Aboard are nine people who have no idea where they are. Strangers before the violent storm that tore their vessel apart, the instinct to survive has seen them bond during their days adrift on a vast and merciless ocean.Fate has cast them ashore with only one thing in common . . . fear. Rassen the doctor, Massoud the student, the child Hamid and the others all fear for their lives. But in their midst is Jalila, who appears to fear nothing. The beautiful young Yazidi woman is a mystery to them all.While they remain undiscovered on the deserted island, they dare to dream of a new life . . .But forty kilometres away on the mainland lies the tiny fishing port of Shoalhaven. Here everyone knows everyone, and everyone has their place. In Shoalhaven things never change.Until now . . .

    “Bono met his wife in high school,” Park says.“So did Jerry Lee Lewis,” Eleanor answers.“I’m not kidding,” he says.“You should be,” she says, “we’re 16.”“What about Romeo and Juliet?”“Shallow, confused, then dead.”“I love you,” Park says.“Wherefore art thou,” Eleanor answers.“I’m not kidding,” he says.“You should be.”Set over one school year in 1986, Eleanor & Park is the story of two star-crossed misfits – smart enough to know first love almost never lasts, but brave and desperate enough to try.

    It was a time known as the Age of Chaos. In a final explosive flash everything was destroyed. The few who survived banded together and formed a Council for protection. But people like Elspeth-mysteriously born with powerful mental abilities-are feared by the Council and hunted down like animals...to be destroyed.Her only hope for survival to is keep her power hidden. But is secrecy enough against the terrible power of the Council?

    Yapas.They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal: their family connections tie them together for life.Born just five days apart in a remote corner of the Northern Territory, the girls are inseperable, until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie has lost interest in the community, preferring to hang out in the nearby mining town, where she goes to school with the glamorous Selena, and Selena’s gorgeous older brother Nick.When a political announcement highlights divisions between the Aboriginal community and the mining town, Rosie is put in a difficult position: will she be forced to choose between her first love and her oldest friend?

    The boys stumble across a town that has been reduced to smoking rubble, and a zoo that is still intact. When the boys take shelter in the zoo, they discover a menagerie of talking animals. Both the boys and the animals tell their tales and their desire for freedom.Like The Silver Donkey and The Ghost's Child, this is another beautiful fable-like tale that will move you to tears. It's a story that will appeal to all ages; as with any fine book that merges history with fantasy, adults will enjoy reading this as much as children.

    She falls in love with the wrong boy – the German son of the camp commander.Hanna is a talented pianist, and the protected second daughter of middle class Hungarian Jews. Relatively late in World War II the Budapest Jews were rounded up and sent to Auschwitz. Hanna and her mother and sister are separated from her father. Her mother becomes increasingly mentally ill until she too is taken away somewhere. Her sister Erika is slowly starving to death. Hanna is quite a naïve 15-year-old but when presented with the opportunity to play piano for the camp commander, she is desperate to be chosen. She goes each day under guard to the commander’s house and stands waiting in case the commander should want some music. Also living in the house is the commander’s son, Karl. A handsome young man who seems completely disengaged from what is happening around him. Hanna hates him as he sits drawing in the music room. But the longer Hanna goes to the house, the more she realises there are other things going on. Secret things. Karl may not be the person she thinks he is. Before she knows it she has fallen in love with the wrong boy.

    Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket's kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you're a veteran of the Battle of Lexington, and you've helped whip the King's best soldiers...

    Its sequel, Dear Enemy (1915), also told in letters, follows the progress of Judy's former orphanage now run by her friend Sallie McBride, who struggles to give her young charges hope and a new life. Full of irrepressible female characters that both recall Alcott's Jo March and anticipate the popular heroines of contemporary literature, Webster's novels are witty, heartfelt, and delightfully modern.

    To erase her past, Katherine has moved to a new city, enrolled in a new school, and even changed her name. She’s done the next best thing to disappearing altogether. Now, wary and alone, she seeks nothing more than anonymity. What she finds instead is the last thing she expected: a friend.Even more unlikely, Katherine’s new friend is the most popular and magnetic girl in school. Extroverted, gorgeous, flirtatious, and unpredictable, she is everything that Katherine is not and doesn’t want to be: the center of attention. Yet Alice’s enthusiasm is infectious, her candor sometimes unsettling, and Katherine, in spite of her guarded caution, finds herself drawn into Alice’s private circle. But Alice has secrets, too—darker than anyone can begin to imagine. And when she lets her guard down at last, Katherine discovers the darkest of them all. For there will be no escaping the past for Katherine Patterson—only a descent into a trap far more sinister . . . and infinitely more seductive.

    But this is no ordinary time, for it is 1935 and the Second World War is fast approaching; and this is no ordinary house, for this is the Berghof, the home of Adolf Hitler.Quickly, Pierrot is taken under Hitler's wing, and is thrown into an increasingly dangerous new world: a world of terror, secrets and betrayal, from which he may never be able to escape.

    A nobody.But that's all about to change.Because I am starting a project.Here. Now. For myself.And if you want to come along for the ride then you're very welcome.Bree is by no means popular. Most of the time, she hates her life, her school, her never-there-parents. So she writes.But when Bree is told she needs to stop shutting the world out and start living a life worth writing about, The Manifesto on How to Be Interesting is born. A manifesto that will change everything......but the question is, at what cost?

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens's classic Great Expectations.So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.

    His world was the Australian countryside early last century: rough-riders, bushmen, farmers and tellers of tall stories - a world held precious by the young Alan.

    This edition contains important lessons on the nature of friendship and love, the importance of belief in the future, and the value of respect for oneself and others, and much more.