A few years before, a noble war had been won, and now life had returned to normal. For one little boy, however, life had become anything but "normal." To all appearances, he and his family lived an almost idyllic life. the father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children:two boys, and a girl. To all appearances, their life seemed ideal. But it was, in fact, all appearances.

    Now, the next terrible chapter unfolds as his brother Cary admits he's the Yosemite Killer.Bright and likeable, seven-year-old Steven Stayner always listened to his mother. Especially about talking to strangers. But when soft spoken "Reverend" Parnell asked to speak with his mother about church, Steven guessed it would be okay. Until he got into the man's car. By then, it was too late.Held captive by convicted child molester Kenneth Eugene Parnell for seven years as his "son Dennis," Steven was forced to endure abuse so terrible that he forgot his own name. Parnell evaded a statewide search for Steven, keeping his young prisoner moving from one cheap motel to the next. Finally, Steven made a desperate escape with five-year-old Timmy White, another kidnapped boy, return home to their parents, then courageously testifying to convict Parnell for his inhuman crimes.The basis for the blockbuster TV movie, I Know My First Name Is Steven is the compelling true account of Steven Stayner's seven years of horror and of his parents who never gave up hope for his safe return. It is also the complete, updated story of how Cary Stayner made headlines of his own—as the cold-blooded killer who terrorised Yosemite.

    It was the last her family and friends saw of her for over eighteen years. On 26 August 2009, Dugard, her daughters, and Phillip Craig Garrido appeared in the office of her kidnapper's parole officer in California. Their unusual behaviour sparked an investigation that led to the positive identification of Jaycee Lee Dugard, living in a tent behind Garrido's home. During her time in captivity, at the age of fourteen and seventeen, she gave birth to two daughters, both fathered by Garrido. Dugard's memoir is written by the 30-year-old herself and covers the period from the time of her abduction in 1991 up until the present. In her stark, utterly honest and unflinching narrative, Jaycee opens up about what she experienced, including how she feels now, a year after being found. Garrido and his wife Nancy have since pleaded guilty to their crimes.

     Most weekends when Martha Frankel was a kid, her mother had a mah-jongg game going in the kitchen with her girlfriends while their husbands were in the living room playing poker. Once Frankel reached adulthood, however, while her cousins were making their way in the world as bookies and drug dealers, gambling didn't much factor into her life. In the tradition of Five-Finger Discount by Helene Stapinski and Dry by Augusten Burroughs, Hats & Eyeglasses traces Frankel's love affair with poker. It was a passion that bit her in her mid-forties and remained harmless enough when she stuck to real cards. But everything changed one evening in 1998 in Atlantic City, when Frankel overheard one dealer bemoan the fact that his tips that evening were going to be small what with the meager crowd assembled. Another dealer mentioned that everyone must be playing online-"Why leave the house when you can play in your pajamas?" the dealer said. Why indeed? thought Frankel, who couldn't wait to get back to her computer. The next morning she took a deep breath, typed in her credit card number, and entered the world of online gambling. It was the beginning of what one of her uncles called "hats and eyeglasses," a term used to describe those times when you're losing so bad you're drowning (so all one can see is the poker player's hat and eyeglasses floating on the surface of the water). By turns hilarious and heartbreaking, Hats & Eyeglasses is a tale of passion, addiction-and those times in life when we almost lose our shirt.

    As a young woman, Laurie unconsciously mirrors her dad, trying on several outsized personalities (Tokyo stripper, lesbian seductress, Ambien addict). Later, she lucks into the perfect job--interviewing celebrities for a top women's magazine. Growing up with her extraordinary father has given Laurie a knack for relating to the stars. But while researching an article on her dad's life, she makes an astonishing discovery: he's not the man he says he is--not even close. Now, Laurie begins to puzzle together three decades of lies and the splintered person that resulted from them--herself.

    The post went viral, leading not only to the ouster of Uber's CEO and twenty other employees, but "starting a bonfire on creepy sexual behavior in Silicon Valley that . . . spread to Hollywood and engulfed Harvey Weinstein" (Maureen Dowd, The New York Times).When Susan decided to share her story, she was fully aware of the consequences most women faced for speaking out about harassment prior to the #MeToo era. But, as her inspiring memoir, Whistleblower, reveals, this courageous act was entirely consistent with Susan's young life so far: a life characterized by extraordinary determination, a refusal to accept things as they are, and the desire to do what is good and right. Growing up in poverty in rural Arizona, she was denied a formal education—yet went on to obtain an Ivy League degree. When she was told, after discovering the pervasive culture of sexism, harassment, racism, and abuse at Uber, that she was the problem, she banded together with other women to try to make change. When that didn't work, she went public. She could never have anticipated the lengths to which Uber would go in its efforts to intimidate and discredit her, the impact her words would have on Silicon Valley—and the world—or how they would set her on a course toward finally achieving her dreams.The moving story of a woman's lifelong fight to do what she loves—despite repeatedly being told no or treated as less-than—Whistleblower is both a riveting read and a source of inspiration for anyone seeking to stand up against inequality in their own workplace.

    But when she least expects it, her reckless past catches up with her; convicted and sentenced to fifteen months at an infamous women's prison in Connecticut, Piper becomes inmate #11187-424. From her first strip search to her final release, she learns to navigate this strange world with its arbitrary rules and codes, its unpredictable, even dangerous relationships. She meets women from all walks of life, who surprise her with tokens of generosity, hard truths and simple acts of acceptance.

    Heartbreaking and funny, often in the same paragraph.--Newsweek.

    It is a necessary book for our time." —Karen E. Bender, author of RefundIn Flunk. Start., Sands Hall chronicles her slow yet willing absorption into the Church of Scientology. Her time in the Church, the 1980s, includes the secretive illness and death of its founder, L. Ron Hubbard, and the ascension of David Miscavige. Hall compellingly reveals what drew her into the religion—what she found intriguing and useful—and how she came to confront its darker sides.As a young woman from a literary family striving to forge her own way as an artist, Hall ricochets between the worlds of Shakespeare, avant-garde theater, and soap opera, until her brilliant elder brother, playwright Oakley Hall III, falls from a bridge and suffers permanent brain damage. In the secluded canyons of Hollywood, she finds herself increasingly drawn toward the certainty that Scientology appears to offer.In this candid and nuanced memoir, Hall recounts her spiritual and artistic journey with a visceral affection for language, delighting in the way words can create a shared world. However, as Hall begins to grasp how purposefully Hubbard has created the unique language of Scientology—in the process isolating and indoctrinating its practitioners—she confronts how language can also be used as a tool of authoritarianism.Hall is a captivating guide, and Flunk. Start. explores how she has found meaning and purpose within that decade that for so long she thought of as lost; how she has faced the “flunk” represented by those years, and has embraced a way to “start” anew.

    Mixing memoir with mendacity, Slater examines memories of her youth, when after being diagnosed with a strange illness she developed seizures and neurological disturbances—and the compulsion to lie. Openly questioning the reliability of memoir itself, Slater presents the mesmerizing story of a young woman who discovers not only what plagues her but also what cures her—the birth of her sensuality, her creativity as an artist, and storytelling as an act of healing.

    Mutt's pedigree was uncertain, but his madness was indisputable. He climbed trees and ladders, rode passenger in an open car wearing goggles and displaying hunting skills that bordered on sheer genius. He was a marvelous dog, worthy of an unusual boy growing up in a raw, untamed wilderness.

    Pat, as the dog came to be known, and his raffish travelling companion, a young pup, "were even more unwelcome than the weather," but after a few preliminaries both settled in as members of the Borland household. The pup eventually found his permanent home elsewhere, but Pat became Hal Borland's true companion - and a local legend, the terror of woodchucks for miles around. With his keen sensitivity to the natural world, Borland here recounts, with deep affection and wonder, how a man and his dog can form a magical and unforgettable partnership. First published in 1961, THE DOG WHO CAME TO STAY "will appeal to many sportsmen and to all people who have ever been closely attached to a dog." (The New York Times Book Review)

    She makes the decision to cut her mother out of her life, and over the next several years goes on to create a body of work as a successful television and film actor. Then, after fifteen years of estrangement, Joanne learns that her mother is dying. Compelled to reconnect, she visits with her, unearthing a trove of devastating secrets.Joanne relates her journey from child performer to Emmy Award-winning actor, from hiding in the closet to embracing her own sexuality, from conflicted daughter and sibling to independent woman. All We Knew But Couldn’t Say is a testament to survival, love, and Joanne’s fundamental belief that it is possible to love the broken and to love fully, even with a broken heart.

    In this classic collection of magazine articles, Ephron does what she does best: embrace American culture with love, cynicism, and unmatched wit. From tracking down the beginnings of the self-help movement to dressing down the fashion world’s most powerful publication to capturing a glimpse of a legendary movie in the making, these timeless pieces tap into our enduring obsessions with celebrity, food, romance, clothes, entertainment, and sex. Whether casting her ingenious eye on renowned director Mike Nichols, Cosmopolitan magazine founder Helen Gurley Brown—or herself, as she chronicles her own beauty makeover—Ephron deftly weaves her journalistic skill with the intimate style of an essayist and the incomparable talent of a great storyteller.

    Originally published in 1998 as an adult title, this book is aimed at a new young adult readership.