Josie, once a hot-shot criminal defense attorney, left the fast track behind for a small practice in Hermosa Beach, California. But Hannah Sheraton intrigues her and, when the girl is charged as an adult, Josie cannot turn her back. But the deeper she digs the more Josie realizes that politics, the law and family relationships have created a combustible and dangerous situation. When the horrible truth of the murder is uncovered it could save Hannah Sheraton or destroy them both.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    He hopes to uncover the truth behind the legend of the selkies—mermaids or seal people who have been sighted off the north of Scotland for centuries. He has a more personal motive, too; family legend states that Alexander is descended from seal men. As he struggles to be the good pastor he was called to be, his maid Moira faces the terrible eviction of her family by Lord Marstone, whose family owns the island. Their time on the island will irrevocably change the course of both their lives, but the white house on the edge of the dunes keeps its silence long after they are gone.It will be more than a century before the Sea House reluctantly gives up its secrets. Ruth and Michael buy the grand but dilapidated building and begin to turn it into a home for the family they hope to have. Their dreams are marred by a shocking discovery. The tiny bones of a baby are buried beneath the house; the child's fragile legs are fused together—a mermaid child. Who buried the bones? And why? To heal her own demons, Ruth feels she must discover the secrets of her new home—but the answers to her questions may lie in her own traumatic past. The Sea House by Elisabeth Gifford is a sweeping tale of hope and redemption and a study of how we heal ourselves by discovering our histories.

    A young student drowns in a mysterious accident involving a small circle of boys. The drowning and its aftermath initiates a spiraling circle of treachery that will span three decades and entwine many loves... From the exclusive men's club and brothels that cater to every dark desire of London's upper classes to the dazzling ballrooms and mahogany-paneled suites of the manipulators of the world's wealth, Ken Follett conjures up a stunning array of contrasts. This breathtaking novel portrays a family splintered by lust, bound by a shared legacy... men and women swept toward a perilous climax where greed, fed by the shocking truth of a boy's death, must be stopped, or not just one man's dreams, but those of a nation, will die...

    Constance Kopp doesn’t quite fit the mold. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters into hiding fifteen years ago. One day a belligerent and powerful silk factory owner runs down their buggy, and a dispute over damages turns into a war of bricks, bullets, and threats as he unleashes his gang on their family farm. When the sheriff enlists her help in convicting the men, Constance is forced to confront her past and defend her family — and she does it in a way that few women of 1914 would have dared.

    J. Robinson comes a family saga amidst the backdrop of the Civil War and a deadly hurricane, rising floodwaters in the Big Easy, or Crescent City, as a plantation on River Road in Vacherie, Louisiana, is threatened. Will Hurricane Katrina destroy what the Civil War spared? Margaret Jane Turnrow first laid eyes on River Oaks Plantation amid lush foliage and oak trees dripping with Spanish moss when she returned from her honeymoon as a petite hazel-eyed fifteen-year-old bride to the antebellum mansion. She immediately fell in love with the house and grounds and beautifying the garden with plants. Her first task involved lining the oak drive with azaleas. Determined to have the best plantation gardens, she soon recreated formal ones designed from precious memories of France, Italy, and England she'd toured on her honeymoon. Before the Civil War, she imported plants, and gardening became her passion. During the war, it was her only one. The fertile Louisiana soil loved and nursed her plants as much as she did, and they grew like the cotton and sugarcane. Pale as a magnolia blossom, she sparkled like the sun reflecting off Lake Pontchartrain when she flashed pearly white teeth with her camellia red smile, but small white hands tucked demurely into the folds of her gown as she sat quietly during elegant dinners, concealed her true vivacious spirit. The war would change the shy woman-child as it ravaged through her life and took its toll on the home and family life she came to know and love with all of her heart. Before the Civil War, dashing Danny Paul Turnrow stood six-foot-two-inches, as tall and elegant as the white-columned plantation home he'd purchased on the banks of the Mississippi River. He led a charmed life as a charismatic cotton baron known as one of the richest men on River Road. River Oaks boasted over thirty-five-hundred acres of fertile Louisiana soil, mostly planted in cotton with the exception of some sugarcane along the Mississippi River banks and his wife's gardens. He returned from the war a different man, as broken as the pillared splendor of the South. Surrounded by cypress swamps and sugarcane fields on the river's end and white blankets of cotton edging the dirt roads, River Oaks Plantation still stood, but the grand life he'd led turned to one of backbreaking toil. He no longer stood so tall and proud with an aching back hunched over Louisiana cotton fields. With the future uncertain, fear lurks in his heart and soul and clouds his mind. What will sustain his marriage through the loss? Can they defend what's most precious to them and maintain River Oaks as a working plantation? The manor home is the only legacy he has left and the only life he has ever known. Will he lose it? Years later, Amaryllis Camilla O'Brien is stranded alone with two dogs on the top floor of an antebellum plantation in Vacherie, Louisiana, as a deadly hurricane rips and roars through the city and raging floodwaters threaten to devour the old home. She discovers a yellowed diary. Will family secrets drown in the flood with her? Will the diary matter? She's determined to save it and the dogs, or die trying. Has her grandmother left her a sinking ship? Noah Gautreaux, the plantation manager, took vehicles to higher ground and is supposed to return, but will he make it in time to save Amaryllis and his pet girls? The old house withstood the floods of 1973, 1983, and 1993. He doesn't think he has to worry about it floating off down the Mississippi River, but as excessive rain and wind continue to batter the area and the water continues to rise when the levee breaches, he realizes there's a first time for everything and this could be it for the white-columned beauty of ages past.

    But to seventeen-year-old Celine Rousseau, New Orleans provides her a refuge after she's forced to flee her life as a dressmaker in Paris. Taken in by the sisters of the Ursuline convent along with six other girls, Celine quickly becomes enamored with the vibrant city from the music to the food to the soirées and—especially—to the danger. She soon becomes embroiled in the city's glitzy underworld, known as La Cour des Lions, after catching the eye of the group's leader, the enigmatic Sébastien Saint Germain. When the body of one of the girls from the convent is found in the lair of La Cour des Lions, Celine battles her attraction to him and suspicions about Sébastien's guilt along with the shame of her own horrible secret.When more bodies are discovered, each crime more gruesome than the last, Celine and New Orleans become gripped by the terror of a serial killer on the loose—one Celine is sure has set her in his sights . . . and who may even be the young man who has stolen her heart. As the murders continue to go unsolved, Celine takes matters into her own hands and soon uncovers something even more shocking: an age-old feud from the darkest creatures of the underworld reveals a truth about Celine she always suspected simmered just beneath the surface.At once a sultry romance and a thrilling murder mystery, master storyteller Renée Ahdieh embarks on her most potent fantasy series yet: The Beautiful.

    But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse.After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history—a history of murder, betrayal, and financial ruin. The Spielmans’ own shameful secrets and lies become harder to hide as someone or something inside the house watches their every move.As tensions build between the family members, the home’s dark history threatens to repeat itself. Margot and Myron must confront their own ghosts and Rawlingswood’s buried past before the house becomes their undoing.

    City of Medicine, Money, Murder.Young women are being discovered dead across the Old Town, all having suffered similarly gruesome ends. In the New Town, medical student Will Raven is about to start his apprenticeship with the brilliant and renowned Dr Simpson.Simpson's patients range from the richest to the poorest of this divided city. His house is like no other, full of visiting luminaries and daring experiments in the new medical frontier of anaesthesia. It is here that Raven meets housemaid Sarah Fisher, who recognises trouble when she sees it and takes an immediate dislike to him. She has all of his intelligence but none of his privileges, in particular his medical education.With each having their own motive to look deeper into these deaths, Raven and Sarah find themselves propelled headlong into the darkest shadows of Edinburgh's underworld, where they will have to overcome their differences if they are to make it out alive.

    When the opportunity presents itself, Phryne decides it might be amusing to try her hand at becoming a lady detective in Australia. Immediately upon settling into Melbourne's Hotel Windsor, Phryne finds herself embroiled in mystery. From poisoned wives and cocaine smuggling, to police corruption and rampant communism (not to mention erotic encounters with the beautiful Russian dancer, Sasha de Lisse), Cocaine Blues charts a crescendo of steamy intrigue, culminating in the Turkish baths of Little Lonsdale Street.

    The war is over, and as the initial phase of de-Nazification winds down, the citizens of Vienna struggle to rebuild their lives amidst the rubble.Anna Beer returns to the city she fled nine years earlier after discovering her husband's infidelity. She has come back to find him and, perhaps, to forgive him. Traveling on the same train from Switzerland is 18-year-old Robert Seidel, a schoolboy summoned home to his stepfather's sickbed and the secrets of his family's past.As Anna and Robert navigate an unrecognizable city, they cross paths with a war-widowed American journalist, a hunchbacked young servant girl, and a former POW whose primary purpose is to survive by any means and to forget. Meanwhile, in the shells of burned-out houses and beneath the bombed-out ruins, a ghost of a man, his head wrapped in a red scarf, battles demons from his past and hides from a future deeply uncertain for all.In The Crooked Maid, Dan Vyleta returns to the shadows of war-darkened Vienna, proving himself once again "a magical storyteller, master of the macabre" (David Park).

    But they don’t know this yet.So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.

    With her delicate blond looks, she is a stunning beauty who seems destined for a privileged life. But fate, a world war, and her own quietly rebellious personality lead her down a different path.By 1939, Europe is on fire and England is at war. From her home in idyllic Hampshire, Alex makes her way to London as a volunteer in the First Aid Nursing Yeomanry. But she has skills that draw the attention of another branch of the service. Fluent in French and German, she would make the perfect secret agent.Within a year, Alex is shocking her family in trousers and bright red lipstick. They must never know about the work she does--no one can know, not even the pilot she falls in love with. While her country and those dearest to her pay the terrible price of war, Alex learns the art of espionage, leading to life-and-death missions behind enemy lines and a long career as a spy in exotic places and historic times.Spy follows Alex's extraordinary adventures in World War II and afterward in India, Pakistan, Morocco, Hong Kong, Moscow, and Washington, D.C., when her husband, Richard, enters the foreign service and both become witnesses to a rapidly changing world from post-war to Cold War. She lives life on the edge, with a secret she must always keep hidden.

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    Not the bucolic Vermont back roads college sophomore Laurel Estabrook likes to bike. Not the savage assault she suffers toward the end of one of her rides. And certainly not Bobbie Crocker, the elderly man with a history of mental illness whom Laurel comes to know through her work at a Burlington homeless shelter in the years subsequent to the attack.In his moments of lucidity, the gentle, likable Bobbie alludes to his earlier life as a successful photographer. Laurel finds it hard to believe that this destitute, unstable man could once have chronicled the lives of musicians and celebrities, but a box of photographs and negatives discovered among Bobbie's meager possessions after his death lends credence to his tale. How could such an accomplished man have fallen on such hard times? Becoming obsessed with uncovering Bobbie's past, Laurel studies his photographs, tracking down every lead they provide into the mystery of his life before homelessness -- including links to the rich neighborhoods of her own Long Island childhood and to the earlier world of F. Scott Fitzgerald's The Great Gatsby, with its larger-than-life characters, elusive desires, and haunting sorrows.In a narrative of dazzling invention, literary ingenuity, and psychological complexity, Bohjalian engages issues of homelessness and mental illness by evoking the humanity that inhabits the core of both. At the same time, his tale is fast-paced and riveting -- The Double Bind combines the suspense of a thriller with the emotional depths of the most intimate drama. The breathtaking surprises of its final pages will leave readers stunned, overwhelmed by the poignancy of life's fleeting truths, as caught in Bobbie Crocker's photographs and in Laurel Estabrook's painful pursuit of Bobbie's past -- and her own. Behind The Double BindWhile Bobbie Crocker, the photographer in The Double Bind, is fictitious, the photographs that appear in the book are real. They were taken by a man named Bob "Soupy" Campbell, who, as Chris Bohaljian explains in his Author's Note, "had gone from photographing luminaries from the 1950s and 1960s to winding up at a homeless shelter in northern Vermont." Bohaljian's viewing of Campbell's work after the photographer's death provided an inspiration for The Double Bind. "We tend to stigmatize the homeless and blame them for their plight," Bohjalian writes. "We are oblivious to the fact that most had lives as serious as our own before everything fell apart. The photographs in this book are a testimony to that reality."