In this spellbinding story of faith and fulfilled prophecy, readers discover the “code” of Revelation as they begin to see it through the eyes of the persecuted believers to whom it was written.

    Caught up in the maelstrom following the death of an obscure rabbi in the Roman backwater of first-century Palestine, Leah finds herself also engulfed in her own turmoil--facing the prospect of an arranged marriage to a Roman soldier, Alban, who seems to care for nothing but his own ambitions. Head of the garrison near Galilee, he has been assigned by Palestine's governor to ferret out the truth behind rumors of a political execution gone awry. Leah's mistress, the governor's wife, secretly commissions Leah also to discover what really has become of this man whose death--and missing body--is causing such furor. This epic drama is threaded with the tale of an unlikely romance and framed with dangers and betrayals from unexpected sources. At its core, The Centurion's Wife unfolds the testing of loyalties--between two young people whose inner searchings they cannot express, between their irreconcilable heritages, and ultimately between their humanity and the Divine they yearn to encounter.

    In White Christmas by Cara Putman, Abigail Turner is holding down the Home Front as a college student and a part-time employee at a one-of-a-kind candy shop. Loss of a beau to the war has Abigail skittish about romantic entanglements—until a hard-working young man with a serious problem needs her help. Abigail’s brother Pete is a fighter pilot hero returned from the European Theatre in Sarah Sundin’s I’ll Be Home for Christmas, trying to recapture the hope and peace his time at war has eroded. But when he encounters a precocious little girl in need of Pete’s friendship, can he convince her widowed mother that he’s no longer the bully she once knew?In Tricia Goyer’s Have Yourself a Merry Little Christmas, Meredith Turner, “Merry” to those who know her best, is using her skills as a combat nurse on the frontline in the Netherlands. Halfway around the world from home, Merry never expects to face her deepest betrayal head on, but that’s precisely what God has in mind to redeem her broken heart.The Turner family believes in God’s providence during such a tumultuous time. Can they absorb the miracle of Christ’s birth and God’s plan for a future?

    She’s putting her past behind her and working hard to build her career as a buyer for a large used bookstore. So far she’s been able to keep her drinking problem at bay, but everything changes when she lands a DUI on her thirty-third birthday. When she’s accused of a crime she didn’t commit at work, she has nowhere to turn. She yearns for her estranged family, especially her younger sister May whom she hasn’t seen for fifteen years. Now the owner of a failing cattle ranch in Elk Valley, Colorado, May couldn’t possibly want a relationship with the big sister who didn’t even say good-bye all those years ago, could she? Soon Christy’s fleeing from her shattered dreams, her abusive ex-boyfriend, and God. Could the Triple Cross Ranch be the safe haven she’s searching for, or will May’s new-found faith give her even more reason to reject Christy?

    In The Road Show we meet Zachary Edge, a Confederate soldier, on his way home at the war's close. He stumbles upon a traveling troupe, a chance encounter that is the start of an unforgettable odyssey. Edge hits the road with bawdy showgirls, roguish tricksters, and a host of colorful characters. He soon finds himself in the arms of Autumn Auburn, the lithesome artiste known for her breathtaking sensuality.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    She is mesmerized by the sea beyond the house and by some charged mystery between the two men.‎Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women are allowed to hold jobs that once belonged to men, now soldiers abroad. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. One evening at a nightclub, she meets Dexter Styles again, and begins to understand the complexity of her father’s life, the reasons he might have vanished.With the atmosphere of a noir thriller, Egan’s first historical novel follows Anna and Styles into a world populated by gangsters, sailors, divers, bankers, and union men. Manhattan Beach is a deft, dazzling, propulsive exploration of a transformative moment in the lives and identities of women and men, of America and the world.

    The orphanage that was her refuge and later her workplace has burned to the ground, and only she and a young orphan girl have escaped. Convinced this must be related to her parents' murders, Evelyn flees with the girl to Mesquite Springs in the Texas Hill Country and finds refuge in the home of Wyatt Clark, a talented horse rancher whose plans don't include a family of his own.At first, Evelyn is a distraction. But when it becomes clear that trouble has followed her to Mesquite Springs, she becomes a full-blown disruption. Can Wyatt keep her safe from the man who wants her dead? And will his own plans become collateral damage?Suspenseful and sweetly romantic, Out of the Embers is the first in a new series that invites you to the Texas Hill Country in the 1850s, when the West was wild, the men were noble, and the women were strong.

    While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula.Dubious of Gig’s idealism, Rye finds himself drawn to a fearless nineteen-year-old activist and feminist named Elizabeth Gurley Flynn. But a storm is coming, threatening to overwhelm them all, and Rye will be forced to decide where he stands. Is it enough to win the occasional battle, even if you cannot win the war?An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. Featuring an unforgettable cast of cops and tramps, suffragists and socialists, madams and murderers, it is a tour de force from a “writer who has planted himself firmly in the first rank of American authors” (Boston Globe