Living on the fringe of society, these two outcasts develop an unlikely bond. This is the book on which the Academy Award-winning film was based.

    The First Verse: A Novel

    Who is Brendan Wolf?  It all depends on who you ask. *  To the staff of a Minneapolis nursing home, he's the devoted partner of a much older man who's recently suffered a debilitating stroke. *  To the women of a conservative, Christian pro-life organization, he's the tireless volunteer grieving over the recent loss of his wife and their unborn child. *  To one gay activist, he's the unaffectedly charming, yet directionless and unemployed man that he's fallen hopelessly in love with * To his brother and his brother's wife, he's the lynchpin of a scam that will net them enough money to start their lives over somewhere new. * To the general public, he's an armed and dangerous fugitive All of these people - and yet none of them - Brendan Wolf is an ambivalent lover, reluctant conspirator, counterfeit Christian, and, most of all, an unemployed daydreamer obsessed with a dead man.     From the author of the award-winning The Year of Ice, this is a tour-de-force - a compelling, hilarious, heart-breaking novel about one utterly typical, and completely original, figure:  Brendan Wolf.

    At the center of it are Young Ae, a Korean-born ballet dancer turned PhD student, and her husband, a Korean-American male who inhabits an interior femininity, neither transgender nor homosexual, but a strong, visceral femininity nonetheless. This novel is an adrenaline-filled ride sliding across the surface of desire and chance through the quotidian turned playful.

    He has yet to become the literary voice of his generation. And he most definitely has not met Mr. Right. Now, stuck in a dead-end publishing job, and nursing a broken heart, Andrew is resigned to a life of anti-fabulousness...until the night he meets dark, hunky Frank DeBenedetto. With his confident way of taking care of things and his shy demeanor in the bedroom, Frank wins Andrew over. But problems arise when Frank turns out to be the son of the Maria's top boss, and he's engaged to Anna Franco -- daughter of "Crazy Tommy" Franco -- a woman who does not take to catching her fiance in the act of becoming a "made man."Suddenly, Andrew's once-boring life is heating up with enough action to fuel ten novels...if only he can keep his very cute butt intact and his man from ending up on a Most Wanted poster. From a couple of "sensitivity-trained" cops to a persistent FBI agent...from guys with nicknames that all have to do with pain to a Mafia princess whose hair is nearly as big as her mouth...from ex-lovers, drag queens, and suspicious doormen to a cast of other characters as zany as New York itself, "The Night We Met" is a frantic, nonstop, madcap romp through a wild romance no reader will be able to refuse.

    Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

    But her ex-husbands linger in the background while her four children spin away to their own separate futures, each carrying the baggage of a complex family history. Matt serves as caretaker to the ailing father who abandoned him as a child, while his wild teenage sister, Karen, hides herself in marriage to a born-again salesman. Joe, a perpetual outsider, struggles with a private sibling rivalry that nearly derails him. And then there’s the youngest, Frankie, an endearing, eccentric sci-fi freak who’s been searching since childhood for intelligent life in the universe–and finds it.Written with wry affection, and with compassion for every character in its pages, Send Me is a wholly original, haunting evocation of family love, loss, and, ultimately, forgiveness.From the Hardcover edition.

    Recalling his years as an openly gay high school student, Read describes how he navigated the hallways with his sense of humor and dignity intact. He fondly recalls his initiations into sex, drugs, and rock 'n' roll, as well as his shy as neon acts of rabble rousing during high school. How I Learned to Snap is a refreshingly victim-free story in which queer teenagers are creative, resilient, and ultimately heroic.

    It is constructed around the imagined authorship of a novel by Stephen Crane.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    Taking the advice (and financial support) of a wealthy aunt, he decides to "toss the tiara and get a life." Unfortunately, Daniel's only degrees are in "extensive show tune knowledge, advanced lip-synch, and how to cover up a five o'clock shadow." With his best friend beginning to die from AIDS, his ex-boyfriend prowling around, and his ex-boyfriend's new boyfriend making a pass at Daniel, what's a boy to do but throw himself into intensive weeding and planting of his new apartment garden? And if a handsome stranger should smile down at him from a nearby window, so much the better. Timothy James Beck's debut novel is detailed, realistic, and continually interesting. His main character spends so much energy exhaustively "processing" what happens to him, however, that this might as well have been a lesbian novel. With a little editing, It Had to Be You would have been a much stronger book, but patient readers will agree that Beck shows great promise along the lines of Felice Picano and Neal Drinnan. --Regina Marler

    He was Kurt Strom, a big, good-looking southern boy who left the Detroit Tigers farm team to serve as a medic. In the blood-and-guts insanity of jungle warfare, he tended their wounds. In the comaraderie of of combat, he seduced them.

    . . . The best little boy in the world was . . . the model IBM exec . . . The best little boy in the world was a closet case who 'never read anything about homosexuality.' . . . John Reid comes out slowly, hilariously, brilliantly. One reads this utterly honest account with the shock of recognition." The New York Times"The quality of this book is fantastic because it comes of equal parts honesty and logic and humor. It is far from being the story of a Gay crusader, nor is it the story of a closet queen. It is the story of a normal boy growing into maturity without managing to get raped into, or taunted because of, his homosexuality. . . . He is bright enough to be aware of his hangups and the reasons for them. And he writes well enough that he doesn't resort to sensationalism . . . ." San Francisco Bay Area Reporter

    In the decade that followed, Will relocated to the other end of the continent, filling his days with shallow and pointless affairs, unable to come to terms with the bizarre disappearance that could have been a tragic drowning, a well-planned abandonment, or both. While immersing himself in New York’s gay bar and disco scene, and a hedonistic Fire Island culture darkened by the grim specter of AIDS, Will meets Sean Paris, a young man as tortured and damaged by the past as Will himself. Drawn together by mutual doubts, needs, secrets, and obsessions, the intense relationship that they form will make waves in their circles of friends and ex-lovers, transforming Will’s life forever.