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    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    The tale of one family's journey through humor and heartache, seperation and self-discovery, "Marvin's Room" examines the ties that bind families together ....whether they like it or not.

    But what circumstances allowed Brandt to become the first left-wing chancellor in forty years? And why, given his progressive policies, did the East German secret police feel it necessary to plant a spy in his office and risk bringing down his government? Michael Frayn writes in his postscript to the play, "Complexity is what the play is about: the complexity of human arrangements and of human beings themselves, and the difficulties that this creates in both shaping and understanding our actions."

    It won Best Original Script in The Straits Times’ Life! Theatre Awards in 2006.“Jean’s adroit handling of themes, from the origins of genius to gene heritage and the tyranny of Time, makes Everything but the Brain one of the best things seen on stage here in a while.” —The Straits Times“One of the more thoughtfully constructed original shows to come out of Singapore in recent times.” —The Business Times

    And there is Oshoosi, fresh out of prison, who always takes the wrong track. When his ex-cell mate Elegba gives him a clapped-out car, true freedom seems just around the corner... The Brothers Size is the European debut of an amazing young writer who plants Nigerian myth in the fertile soil of Louisiana. The play premiered at Drum, Plymouth, in October 2007, before touring and transferring to the Young Vic, London.

    Includes: 4 Jews in a Room Bitching * I'm Breaking Down * Marriage Proposal * March of the Falsettos * Making a Home * The Games I Play * I Never Wanted to Love You * Father to Son * The Baseball Game * A Day in Falsettoland * Everyone Hates His Parents * What More Can I Say? * Something Bad Is Happening * Holding to the Ground * Unlikely Lovers * You Gotta Die Sometime * What Would I Do.

    Mysterious, gloomy castles and open graves at midnight are just two of the Gothic devices used to chilling effect in this 19th-century horror classic that turned an obscure figure from Eastern European folklore into a towering icon of film and literature.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    During the past ten years Harold Pinter has written a new play, three film scripts, sheaves of poems, several sketches and created, with composer James Clarke, a pioneering work for radio, Voices. He has acted on stage, screen and radio, he has appeared on countless political platforms, and his work has been extensively celebrated in festivals at Dublin's Gate Theatre and New York's Lincoln Center. In 2005 he was awarded the Nobel Prize for Literature and in 2006, the European Theatre Prize. As if this were not enough, he has in the last five years twice come close to death. But he has faced hospitalisation with stoic resilience and his spirit remains as fiercely combative as ever. As he wrote in 2005 to Professor Avraham Oz, one of Israel's leading internal opponents of authoritarianism: "Let's keep fighting."

    "Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece which tries to make sense of the madness which overtook South Africa during apartheid.

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    - Comprehensive reading and study guides for some of the world's most important literary masterpieces- Concise critical excerpts provide a scholarly overview of each work- "The Story Behind the Story" details the conditions under which the work was written- Each book includes a biographical sketch of the author, a descriptive list of characters, an extensive summary and analysis, and an annotated bibliography

    It is set on Long Island in the 1950s, and deals with the involvement of a very rich family named Larrabee with Sabrina Fairchild, the daughter of their family chauffeur. She is bright, well-educated, and has just returned from five years in Paris, where she has done a brilliant job as an executive in a U.S. government overseas office. She has come home to find out if she is still in love with the younger Larrabee son, David. The elder son, Linus, a cynical, good-humored tycoon who has taken control of the family fortune, detects Sabrina's feeling for his brother, and for his own amusement lays a trap to bring them together. It works: David falls in love with Sabrina and wants to marry her. At the same time, a rich young Frenchman who has known Sabrina in Paris turns up and asks her to marry him. Faced with this dilemma, Sabrina discovers it is really Linus she wants. After an amusing scene in which Sabrina's father, the chauffeur, makes a rather amazing revelation, Sabrina breaks down Linus' resistance and gets her man. An unusual number of fine character parts for actors: the beautiful mother of wit and perception; the father, whose one passion is attending funerals; the chauffeur who has been dabbling in the stock market and likes his job because it gives him time to read; the smart magazine editor who, as a house guest, is the interested observer. "SABRINA FAIR is a delightful, sparkling hit." Robert Coleman, NY Mirror.