her dreams come true. Amid the enchanted mists that envelop Camrose Castle, they will battle together to discover a place where all things are possible, even a love that is rare and wonderful.

    She was a teacher, and it was morning on the first day of school. In this haunting new collection of poems, Taylor Mali, once a teacher himself, explores her life and their love as well as the shape and texture of his own guilt and resilience.

    In her debut, Lauren Eden’s succinct and beautiful observations of human nature and its gains and losses will lead readers to understand their own journey in love and self discovery - now, and of yesteryear.

    One day, I might perhaps become something so small and insignificant to you that you only think of me as often as you think of the little particles of dust that you can see floating around the window in the late afternoon sun.If I'm lucky enough, you'll think of me as often as never thinking of me again at all.

    And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it's a truly remarkable collection of poems in its own right.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

    Mutability – a sense that all matter is unstable in the face of mortality – is at the heart of this new collection and each poem is involved in that drama: the held tension that is embodied life, and life’s losing struggle with the gravity of nature.Working as before with an ear to the oral tradition, these poems attend to the organic shapes and sounds and momentum of the language as it’s spoken as well as how it’s thought: fresh, fluid and propulsive, but also fragmentary, repetitive. These are poems that are written to be read aloud.Orpheus and Tithonus appear at the beginning and end of this book, alive in an English landscape, stuck in the clockwork of their own speech, and the Hours – goddesses of the seasons and the natural apportioning of Time – are the presiding figures. The persistent conditions are flux and falling, and the lines are in constant motion: approaching, from daring new angles, our experience of being human, and coalescing into poems of simple, stunning beauty.

    Weaving between whispered science and circus, Campbell turns a cracked mirror on society and asks who gets to control the twisted tales hiding in the wings. Jen Campbell received an Eric Gregory Award in 2016, is Vlogger in Residence for the Poetry Book Society, and was a judge of the Forward Prize in 2018. She talks about books, fairy tales and disfigurement at youtube.com/jenvcampbell. She lives in London.

    This rich selection - made by the author - exhibits those qualities in poem after poem, reflecting, moreover, an exciting experimentation with rhythm and language and a movement toward an embrace beyond the personal. Subjects are revisited - the pain of childhood, adolescent sexual stirrings, the fulfilment of marriage, the wonder of children - but each re-casting penetrates ever more deeply, enriched by new perceptions and conceits. A powerful distillation of the best work from one of America's most gifted and widely read poets, drawn from her seven published volumes, this is a testament to a remarkable writer's depth, range and continuing development.

    Still, single mom and ice skating coach Chris Nelson is committed to keeping her sexy, scruffy, new “house husband” around. After all, she did break his arm…and his toe…and she can’t just turn him out into the cold…It seemed like luck when this gorgeous stranger first stopped to help Chris with her car, but suddenly her peaceful life turns topsy-turvy as tender, long-suffering Ken Callahan enlists the sympathies of her 7-year-old daughter and her meddlesome Aunt Edna. And even Chris can’t deny the excitement his magnetic blue-black eyes spark deep within her…But who is he?